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Snippets-to-Spin-Offs: The Murder Rule, and More (Part Seven)—Reaching the Climax

In these final snippets from Part One of The Murder Rule I will post ‘the pre-climax’ so to speak, not revealing the name of the killer of rocker Denny Spradlin in early February, 1996. But this killer did know the man Denholm spoke with in the second snippet, a former rap superstar and record mogul himself, now living in fear for his life should he expose the true killer of Spradlin, among other reasons, such as betraying his oath to ‘the Order’ that Spradlin also betrayed and who suffered murder over it.

Denholm knew that this rap star named ‘Drakk’ was also in hiding, but did not know where. But he figured Drakk’s lawyer in the record label lawsuit that Drakk had lost, because the other side had threatened and bribed the judge to make sure Drakk’s side lost, would know where Drakk was. The lawyer’s name was Wilmont. Denholm made an appointment with Wilmont to find out where Drakk was.

The first snippet is below, and both snippets are copyright © 2022 Deborah Lagarde. The time frame is June, 2005.

 

On the hunt for Drakk, 2005

 

 

“I really do not think making this appointment with me, Mr. Denholm, will solve your problem of finding Drakk, as I cannot reveal to you where he is.”

So said Avery Wilmont, Solicitor, who was now retired and basically living off the largesse paid to him by Drakk, who, while losing his label and well over a billion pounds, was still wealthy enough to keep paying off this secret partner whom had vowed to not reveal where Drakk lived.

“Is Drakk still in danger for his life over the lawsuit?”

Wilmont lit a cigarette and sat at his desk in his home-office. “Not over the lawsuit. Over the fact that he knows who killed a number of former Order of Andelusia members who quit the ‘club’ so to speak. Dead men tell no tales, as the saying goes.”

I just happened to bring with me Denny’s copy of The Pleasure Rule manual which Kempullah had given to me to aid in my quest to find Denny’s killer.

“Yes, it’s in this book.” I showed Wilmont the manual.

“Yes, it is. Drakk told me all about it.”

I then told him what Blake had told me about his suspicion that Drakk as well as Fozz had a part in the murder of Denny Spradlin.

“But neither one really did have a part in it, Mr. Denholm.”

“Call me Lloyd.”

“Fine. Lloyd, while Fozz and Drakk may have been called to take part in Spradlin’s and other killings for breaking the rules so to speak, neither one actually took part. You will have to ask Drakk why—”

“Why? When you can’t even tell me where he is so that I can talk with him?”

Wilmont’s face went flush with the truth of it, which led to some verbal judo on my part.

“Because, Mr. Wilmont, when I am interviewing anybody, I need to see their face, facial expressions, their body language, which reveals to me their truth or their half-truths or their lies. Body language, Mr. Wilmont, body language. Anyone can say anything, true or false. But it is their body language that lets me know whether or not the person I am interviewing is being truthful or not. I cannot see their body language over the phone. Nor can I see their body language through e-mail or cell phone texting. The interview must happen face-to-face. That means I must meet with him. In secret. Maybe if you rang him up—he does have a phone, right?”

“So you want me to ring him and ask him if you can meet him face-to-face?”

“Yes. And hopefully, he agrees to meet me, in secret. Alone, at his house or wherever.”

And so it was to be. On a tiny island off the coast of Scotland, where he rented a cottage from the lord of the island under his real name seldom revealed in any pop culture magazine or other media, that being Percy Whitewell.

In the second snippet, Denholm meets with Drakk, two weeks later.

“You won’t reveal my real name, will you?”

So said Percy ‘Drakk’ Whitewell after greeting me at his door. He wore blue jeans, a white t-shirt, slippers, and held a pistol in his right hand.

“I will not reveal your real name.”

As I entered through the door I whispered, “You can put that gun away now.”

Drakk stuck it in a drawer near a couch made of leather, then sat down, as I sat in a similar chair.

“So you had nothing to do with Denny Spradlin’s death, which was not a suicide.”

“I didn’t do it. And Fozz didn’t either.” He lit a cigarette, then held it out to me. “Smoke?”

“No thanks, but a glass of water would help.”

“Sorry, man.” He got up and brought me a bottle.

“Thanks,” I said, then continued. “So, do you know who did kill Denny?”

Heavy breathing. “Yes.” He then nodded with apprehension written all over his face.

“Is the killer still alive?” Sip.

“Yes. Which is why I’m in hiding and only Wilmont—and now you—know where I am.”

“I will not reveal your place of residence, believe me. And I will also not reveal that it was Wilmont who set up the interview. He is retired, so I doubt anyone still thinks he has anything to do with you.” Another sip.

Drakk then sat back a bit more relaxed. “This killer is very powerful now in the music biz. He’s on the Directorate. He’s at the top of the Novordo Club—”

“Mark Besst?”

“Supposedly Mark Besst died or something last year. I mean the man he recruited—”

I cut Drakk short. “So let me go through my head then as to who did not have anything to do with it, or who has died since the death. Just give me a minute, eh?”

 

So it could have been Swami Negran, but he got car-crashed, supposedly. And Kumara, but he got bombed, supposedly. Cole Blessing? Likely not—he was in the US at the time, and he got impaled… I doubt if Torquay and his Luciferian minions had anything to do with it, and most of them died mysteriously anyway. Drakk said not Mark Besst, either, who supposedly died. So it must be someone among the new set of Novordos.

(Note: Then the name of the ‘someone among the new set of Novordos’ popped into Lloyd Denholm’s head. Sorry, no spoiler alerts!)

“Okay, Drakk, I’m finished considering who could have been involved but has passed on, as well as whom likely would not have had a part in Denny’s murder.” Sip of water. “You said Mark Besst recruited someone into the Novordo Club and is on the Directorate as well. By that I reckon you mean the Directorate that rules the music industry.”

“Yes.”

“You also said this killer is powerful in the music biz, which is likely why he’s on their Directorate. And you do know this person.”

“Yes.”

“So that,” another sip, “you know this person, and you know he is powerful in the industry, was recruited by a man who headed the Novordos—that is, Mark Besst—and is likely that powerful in the business because he now controls the record label that you and Fozz once controlled after he won that lawsuit in 2003, likely because Mark Besst backed him and likely he won because Besst bribed the judge, or maybe even threatened the judge.”

“Yes.” Drakk then hung his head in apprehension.

“So I know who you believe, or know, who committed the dirty deed.”

“And that is—”

“I don’t need to say his name, and his celebrity name is not his real name of course, but his ‘stage name’ so-to-speak. All I have to do is look up his real name on some search engine using his stage name. And you know of whom I speak, so I will not have to even mention his name. And he is the one who did it, correct?”

“Yes.” Still hung his head. Guilty feeling?

“But the thing is, Drakk, was you-know-who originally part of the plot? Or did you or Fozz or both of you recruit you-know-who to do the killing instead, offering him some reward for doing so?”

“Yes.”

And what was that reward? Being signed to the FozzWorld rap label a short time  later—for at the time he was only fifteen-years-old and was just getting his rap career started—and his sex partner ‘career’ started with former Hellyon Inner Sanctum member, tech guru Mark Besst.

And then Drakk revealed to me how it all went down.

With loved ones coming out to visit and other events, my next post, likely from The Murder Rule Part Two, will be in mid-July. I also need to do some editing of this Part One as well.

Use the menu above to purchase books, download the FREE PDF The Prodigal Band, read snippets posts from The Prodigal Band Trilogy, and other stuff. Cheers!

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Even Members of the Evil Elites Can Repent and Receive Salvation: If One of My Most Evil Fictional Characters Can Do It…

Folks, either I am going to write novels about why folks should at least consider accepting Jesus Christ as Lord and Savior (because no one should be forced to do so), or write novels exposing the evil in this world, a world ruled by ‘principalities and powers’ and ‘wickedness in high places’ (Ephesians 6:12). The Prodigal Band Trilogy is about a fictitious rock band that after serving evil, repents, and accepts Christ as Lord and Savior—but it also exposes the evil in this world. The novel I am working on now, The Murder Rule, while mentioning main characters that did in fact accept Christ as Lord and Savior, is primarily about exposing evil, and not just in the music industry. Part One is nearly complete and will be finished likely before the end of June, 2022. Part Two is more than half finished. Part Three (and possibly a Part Four), that will also feature important characters from The Prodigal Band Trilogy, will go much further in exposing evil.

The snippet post below, from Chapter Sixteen of The Prodigal Band, features one of the trilogy’s most evil characters who is nearing death, Baron Torquay-Lambourgeau, head of several secret societies serving the satanic character Corion, as well as leading world-wide banker and one of the richest men on Earth. What happened to this man nearing death was miraculous, and I will not provide a ‘spoiler alert.’ But what happened was inspired by the FACT that not all members of the elites are evil, and, in FACT, a few have actually repented and accepted Christ as Lord and Savior.

Continue reading “Even Members of the Evil Elites Can Repent and Receive Salvation: If One of My Most Evil Fictional Characters Can Do It…”

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Snippets-to-Spin-Offs: The Murder Rule, and More (Part Six)–The Plot Thickens

Hopefully, by mid-June, Part One of The Murder Rule will be completed (and then comes the editing part). It is mostly completed already. Part Two, featuring roadie Bobby Jones, is mostly completed but I need to manuscript the climax and leading up to the climax. Then comes Part Three and maybe, Part Four. The plan is to complete the entire novel, The Murder Rule, before the end of 2022.

This post is the one that leads up to the climax of Part One of The Murder Rule, where narrator and pop-culture pundit Lloyd Denholm begins to come to the conclusion through investigations as to who murdered fictitious rock star Denny Spradlin in early 1996.

Spradlin’s band mate Blake Fenmore has requested of the pop culture magazine X-Zine to have pundit and free-lancer Denholm to find out ‘who done it’ and how. The request was made in Spring, 2005. In this snippet, Denholm meets with Blake at his rock house in the Lake District of northwest England. Below is the snippet, copyright © 2022 by Deborah Lagarde:

Continue reading “Snippets-to-Spin-Offs: The Murder Rule, and More (Part Six)–The Plot Thickens”

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An Introduction to “Talent for a Mission—A Guide for Christian Authors”

Back in early January 2022, I put up a post here, mentioning a ‘New Years Resolution’ Christian authors might consider, especially authors of fiction, about using the writing talent God gave them to help ‘make disciples of all nations,’ a task Christ Himself assigned to His disciples upon their witnessing that He had risen from the dead (Matthew 28:19). The ‘guide’ is pretty much completed and will likely be uploaded to this site later this year as a FREE PDF for download. Hopefully, it will inspire Christian authors to follow that task! Below is a snippet of the first couple of pages, though I left out a few paragraphs relating to peoples who likely have not ‘heard the Word’ yet, but will at some point, as prophesy claims that before ‘the end’ comes, all peoples will be given the opportunity to accept Christ as Lord and Savior. Below is the snippet:

Continue reading “An Introduction to “Talent for a Mission—A Guide for Christian Authors””

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Snippets-to-Spinoffs (Part Five): The Murder Rule Part One Meets Part Two

When novels are divided into parts or sequels or series, there always have to be connections from one part to another part, or the next part, or the sequel, or series or trilogy novels. And there must be connections to any novels of which they are ‘spun-off.’

The previous post entitled Proof that my new novel, The Murder Rule, is derived from my Prodigal Band Trilogy (Episode One), shows how the new novel is based on the trilogy. In this post, using characters that narrate Parts One and Two of The Murder Rule, there, too, are references to parts of The Prodigal Band Trilogy. The narrator of Part One of The Murder Rule is pop culture pundit Lloyd Denholm, who is the narrator of The Prodigal Band, and the narrator of Part Two is Bobby Jones, a prodigal band roadie minor character of both Battle of the Band and The Prodigal Band. Within a chapter for Part One of The Murder Rule, Bobby meets with Lloyd at Denholm’s apartment in the fictitious city of Richmont, California, in 2002, so he can reveal what he learned about the ‘suicided’ and murdered rocker, Denny Spradlin, that proves Denny was indeed murdered. The proof comes to Bobby from a prominent support character working for ‘the Good,’ the so-called ‘witch,’ Morwenna, who, along with God’s angels, the Tooters, guides the prodigal band Sound Unltd in their ‘missions of God.’ And a reminder: The Murder Rule is copyright by Deborah Lagarde and will be registered with the Library of Congress when officially published, hopefully, this year. Below is the snippet:

Continue reading “Snippets-to-Spinoffs (Part Five): The Murder Rule Part One Meets Part Two”

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Proof That My New Novel, The Murder Rule, is Derived from My Prodigal Band Trilogy, Episode One

In Part One of a three-or-four-or more part new novel that will likely be titled The Murder Rule is featured the ‘suicide,’ which is actually a murder, of a minor character within the first trilogy novel, Battle of the Band, a rocker and friend of the prodigal band, named Denny Spradlin, front man of another Brit band called Wolfin. As with some of the prodigal band members, he is also a drug addict but is trying to end that addiction and find some meaning in his real non-celebrity life. He is also trying to leave behind the evil agenda within the music industry he knows he helped bring about.

In order to claim The Murder Rule is derived or ‘spun-off’ from The Prodigal Band Trilogy, parts of the trilogy had to come into focus while writing the manuscript for the new novel. In a couple of days, I managed to write two whole chapters that feature both the narrator or Battle of the Band as well as The Prophesied Band, pop culture pundit Jay Elliot, and the narrator of The Prodigal Band as well as The Murder Rule, pop culture pundit Lloyd Denholm. Lloyd, a Brit, moved to the fictitious California coastal city called Richmont, where Elliot also lived, so that the two could work on a pop culture magazine project about the history of rock music into the 90s and 2000s. But the topic of Spradlin’s demise kept cropping up in conversations between the two, due to the fact that various other rock stars of that time had also died or nearly died, rockers Elliot knew because these rockers tended to confide in him. Due to what Elliot had been told by some members of the prodigal band Sound Unltd and others, both came to the conclusion that murder, not suicide, caused Denny Spradlin’s death.

Two or more snippets from Part One of The Murder Rule will be featured in the coming weeks; right now, I will post a snippet from Part One of The Murder Rule to begin this series. I will not list the Chapter this comes from since I might change the arrangement of chapters and manuscript prior to publication later. And a reminder: The Murder Rule is copyright by Deborah Lagarde and will be registered with the Library of Congress when officially published, hopefully, this year.

Continue reading “Proof That My New Novel, The Murder Rule, is Derived from My Prodigal Band Trilogy, Episode One”

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When Snippets Become Spin-Offs: The Murder Rule, and More (Part Four)

This snippet post continues from the previous Murder Rule snippet post featuring the beginning of Part Two of a new novel I am working on tentatively titled The Murder Rule. Part Two concentrates on a minor character from both Battle of the Band and The Prodigal Band, prodigal band follower and part-time roadie, Bobby Jones, who later helps the band carry out their ‘missions of God’ by giving them a song he wrote about Christ.

But as with the prodigal band Sound Unltd, Bobby is caught up in the occult, drugs and the party lifestyle, which is how he got connected to the band in the first place: as a part-time roadie. This snippet (© Deborah Lagarde) explains how he got into the ‘roadie’ ‘job’ in the first place, with a fictitious top American band.

Continue reading “When Snippets Become Spin-Offs: The Murder Rule, and More (Part Four)”

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Snippet Links: The Prodigal Band Meets the Parable of the Prodigal Son (Luke 15)

I cannot overstate the importance of my The Prodigal Band Trilogy being based and inspired by the Parable of the Prodigal Son featured in the New Testament Gospel of Luke in Chapter 15.  Since one has to scroll through the various pages of this site’s home page (because the “sticky-ness” of the page only lasts so long while new posts are published every week or two), I am posting the links to the four ‘Prodigal Son Meets Prodigal Band‘ snippet posts in this new post. One can also find links to these posts by clicking on the Menu item Links to All Snippet Posts, above. Here are the links, with short summary:

Prodigal Son Meets the Prodigal Band Part One, where the prodigal band, as with the Prodigal Son, wastes their talents their Father gave them on empty lives, drugs, booze, etc., to where they find themselves in a series of crises.

Prodigal Son Meets the Prodigal Band Part Two, where the prodigal band members begin to work their ways out of crises and seek a saving path back to their Father, learning the truth of what they are trying to overcome–evil.

Prodigal Son Meets the Prodigal Band Part Three, where, given ‘missions of God,’ they realize that before the can do these ‘missions’ they vowed to do, they had to do ‘missions’ on themselves!

Prodigal Son Meets the Prodigal Band Part Four, where, as the six members of the prodigal band carry out their missions, there is doubt among believers that the band members really are carrying out the missions, so a Scottish minister reminds the world-wide flock that even former ‘devil worshipers’ that become saved by grace through faith can do their missions just fine regardless of their ‘evil’ pasts! Heck, if Mary Magdeline, a prostitute possessed by demons could do it…

You can purchase The Prodigal Band Trilogy or the other books that make up the trilogy and/or download the FREE PDF The Prodigal Band at the links in the menu at the top of the page.

The Prodigal Band Trilogy © 2019 by Deborah Lagarde, Battle of the Band © 1996 by Deborah Lagarde, The Prophesied Band © 1998 by Deborah Lagarde and The Prodigal Band © 2018 by Deborah Lagarde. Permission needed to copy any materials off this page.

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When Snippets Become Spin-Offs: The Murder Rule and More (Part Three)

As I had said in the previous ‘Snippet-Spin-Off’ posts, a new novel I am working on, titled (as of now) The Murder Rule, will be written in at least three parts. The first two, and updated, posts, concern a murder of a singer and front man for a band on the wane trying to get back into the limelight (which would be Part One of the new novel). The singer, Denny Spradlin and his band, Wolfin, is featured in The Prodigal Band Trilogy, mostly in the first trilogy novel Battle of the Band.

This post features another minor character in Battle of the Band, that is also featured in The Prodigal Band who later in the novel plays a key role in guiding the prodigal band Sound Unltd to their given ‘mission of God.’ His name is Bobby Jones, a band fan-turned-roadie who later creates a song the prodigal band is guided to perform once they accept that ‘mission.’ Bobby, originally from Dallas, Texas, finds himself mind-boggled due to psychedelic drugs he took while partying in the fictitious city of Richmont, California, a fictitious city I use often in the trilogy. He’s so drugged out he can’t even remember who he is… but somehow remembers the phone number of his parents, whom he is getting in touch with months after he left home mysteriously.

The snippet below is the beginning of the first chapter of Part Two of the new novel. More sections of this chapter will appear in coming snippet posts. Enjoy!

Continue reading “When Snippets Become Spin-Offs: The Murder Rule and More (Part Three)”

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Update On When Snippets Become Spin-offs: The Murder Rule (Part Two)

Within the previous post I had posted just this past Monday was this snippet line from the new novel manuscript I plan to publish:

“A hooded man has forced poison up my nose, not skuz. Pray for my soul. Denny.”

Jimi Hendrix was murdered in a somewhat similar fashion (but through the trachea, not the nose), as I state in this post from last year.

Hendrix, whose father was connected to the military as with Jim Morrison—another ’27 Club’ member who died under suspect circumstances—was politically tied to the Black Panthers and was being surveilled by a CoIntelPro CIA operation….and maybe that handler involved with this was his manager, Michael Jeffrey. Jeffrey had ‘intelligence ties and Mafia connections.’ Those intelligence ties include MI-6. But the likely reason Jeffrey could be implicated in Hendrix’s “suicide” was that he stole lots of money from Hendrix, who then sued Jeffrey—who just happened to have a 2 million dollar life insurance policy holding on Hendrix’s life as beneficiary! Right before the lawsuit trial, Hendrix “committed suicide.” While the media claimed “he choked on his own vomit” due to drug OD, evidence noted in the video states he had wine in his lungs, likely forced into his trachea while being held down forcefully…in other words, he drowned in wine. According to the video, Jeffrey “confessed” to a friend in the business that he was part of the murder.

By the way, I wrote that part about Denny’s murder before I learned about how Hendrix was murdered!

Continue reading “Update On When Snippets Become Spin-offs: The Murder Rule (Part Two)”

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When Snippets Become Spin-Offs: The Murder Rule, and More (Part Two)

In the previous post, here, I discussed the new novel-in-parts that for right now will be called The Murder Rule, with two parts already being worked on and one or two or three more parts being considered—there will be at least one more part to this novel. Here is a snippet from the previous post linked above featuring two of the main characters within this first part:

In order to introduce this novel-in-the-works, I will begin with a snippet that will introduce a major character within The Murder Rule. He is another rock star, singer Denny Spradlin of the band that helped mentor the prodigal band Sound Unltd, called Wolfin. (Note: it was originally called ‘Wolfen,’ but since that is the name of an 80s mystery movie set in the Bronx, I had to change the spelling.) Denny and his collaborator, guitarist Blake Fenmore, while loving their fame and fortune, eventually turn into nothing but party animals and eventually become lazy and stop producing hits, falling into has-been-dom, which leads to trouble and danger. Denny becomes a ‘useless eater’ of sorts to those controlling the music industry evil agenda; further, he is addicted to the opioid designer drug mentioned in the trilogy, called skuz.

The previous post linked above ends with a snippet from Chapter Nine of Battle of the Band that inspired this part of the new novel. This snippet ends with a televised report of Denny being found dead ‘from a drug overdose,’ which shocked the viewer of this report, the singer for the prodigal band, Erik, who considered the possibility that Denny might commit suicide even though Denny told him he wouldn’t even consider it.

This notion of a rock star committing ‘suicide’ has been commonplace since the 60s, if not a drug overdose: Jimi Hendrix, Jim Morrison, Janis Joplin, Kurt Cobain, Chris Cornell and Chester Bennington were prominently featured in my post from last June, here, about ‘if dead rock stars could talk.’ Some of these deaths, which have been proven of late to have likely been murders, caused some inspiration for my trilogy, considering that it seemed as if these murders happened because these rockers went against the evil narrative that has been growing within the music industry since the 60s. And because my fictional prodigal band Sound Unltd slowly but surely turned against the narrative, they too would be planned ‘victims.’ Only it didn’t quite work out as the fictional evil music industry overlords had hoped for the prodigal band. Unfortunately for Denny, the evil ‘plan’ did work; but before he died, Denny put a kink of sorts into the ‘plan.’

And that brings me to this snippet from The Murder Rule, which features the entire first chapter. The first part features Wolfin singer Denny Spradlin and an ‘advisor’ and ‘friend’ who just happens to represent the music industry evil narrative, who is ‘advising’ Denny (as well as fellow band member and ‘party animal’ Blake Fenmore, Wolfin’s guitarist) to, so to speak, ‘do what you’re told.’ Get back to the music business in order to make hits and hit videos; recruit for the agenda ‘mission’ according to what is called ‘The Pleasure Rule,’ and mentor these future rock stars according to the industry narrative—in reality, recruit for the evil, which in The Prodigal Band Trilogy is known as Corion, the ‘god’ of the evil and satanic cult called ‘The Church of the Circle of Unity.’ For there are ‘consequences’ for those who fail to fulfill these ‘missions.’

Continue reading “When Snippets Become Spin-Offs: The Murder Rule, and More (Part Two)”

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When Snippets Become Spin-Offs: The Murder Rule, and More (Part One)

Having pretty much completed the Snippet Posts for The Prodigal Band Trilogy, and having been working on ‘Spin-Off’ novels over the last several years since I retired from my previous job, and having published the three-books-in-one trilogy through Lulu for global reach using e-books, I figured why end there?

There are a number of minor characters that could bring about ‘spin-off’ novels, as some of them were actually murdered or ‘died mysteriously.’ I have even contemplated a ‘murder’ scenario of one of my major characters, but I’m not sure which one yet.

By ‘spin-off’ characters, I mean minor or support characters that play some important role within one or more of the three novels. The notion of ‘spin-offs’ was inspired by one of my favorite TV shows during the 70s, All In The Family. A comedy, and a satire of sorts of the politics of the right (Archie Bunker, and to a lesser extent, his wife Edith) and left (Mike Stivic and his wife, Archie’s daughter Gloria, who is a feminist). Naturally, Archie and Mike did not get along. Further, neighbors, including the Jeffersons, who were black, had issues with Archie as well, as did Edith’s cousin, Maude, an ultra-liberal. These supporting characters eventually featured in their own spin-off shows, The Jeffersons and Maude. Another spin-off, Archie Bunker’s Place, features several of Bunker’s buddies from the original series. Further, a spin-off had its own spin-off: Maude’s black maid, Florida Evans, was a main character in the show, Good Times, set in a Chicago housing project; yet, since Maude was never mentioned, it was not technically a spin-off. Finally, the show Gloria was created after Gloria divorced from Mike; the prelude to that was featured in one of the final episodes of All in the Family. So, we are talking four or five spin-offs here!

Two of the spin-off parts of the full novel are being manuscripted slowly but surely, with one or two more possibilities in the works. Both are roughly half-way completed, just waiting for more inspiration to finish, but they will be finished and will likely combine in a ‘three-or-four-or-five’ complete novel, in parts, with the likely title being The Murder Rule. Yep, I like mysteries, suspense novels, and crime stories. After all, there is so much crime and mystery and occultic scenarios going on these days of Covid, and now a ridiculous war in Ukraine, where of course the narrative blames it all on Russia. Sorry, there is more to this story than ‘the narrative’! And while God is in control, Ephesians 6:12 states it perfectly—the world is ruled by evil, ‘wickedness in high places.’

In order to introduce this novel-in-the-works, I will begin with a snippet that will introduce a major character within The Murder Rule. He is another rock star, singer Denny Spradlin of the band that helped mentor the prodigal band Sound Unltd, called Wolfin. (Note: it was originally called ‘Wolfen,’ but since that is the name of an 80s mystery movie set in the Bronx, I had to change the spelling.) Denny and his collaborator, guitarist Blake Fenmore, while loving their fame and fortune, eventually turn into nothing but party animals and eventually become lazy and stop producing hits, falling into has-been-dom, which leads to trouble and danger. Denny becomes a ‘useless eater’ of sorts to those controlling the music industry evil agenda; further, he is addicted to the opioid designer drug mentioned in the trilogy, called skuz.

Continue reading “When Snippets Become Spin-Offs: The Murder Rule, and More (Part One)”

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How I Designed the Book Covers for All Novels Within The Prodigal Band Trilogy

You know that expression—You can’t judge a book by its cover. Well, I agree with that. I’ve never bought a book based upon what the cover looks like. To me, the title of the book is more important; further, I tend to read non-fiction. As much as e-books, regardless of platform, are a great idea what with all the devices and e-Readers these days, I’d still prefer a paperback or hardcover book. And I am not the only one who thinks this way, as I recently sold a paperback of my trilogy to a neighbor who preferred actual books over e-books. And another thing: an e-book I purchased from Amazon a couple of years ago on the history and doctrines of Scientology (for research purposes) suddenly disappeared one day from my Kindle App! But hard copies can last forever, soooo…

Anyway, onto how I designed all of my novel covers.

Continue reading “How I Designed the Book Covers for All Novels Within The Prodigal Band Trilogy”

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Christian or Not, Author or Not, Expose and Fight Evil with Truth!

In a previous snippet series exposing the truth about the music industry, including a post using facts about so-called ‘suicides’ of dead rock stars that are more likely actual murders, featuring Jimi Hendrix, Kurt Cobain, Chester Bennington and Chris Cornell, and Swedish DJ Avicii among others, I researched the history and facts about the music industry regarding handlers and managers, producers, concerts and venues and who owns them including organized crime syndicates, and others backing various recording artists, to discover the sinister agendas and ways of the industry. In other snippet posts I exposed other evil doings regarding the occult practices including ‘master rituals’ that former head of Zodiac Productions, John Todd (now a Christian) that supposedly even channeled demonic spirits in the ritual, and other rituals calling forth demonic spirits exposed within trilogy snippets. And New Age cult religions as well that influenced rock music from the 60s onward. And, of course, the evil ‘secret members’ of these satanic groups that ultimately control the industry and most media in general.

One of the most evil characters is a banker dynasty controller named Baron Torquay-Lambourgeau who is descended from the Normans who took over Britain around 1066 (Battle of Hastings). Other financial leaders are involved, but Torquay (as I tend to call him for short) is the one who also leads the satanic Corion-worshiping Hellyon Society. Why a banker and not some other occultic leader?

Continue reading “Christian or Not, Author or Not, Expose and Fight Evil with Truth!”

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How I Wrote The Prodigal Band Trilogy, Parts One Through Three (Repost)

Part One

This post is not about how, in the 60s and 70s and 80s, I came up with the characters as a gang, and then as a band. This post is about how I developed the final plot involving good vs. evil spirits and entities using the prodigal band for good or evil purposes, how I was inspired this way and how I managed to write the three novels, the final one (The Prodigal Band) twenty years after the second one (The Prophesied Band). How I turned just an entertaining piece about the foibles of rock stardom into a spiritual plot using the Parable of the Prodigal Son of the Gospel of Luke Chapter 15 as a guide. Finally, it is about actually creating the novels using various software including ClarisWorks (for Mac) and Corel WordPerfect, Microsoft Word and Adobe Acrobat conversions for PDFs on both Mac and PC desktops and laptops. I reviewed the “why” in the previous post; now is the “how.”

Continue reading “How I Wrote The Prodigal Band Trilogy, Parts One Through Three (Repost)”

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Feeling Censored? Use Fiction to Tell the Truth (Revised)

Before I go on to the main topic regarding present-day censorship especially with narratives, political and otherwise, I must say that I have a problem with Christians, including authors, that get on my case because my characters cuss or play rock music. Sorry, folks, but if you really think no Christian ever cusses (and I don’t know a Christian who doesn’t cuss every now and then!) or if you think rock musicians are all “devil worshipers” then you haven’t done your homework or you have bought into nonsense. Plus, you have Christians who think all “Christian rockers” are really devil worshipers! Stryper then, Hillsong now, right? Did Stryper sing and play about Christ? Yes. Does Hillsong today sing and play about Christ? Yes, despite the appearance of Justin Bieber (I’m being facetious, okay?), and despite some “symbology” issues some have with Hillsong. Now, why would a non-Christian sing and play about Christ? A joke, right? Harking back to the late 60s and Norman Greenbaum’s hit song, “Spirit in the Sky” about Christ–and assuming Greenbaum is Jewish–why would he do a song about Christ? A reminder–the late 60s saw a surge in a movement called “Jews for Jesus.” Maybe Greenbaum was part of that.

There are people who are Christian authors who believe all “Christian authors” should write a certain way and not have cussing characters or characters who sin before they accept Christ as Lord and Savior. All “Christian author” novels should be squeaky clean. Sorry, but I can’t write that way when, first of all, I accepted Christ as Savior after repenting of the following behaviors: dabbling in the occult (as one of my band characters does); having pre-marital sex (as several of my characters did); being rebellious against some authority; cussing (I have dropped the “f” word but occasionally use the “s” word–and it was hard for me to type that “f” word into my novels, but my characters are my characters!); and questioning what has been certain interpretations of the Bible, among other sins. Because of this, my novels are not “Christian adult fiction” but “adult fiction.” My novels are meant to try to get non-believers to consider believing on Christ of their own free will. Isn’t that what Christ said? “Make disciples of all nations”? I’ll let others “preach to the choir.”

Now, the main point: my novels also include a certain amount of satire and parody of how the music industry works, and it’s not just the “sell your soul for fame and fortune” narrative. It is actually more sinister, what with signing recording contracts whereby the label virtually owns you unless they dump you, and both the label and the distribution outfit (the corporation that owns the label, or “parent company”) take well over half of the take on sales (today it is supposedly most of the take) and where the recording artist must pay for recording studio and production and album cover art and even tours, assuming the recording label pays out some “advance” which also must be paid back. (And I thought authors had it bad!). But the really big time acts (as chosen by the moguls, that is) do get more leeway and more of the take–for a price, which is not a “sold soul to the devil” price literally, but agenda-wise. Once you are made huge, you are forced to stick to an agenda that you might eventually discover is laden with evil. And then the crash begins…And, if you start to oppose the agenda…watch out! My The Prodigal Band Trilogy makes this truth clear and to the point.

Continue reading “Feeling Censored? Use Fiction to Tell the Truth (Revised)”

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How and Why I Came Up With the Names of the Trilogy Main Characters

When one writes a novel or a series, one has to make up the names of the main characters. There are all sorts of reasons one names the main characters particular names. I could probably name a hundred reasons, but for this post I will only name the reasons why I named my main characters—the prodigal band members and their women and a few others—what I named them.

I came up with these names for the most part in the mid-60s, but instead of a ‘prodigal’ rock band, they and the girls that hung out with them were a clique or a gang of sorts, and were ‘locals,’ fictitious teens living on Long Island which is where I grew up. They had no particular ethnicity or religion, but were as if they were the same kind of teens as the actual teens where I lived, and where I lived the population was almost all white (a few blacks or Hispanics or Asians where I lived), about 40 percent Italian and about 20 percent Jewish, with the rest being a mix of mostly northern Europeans (mostly German, British, French, Polish, Scandinavian, Czech, Slovak, or Russian). The most common boy’s names were John or Jack, Tom, Pete, Joe, Bob, Bill, Mike…typical common boys names. In fact, the surnames for the band members didn’t really come up until the latter 60s when the clique turned into a rock and roll band—a band from England, a year or two before I actually visited England as a high school graduation gift, along with the friend who suggested this trip, who happened to be Jewish (but not religious about it).

Continue reading “How and Why I Came Up With the Names of the Trilogy Main Characters”

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Omegabooksnet.com Site Menu Updates

Two new MENU pages have been added to the site Menu above. 

Links to All Snippet Posts. That way, one doesn’t have to scroll all the way down the Home Page to find Snippet Posts one might be interested in reading. All the Snippet Posts are listed, and it is likely that I am done with posting snippet posts.

About the Trilogy Characters. That way, you don’t have to scroll down the Home Page to read about the various characters: the band, their women and support characters, and the good and evil characters, and the spirituality involved.

This Character page will be added to, since I plan to write more posts about the characters, such as why did I come up with their names and other stuff. Cheers!

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This Site Will Configure Major Changes Over the Next Couple of Weeks

For instance, non-essential “news” posts from two or three years ago will be deleted. Snippet Posts will be linked to on the menu (a ‘snippet post’ page that will quick link to all snippet posts), and other changes will be made including at the Omega Book blog. So, no new posts about the trilogy or any new works will be posted for at least two weeks. Cheers!

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Christian Authors: God Gave You a Talent—Use It! Or At Least Consider It a ‘New Year’s Resolution’

Welcome to 2022! Happy New Year!

There is a possibility that in the near future I will be publishing a ‘guide’ or ‘manual’—call it what you will—for Christian authors, called (maybe) Talent for a Mission, based somewhat on the Parable of the Talents in the Gospel of Matthew, Chapter 25, verses 14 through 30. Remember the one who received a talent but hid it? Well, guess what? The giver of the talent took the talent away from the one who wouldn’t use it!

In other words—Christian author or not—if you don’t use the talent God gave you, God will ‘take away’ that talent, which, in this case, is the talent of writing and being an author.

Continue reading “Christian Authors: God Gave You a Talent—Use It! Or At Least Consider It a ‘New Year’s Resolution’”

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Merry Christmas to All Readers and Followers! Blessings!

Readers and followers of this site as well as the Omega Books blog have been a blessing to me and my ‘mission’ to tell the world about the benefits and blessings of accepting Jesus Christ as Lord and Savior using the story of a fictitious rock and roll band modelled after Luke 15’s The Parable of the Prodigal Son as inspiration. There are now over 100 followers and likely close to 1,000 downloads of my FREE PDF novel The Prodigal Band. While I do not have a lot of book sales, I am doing fine financially and in these days of Covid hysteria promoted by the mainstream and alternative media click-bait artists as well as various government bodies, the Lord has blessed me with several visits from loved ones over the past two years…no lockdowns for us! When we went to El Paso to shop the past couple of days we didn’t even have to wear a mask, and no one bullied us over it either. (Folks, there are advantages with living in rural remote far west Texas).

The next post will be in early January, 2022, but not sure what the post will be, and it could be something completely different…I’m running out of snippet categories!

Merry Christmas and Happy New Year! Blessings!

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Random Trilogy Snippets of Random Events That Lead to Climactic Events, Part Three (from The Prodigal Band)

There really are two climaxes within the third novel of The Prodigal Band Trilogy, called The Prodigal Band. There is the one at the end where the band is victorious over the evil-controlled Mark Besst. Then there is the one right in the middle of the novel where the prodigal band Sound Unltd is nearly killed or seriously injured by a bomb planted under a seat on their private jet at the airport in Philadelphia.

This snippet post deals with the first climactic event. To begin the story that concludes in this post is the notion of why the prodigal band is called Sound Unltd in the first place. In Chapter One of Battle of the Band, the angelic Tooters tell their messenger, the ‘witch of the Hovels,’ what will become the name of a ‘rock band’ of the future that will carry out the will of The Creator. “Their name will be sound, unlimited.”

Continue reading “Random Trilogy Snippets of Random Events That Lead to Climactic Events, Part Three (from The Prodigal Band)”

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Random Trilogy Snippets of Random Events That Lead to Climactic Events, Part Two (from The Prophesied Band)

In terms of what most would call a “climactic event” within a novel, this snippet scenario in this post might not classify as a climactic event in strict terms, but for the band members that witness this event, it should be, seeing as how they react when they find out a secret they had no knowledge about.

Note: I removed the “spoiler alerts” in these snippets.

The climactic event to finish Battle of the Band, where singer Erik and bassist Keith are in comas at a local private hospital in their home city of Walltown and encounter good vs. evil in their spiritual voids as their fellows watch over them and as the evil Swami Negran attempts to capture their souls for the satanic Corion (thwarted by God’s angels, the Tooters, and their agent, the ‘witch’ of the Hovels), gets recounted within Chapters Four and Five of The Prophesied Band.

In this snippet, it turns out that Swami couldn’t capture their souls, as hard as he tried. So Corion, the devil character, punished Negran by causing him to disappear from the hospital. Negran was in fact taken by Corion into Corion’s abyss where the Creator had placed him in Chapter One of Battle of the Band as punishment for Corion’s rebellion against God. But Negran wouldn’t be the only one Corion takes into the abyss. In 50 AD, Crynnwagg, high priest of the cannibal Crag-Dweller cult, was also done that way. Why? And then he escaped the abyss.  Why? Hmmmm…. From Chapter Five of The Prophesied Band:

Continue reading “Random Trilogy Snippets of Random Events That Lead to Climactic Events, Part Two (from The Prophesied Band)”

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Random Trilogy Snippets of Random Events That Lead to Climactic Events, Part One (from Battle of the Band)

Each of the three novels that make up The Prodigal Band Trilogy has at least one seemingly random or even somewhat meaningless event that would, likely at the conclusion of the novel, play a key role in the overall spiritual climax of the novel and the trilogy as a whole. The first snippet post in this topic comes from the first novel in the trilogy, Battle of the Band.

When I incorporated this event that just popped into my head, an event in Chapter Four that is somewhat based on the seemingly endless ‘war’ between British troops in Northern Ireland (aka Ulster) and the Irish Republican Army (IRA) that pretty much concluded in the late 90s (or just went underground so to speak), I figured, before creating the final version of the novel in 1995 for publication in 1996, that it was just some random novel event that would not have broader implications as to the novel’s climax. But what makes up this snippet set does indeed play a key role at the climactic event ending the novel; while suffering a mild heart attack and in a state of physical coma yet spiritually existing in a void where good vs. evil reigns, the prodigal band’s bassist, Keith, is visited by two deceased ‘gang brothers’ who deliver to the bassist a powerful message.

Before I get to the snippets, let’s review what this Northern Ireland conflict was about. It was mostly nationalistic what with Ireland having separated as a Republic in the early 1920s from the United Kingdom (of Great Britain and Ireland), but most Americans anyway were ‘told’ that it was mostly a Catholic vs. Protestant issue, which according to events summarized in this Wikipedia post, was not the main cause of the conflict. It wasn’t just Protestants that wanted to stay in the UK and it wasn’t just Catholics that wanted to join Ireland; mostly, it was nationalistic mixed with politics between the Irish Sinn Fein (Provisional IRA) and the Ulster pro-Britain political groups, while Catholics did tend to support the IRA and while Protestants tended to support the UK. The roots of this conflict go back to the early 1600s when mostly Scots from the southern portion of Scotland moved to northern Ireland and were given ‘plantation’ land rights, lands that may have been stolen from the native Irish (and these Scots eventually would make up what became known as the Scots-Irish, many of whom wound up in what would become the USA in the 1600s and 1700s as indentured servants (note: I am part Irish and part Scots-Irish, as well as part German). Oh, and I was once Catholic as well! Still, I didn’t really support one side or the other, for the most part. Starting in the late 1980s, both sides apparently tried to end the conflict, which didn’t end until the late 90s; cease-fires began to happen throughout the mid-90s.

Continue reading “Random Trilogy Snippets of Random Events That Lead to Climactic Events, Part One (from Battle of the Band)”

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Random Trilogy Snippets, Part Four: The Biggest Battle is Spiritual (Part Five): “For We Wrestle Not Against Flesh and Blood…” (Ephesians 6:12)

‘For we wrestle not against flesh and blood, but against principalities, against powers, against the rulers of the darkness of this world, against spiritual wickedness in high places.’ (Ephesians 6:12)

I have memorized a few Bible verses as they are key to my mindset and way of living, and this verse from the Epistle of Paul to the Ephesians, Chapter Six, Verse 12, is one of the most important Bible verses, in my opinion. It basically summarizes the spiritual battle I and many others face daily. It basically says this: as evil as some folks are in this world within the criminal psychopathic elites as well as within the society or community each one of us lives in, including work places, the true spiritual battle is against the ‘rulers of the darkness of this world,’ that is, the spiritual rulers of evil, the spiritual wickedness in high places that rules over their evil minions, the minions that claim to ‘rule’ the world governments, economies, popular culture, etc. Name any evil person or ruler or authority, and it is true that something spiritually evil is ruling over them. Further, it is this verse more than any other Bible verse noted within The Prodigal Band Trilogy that summarizes the reason for this trilogy.

For an example of how the spiritual wickedness rules over the minions of evil within the trilogy—Baron Torquay-Lambourgeau, the Duke of Effingchester, Swmi Negran, and the members of the evil Novordo Club—this snippet from Chapter Four of The Prodigal Band was chosen; the time frame is spring, 1987:

Continue reading “Random Trilogy Snippets, Part Four: The Biggest Battle is Spiritual (Part Five): “For We Wrestle Not Against Flesh and Blood…” (Ephesians 6:12)”

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Random Trilogy Snippets, Part Four Extra: What Happened at AstroWorld Travis Scott Gig is a Reminder of Some Trilogy Events (Including a Deleted Scene From the Original Battle of the Band)

I was shocked to read a recent Vigilant Citizen post about a Travis Scott headliner concert at a place called Astroworld in Houston, Texas, where stampeding fans injured several others “mosh-pit style” and then other sinister events occurred later including the deaths of eight concert goers (but other estimates include at least a hundred others), folks in videos saying they can hardly breathe, and needle jabs by unknowns as some tried to help the victims…and as Travis Scott continued to perform. Kinda like what happened at Altamont, which I discussed in this post, as Mick Jagger continued to sing while Stones’ Hell’s Angels roadies committed dirty deeds during a performance (supposedly) of the Stones’ hit “Sympathy for the Devil.” A good video about this Astroworld event can be seen here, and a good written post about this can be read here. But leave it to Vigilant Citizen to cover events such as this. Too bad he didn’t reference Altamont!

And speaking of Altamont, that Stones gig was an inspiration for my The Prodigal Band Trilogy. In a previous snippet post is mentioned that a satanic-like ritual performed by the prodigal band Sound Unltd, which led to fans ritually chanting a Corionic chant and which later led to some teen fans, that had attended that San Antonio concert, murdering two four-year-old boys. I will again post a portion of that snippet, below.

Continue reading “Random Trilogy Snippets, Part Four Extra: What Happened at AstroWorld Travis Scott Gig is a Reminder of Some Trilogy Events (Including a Deleted Scene From the Original Battle of the Band)”

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Random Trilogy Snippets, Part Four: The Biggest Battle is Spiritual (Part Four)

Welcome to the fourth The Prodigal Band Trilogy snippet post dealing with spiritual battles between the forces of good vs. evil, and between good or evil forces and the characters, notably the band members. This post isn’t really a spiritual ‘battle,’ though this action, where the Tooters, angels of ‘the Almighty,’ speak directly to each member of the prodigal band Sound Unltd—simultaneously—brings about a battle of sorts later! And what these angels speak is each band member’s ‘mission of God’ that the ‘witch’ of the Hovels, at the behest of the Tooters, informed the band about at a recent meeting, which took place across from the Tooters statue in Victoria Park in the band’s home city of Walltown, early June, 2000.

For she had already instructed the band leader Jack as well as drummer Tom that the band must perform at the upcoming Walltown Music and Trade Festival that would take place July 15-16, as headliners. In other words, the band had roughly six weeks to get the festival set-ups ready for hundreds of thousands of festival goers, including setting up bleachers on either side of the park as well as large video screens and television and recording crews—and the band would pay the entire costs of the festival, and would perform for free!

Continue reading “Random Trilogy Snippets, Part Four: The Biggest Battle is Spiritual (Part Four)”

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Random Trilogy Snippets, Part Four: The Biggest Battle is Spiritual (Part Three)

In Part One of these spiritual battle snippet posts from The Prodigal Band Trilogy, a battle between the good and evil spiritual forces takes place at a 1995 concert. In Part Two, the battle is between the prodigal band members themselves over whether or not to “call up” the evil Corion and his Demons in a seance-like experience; the Demons had just given them a ‘song’ to record which would aid in the cause of turning the souls of their fans to evil. Since the forces of Good, the Tooters, gave them another song to counteract the Demons’ song, a standoff ensued between good and evil.

In this Part Three, the Tooters will say something rather ‘prophetic’ to the band’s drummer, Tom, who is looking for answers as to why ‘the witch of the Hovels’ (where Tom grew up) would ‘warn’ the band (or as she called them minstrels) about the Demons. ‘Minstrels’ is a medieval term for musicians; the ‘witch’ originally came from medieval times. She ‘warned’ Tom as well as band leader Jack about the Demons as the two as well as the others in the band and their women watched over singer Erik and bassist Keith who had mild heart attacks, and were physically in hospital beds while spiritually in a ‘void’ as the Demons tried to consume their souls. The Tooters, using another method, would also communicate with Erik’s wife Ger, who had ‘betrayed’ him earlier with bulimia she never told him about and having had an ‘affair’ with her personal ‘trainer.’

Continue reading “Random Trilogy Snippets, Part Four: The Biggest Battle is Spiritual (Part Three)”

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Random Trilogy Snippets, Part Four: The Biggest Battle is Spiritual (Part Two)

To heck with waiting until next week to post this ‘spiritual battle’ part two, The Prodigal Band Trilogy, snippet post. While looking through the novel for snippets relating to spiritual battles between spirit entities or between the band characters and these entities, I found a long snippet that shows why one spiritual side or the other cannot always carry out their assigned task of winning over the people (real or fictional) the spirits are supposed to win over. In other words, there are spiritual battles among the group of people themselves, which hamper the spirit forces’ tasks. In the entire trilogy, it just might be the best example of this spiritual ‘tug-of-war’ among the band characters. All of them—singer Erik, drummer Tom, guitarist-band leader Jack, guitarist-producer Mick, bassist Keith, and keyboard-synthist Bryan—are featured. The long snippet is within Chapter Eight of Battle of the Band.

Having just completed a special ‘World Unity Day’ concert in San Antonio, Texas, the two main song composers, Erik (lyrics) and Jack (music) fall asleep in a limo headed to Houston for another gig as well as an appointment at a recording studio to track a new song. While asleep, the satanic character Corion’s minions called the Demons (Gold, Silver, Bronze) ‘give’ the two a new song, not only to be recorded, but to ‘seal the band’s oath’ to the evil as part of the band’s ‘pact’ with Corion explained early in this first novel of the trilogy. Later that morning the song is recorded, but questions arise as to the origin of the song, a song which has an historical context for both the good and evil sides. The song is called “Song of the Demons” (and I will not post the lyric words in this snippet). Eventually, the six discuss the ‘why’ of being ‘given’ a song ‘of demons’ when one of them brings up a previous event as the band several years before began their nationwide contest-winning tour, when Jack ‘prayed’ for success. Then drummer Tom, the ‘channeler’ of spirits within his entourage of new agers, arranges to channel the spirits to find out the truth of this situation. Also mentioned in the snippet are the Tooters, the good angels opposing Corion and his Demons.

Continue reading “Random Trilogy Snippets, Part Four: The Biggest Battle is Spiritual (Part Two)”

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Random Trilogy Snippets, Part Four: The Biggest Battle is Spiritual (Part One)

Folks, I called my first novel in The Prodigal Band Trilogy ‘Battle of the Band’ for a reason. Not because there are contests called ‘Battle of the Bands.’ But because the ‘battle’ the prodigal band Sound Unltd undergoes is truly a spiritual battle whereby the spiritual forces of good vs. evil wage war to get this band on their sides—while the evil side ‘wins’ the band early, rewarding the band with fame and fortune as long as the band complies with the will of the evil side, the ‘war’ is won by the forces of good: the Creator, the angels known as the Tooters, and the human/spirit being, the ‘witch’ of the Hovels aka Morwenna as the band undergoes their assigned ‘missions of God’ and accepts Christ as Savior.

This snippet set on the spiritual battle features the battles between the Tooters and the satanic character Corion and his Demons (Gold, Silver, Bronze) along with two evil characters possessed by the evil, fake healer and new age cult leader Cole Blessing and his replacement, Mark Besst. The snippets are short. The first one is from Chapter Eight of Battle of the Band; the middle ones follow each other and are within the final chapter of The Prophesied Band, the final two are from Chapter Seventeen of The Prodigal Band. Some of these snippets are featured in previous snippet posts, such as https://omegabooksnet.com/2019/10/30/snippet-of-the-prodigal-band-trilogy-spiritual/

Continue reading “Random Trilogy Snippets, Part Four: The Biggest Battle is Spiritual (Part One)”

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Random Trilogy Snippets, Part Three: Ah, Galas….Where the Rich and Famous Get to ‘Dress’ in Their Hypocrisy

Time to post a new random snippet set as two weeks have gone by since the last post. And, thanks to that Metropolitan Museum Gala in NYC a week or so ago, highlighted by a Congresswoman known as ‘AOC’ wearing a dress with the words ‘Tax the Rich’ on it, I had found my snippet topic. This ‘gala’ featured fashion items worn by filthy rich celebrities and other elites that wore clothing adorned with touches of moral degradation disguised as ‘avant-guard’ ‘art’ that would have made the ancient capitals of moral degradation, Sodom and Gomorrah, cringe with envy. The reason this dress at this event caught my attention was because AOC is a premier hypocrite of today, whether in Congress trying to take guns away from law-abiding Americans with the Bill of Rights-Constitutional Right to Bear Arms while she has the wealth to hire loads of body guards, to her so-called ‘Green New Deal’ which will take land and wealth away from us ‘little people’ for the sake of ‘sustainable development’…in other words, for the sake of the rich and her elitist friends so they can, as is said in one of the two snippets I’ll post, ‘plunder nature.’ All part of the so-called ‘Great Reset,’ doncha know, where us ‘little people’ will ‘own nothing and be happy,’ as Klaus Schwab’s saying goes.

And it wasn’t just this gala, but others in the past, where filthy rich elites and celebrities wore furs of endangered wildlife, ate rare endangered marine life only they can afford, and toasted their ‘projects’ to ‘save the whales’ or ‘save’ whatever wildlife— after they went to Africa and hunted, say, endangered lions or whatever. All the while doing whatever they could to prevent us ‘little people’ from getting hunting and fishing licenses, in order to ‘save the environment.’ Folks, it isn’t that these folks shouldn’t be allowed to hunt whatever or wear whatever or eat whatever; it is their damning hypocrisy, their ‘for me but not for thee’ ‘virtue-signaling’ that causes me to write to expose their hypocrisy!

Now, onto the snippets, both from Chapter Eight of The Prophesied Band. However, the second snippet is from the original 1998 published version, and was one of the ‘deleted scenes’ taken out of the 2019 three-novels-in-one trilogy.

Continue reading “Random Trilogy Snippets, Part Three: Ah, Galas….Where the Rich and Famous Get to ‘Dress’ in Their Hypocrisy”

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Random Trilogy Snippets, Part Two: Consequences of Allegiance to Evil

It is not easy to choose random topics for The Prodigal Band Trilogy snippet posts when so many categories and topics have already been ‘snippeted’ if you know what I mean. But I feel it is important to stress messages that need to be written about, and what with this world seemingly turning more and more evil as time goes on, the subject of ‘good vs. evil’ needs to be revisited every now and then.

Allegiance to evil is not the same as doing bad things or saying bad things or hurtful things as part of a lifestyle one has dug oneself into within a spiritual hole leading one to commit random evil acts such as theft or deliberate deception or murder or self-harm or addictions or joining gangs or groups promoting destructive ideas or joining cults, and such. Allegiance to evil means willfully and wittingly doing the bidding of evil physical or spiritual forces for the benefit one ‘sells one’s soul’ to achieve. I’m not talking ‘fame and fortune’ here; I’m talking about things like ‘immortality’ or god-like status or supreme power, things the forces of evil could ‘grant’ one if and only if one gives complete allegiance to this evil, perhaps convincing oneself that this evil is actually ‘spiritual goodness’ because the evil has convinced one of this deception disguised as ‘truth.’

According to the Book if Isaiah, King James Bible (copyright-free), this relates to the notion that the evil, called ‘Lucifer,’ and in other parts, called Satan and names of the various false gods of the day (Baal, Beelzebub, Remphan, Moloch, etc.), is actually deceiving itself. Verses 12 through 15 of Isaiah Chapter 14 explain this as what some Bible teachers and pundits call “the five ‘I wills’”:

{14:12} How art

thou fallen from heaven, O Lucifer, son of the morning!

[how] art thou cut down to the ground, which didst weaken

the nations! {14:13} For thou hast said in thine heart, I will

ascend into heaven, I will exalt my throne above the stars of

God: I will sit also upon the mount of the congregation, in

the sides of the north: {14:14} I will ascend above the

heights of the clouds; I will be like the most High. {14:15}

Yet thou shalt be brought down to hell, to the sides of the

pit.

Thus, Satan or Lucifer or the name of this Evil character in my trilogy, Corion, cannot deceive God, called in the trilogy ‘the Creator.’ But Corion can, quite easily, deceive those who owe allegiance and willingly give allegiance to him, especially if the one giving allegiance has also deceived the evil Corion! And no evil character in my novels had deceived Corion more than Crynnwagg, originally the High Priest of the Celtic Druid-hating Crag-Dweller cult that inhabited the mountains of Wales around the time of the Roman invasions under Emperors Claudius and Nero in the 40s and 50s AD.

Continue reading “Random Trilogy Snippets, Part Two: Consequences of Allegiance to Evil”

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Random Trilogy Snippets, Part One: Perilous Times

Perilous times? It sure seems that way! Just yesterday, a major hurricane invaded a part of the state of Louisiana where family members live and I pray they got through it safely. Just a week or so ago, a war that the US never should have gotten involved with in the first place, ended in a strange and somewhat infamous fashion as have so many other wars in this country have ended since the times of Alexander the Great! So-called “pandemics” which seem to have been created for nefarious purposes as if we’re living in a sci-fi or a dystopian thriller scenario. Child, adult, human, sex, whatever trafficking under the guise of ‘immigration,’ and not just in the US, either, but worldwide mostly for profit or other evil purposes. Earthquakes, typhoons, tsunamis, volcano eruptions, fires across northern California and Russia…as desert-mountain far west Texas hasn’t seen this much rain and flooding since 2004! Okay, okay, 2017…. Corrupt governments that only a criminal psychopath could love. And more….and will everyone soon be required to get ‘your papers, please’ just to travel to see loved ones or work or go to school or whatever?

And speaking of ‘your papers, please’….

The second novel of The Prodigal Band Trilogy, The Prophesied Band, goes into this ‘papers please’ notion. This novel, as stated in a previous post on ‘how’ the trilogy was written and why, was completed around the time that many thought was indeed perilous, that time of government actions against so-called ‘right-wing militias’ and other ‘rebellious’ groups such as the Branch Davidians. This mid- and late-90s period was when various alternative media organs warned against globalism and their so-called ‘new world order’ (mentioned by former president George HW Bush in one of his speeches) run mostly by ‘one-world-government’ organs like the United Nations. Perilous? Some Christian groups even believed that the ‘end times’ were coming quickly,  and, further, various evangelical types began harping on ‘the rapture,’ including the authors of a fictional novel series called ‘Left Behind.’

That was then, but this is now, with a new paradigm called ‘the Great Reset.’ Do I even need to regurgitate the saying about owning nothing and being happy? (And is this saying copyrighted? Bwahahahahahahaha!). So that whether it is ‘pandemics’ or screwed-up economics or political skullduggery or wars and rumors of wars or crazy weather or earth-shattering events, these do seem like perilous times. ‘Papers, please’ or not.

Continue reading “Random Trilogy Snippets, Part One: Perilous Times”

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Thank You, WinterWatch! One of My Fave Sites Has Posted One of My “Truth About the Music Industry” Snippet Posts–“If Dead Rock Stars Could Talk” (Part One)

The news site WinterWatch,  which is run by Russ Winter and features two other writers, Thomas Muller and Torchy Blaine, as well as posts from various news sources, has now featured this site! In their menu at the top is featured the theme of “culture” and has posted many articles on the evils of the past and present-day music and pop culture entertainment industries. Along with Vigilant Citizen, WinterWatch is a must-go-to site for information about what is happening in the entertainment industries that the official narrative won’t touch.

Here is the link to the article they posted: 

The Truth About the (Music) ‘Industry’ Expounded in ‘The Prodigal Band Trilogy’ (Part Five) — ‘If Dead Rock Stars Could Talk’ (Part One)

And who knows? WinterWatch may post more of these snippets on their site. But this one post gives the details of actual rock star “suicides” or what I consider likely murders, because they went against the official narrative handed to them by their handlers and “industry owners.” They told and acted on the truth. Again, if dead rock stars could talk.

And a great big thanks to WinterWatch!

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How I Wrote The Prodigal Band Trilogy, Part Three

At the end of Part Two, I said that an actual spiritual incident I witnessed, which caused me to commit to Christ as Lord and Savior, inspired me to figure out a way to complete the ‘prodigal band’ story (using the Parable of the Prodigal Son as a guide) so as to create a novel trilogy that could spread ‘the message’ of redemption and salvation that anyone could accept freely, of their own free will. This incident certainly helped me to write The Prophesied Band, which ends with the prodigal band Sound Unltd being given ‘mission of God’ by the spiritual forces of Good. But would the prodigal band, having no idea about how to complete these missions, as well as being either atheist or agnostic toward Christianity and religion in general, be able to truly accept the missions and complete them?

In 1998, The Prophesied Band was published and printed (by a different outfit from the one that printed Battle of the Band), but this time I had far fewer copies printed—a wise decision! During that summer I sold roughly one-third of the number of printed copies at local festivals and writer conferences and made enough money to actually cover the cost of printing. By the following summer, I had sold about half of the book copies, and more than half by the fall of 2000. By then I had another Mac desktop and Corel WordPerfect software knowing that likely the next desktop computer would be using a Windows operating system (for one thing, a new Mac computer is almost double the cost of a Windows computer, and hubby and my kids wanted me to get one with Windows, likely with Windows 98).

Continue reading “How I Wrote The Prodigal Band Trilogy, Part Three”

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How I Wrote The Prodigal Band Trilogy, Part Two

Sorry this post is late, but last week I was entirely with loved ones from east Texas and at a local spring-fed swimming pool full of catfish, snap turtles and other fish, some of which are endangered, among other activities.

For me, if any plot is going to have some kind of impact encouraging the reading of the novel as well as book sales, the spiritual or ‘good vs. evil’ scenario makes the most sense and is the one I could best handle. Growing up, the genre of horror movies full of good vs. evil scenes and characters made the most impact and were the most entertaining—monster movies, vampires like Dracula, men-turned-monsters like Frankenstein or the Wolf Man or zombies such as in ‘Night of the Living Dead’ and more. Without or without the science fiction aspects, I watched just about every horror movie out there in the 50s and 60s. And every one of them had a good vs. evil theme.

Then came rock music, which isn’t exactly horror (even the movie “Rocky Horror Picture Show” filled with rock music wasn’t really horror!). So this rock band I created wouldn’t exactly fit into some horror scenario. But it could certainly fit into a ‘good vs. evil’ scenario, especially when so many folks, especially Christians, thought all rock stars ‘sold their souls to the devil.’ And it was this ‘sell souls to the devil’ notion that, while it made sense—the Rolling Stones’ song ‘Sympathy for the Devil’ and Jimmy Page’s following of Aleister Crowley and the Beatles following a new age cultist called Maharishi Yogi and more—I realized this to be not quite true for most rockers, in the 60s and 70s and 80s, anyway. I needed proof, and what better way to ‘prove’ this was true or not than to have an excuse to do the research? Just because some preachers said this was true didn’t actually mean this way really true. What I found was that yes, some rockers were avowed ‘devil worshipers’ (Marilyn Manson being the most avowed as a member of ‘the Church of Satan’), and while very few were even somewhat Christian (as time went on a few would make that choice, such as Megadeath’s Dave Mustain and one or two others), it seemed to me that most were not devil worshipers but did ‘sell their souls’ for fame and fortune whether they wanted to or not. They wanted the rock star lifestyle, not devil worship. However, this did lead some into occult practices. Yet their choices often led to dire outcomes, such as drug or alcohol addiction, which my novel band characters engaged in handsomely.

Continue reading “How I Wrote The Prodigal Band Trilogy, Part Two”

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How I Wrote The Prodigal Band Trilogy (Part One)

This post is not about how, in the 60s and 70s and 80s, I came up with the characters as a gang, and then as a band. This post is about how I developed the final plot involving good vs. evil spirits and entities using the prodigal band for good or evil purposes, how I was inspired this way and how I managed to write the three novels, the final one (The Prodigal Band) twenty years after the second one (The Prophesied Band). How I turned just an entertaining piece about the foibles of rock stardom into a spiritual plot using the Parable of the Prodigal Son of the Gospel of Luke Chapter 15 as a guide. Finally, it is about actually creating the novels using various software including ClarisWorks (for Mac) and Corel WordPerfect, Microsoft Word and Adobe Acrobat conversions for PDFs on both Mac and PC desktops and laptops. I reviewed the “why” in the previous post; now is the “how.”

As I’ve stated in the previous post, in the 60s, 70s, and 80s, my mind made up the band and female main characters for the manuscript that I had no idea would become this trilogy. Then in the early 90s, I looked up at the stars and was then inspired to begin the writing journey—out here in rural mountain far west Texas, the stars are everywhere in the night sky on a clear night, unlike in urban and suburban areas. But what would be the main plot?

I started putting notes together with bound notebook and pen or pencil beginning with angels called the Tooters “prophesying” that a band would come about and be subjected to a tug of war between good and evil spirit characters as the band succeeded through the 90s and would eventually side with good over evil. Sometime in 1992 and 1993, using an old Atari XE computer which used a floppy disk “operating system” as a “hard drive” and where, once the disk set up the system, you take out the system disk and put in another floppy which holds the file one is working on (and where the new floppy holds about 48 kilobytes of space for the files)… In other words, only one or two chapters could be placed on each floppy disk, and, yes, they were indeed floppy! So using about five disks I typed in the first version of the book I titled “Rock Band” since I really had no idea what else to call the book. After completing this, I printed out a copy from each disk; I have no idea what printer I used. The plot was, in my opinion, weak as well—now why would angels call on a rock band to carry out a good agenda over evil when all the rock band members wanted to do was make millions and party and partake in sex orgies and get smashed on cocaine-like drugs? And then wind up in serious tribulations with seemingly no way out? So, in spring of 1994, I hit an impasse.

Continue reading “How I Wrote The Prodigal Band Trilogy (Part One)”

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Why I Wrote The Prodigal Band Trilogy

Three years ago I wrote a set of posts titled The Prodigal Band Trilogy: The Why in five parts. If you scroll down most of the way on this Home Page or go to my blog and scroll through pages you will find these posts—but to make it easier to understand why I wrote these three novels, I am reprising these posts into one long post here, beginning with part one and ending with part five, plus an additional post reprise as well. Note: A few small changes were made from the original posts. Enjoy!

Part One

As I have said in previous posts both here and the blog site, I began my journey as a writer of fiction around the age of 8 or 9. I was returning home, on Long Island, New York, with my parents and older brother in a car from a visit to my grandparents (mother’s side) who lived in Mount Dora, Florida (about 20 miles from what was then Orlando). It was the summer of 1962; thus, I was 9 at the time. And I just happened to bring some non-lined notebook-sized paper and pencil with me. The paper was folded in half, width-wise, and looked like a “paperback book.”

Glad I brought the paper and pencil, because I was bored. I do not remember what my brother, in the back seat with me, was doing–he was 14 and likely listening to transistor radio up to near his ears (and folks, before the Beatles came along, pop music was very very boring, cutesy-wootsey “love songs” and other meaningless tripe about teenagers falling in love. From the time of the plane crash of Big Bopper, Ritchie Valens, and Buddy Holly in 1958 until the Beatles in 1964, “rock” music, if you could call it that, was IMHO, tripe. Dion and the Belmonts and Del Shannon and perhaps the Four Seasons were about as good as it got, and who the heck was Elvis? But anyway…) I had no idea what my parents were doing other than driving the car.

This was my first journey into the “deep south.” And the only thing I knew about the “deep south” related to the Civil War and the abominable institution known as slavery back then. There were times along Route 301 or even what was then I-95 when I would see what were called “negro shacks” along the way, plus we all visited some Civil War Confederacy monument somewhere, can’t remember. Now I was a “buff” so to speak of Civil War history. So I decided I was going to make up some story about this kid in the South during the Civil War who, along with his friend, a black kid who had been freed from slavery somehow and lived with the kid and his family, hated the south and slavery! So what he and his friend did was help the Union Army blow up a Confederate “ammunition dump.” And they did. I did not mention the state the kid lived in, or even the kid’s family name, but I called him “Johnny Reb” and the black kid was named Sammy. So, I named a kid who would blow up a Confederate ammo dump Johnny Reb? When my dad actually read the “book” (named “Johnny Reb” and was about 20 pages long in pencil) he brought up this irony! After all, weren’t the Confederates called “Rebels”?

Around that time I also had a diary–didn’t all young girls have diaries then? So, there I was in late 1963 just starting to have any interest in the watered-down “rock and roll” back then. When it rained outside, and in the Northeast US, home of “Nor’easters,” it almost always rained some in the fall and early winter, the public elementary school kept all the students in the gym after lunch, too wet to play outside. I was in sixth grade at the time and, not being popular so-to-speak, no boy wanted to dance with me. So all I did then was listen to whatever 45 RPM record discs were put onto the record player. Not being a ‘A-list’ or even ‘B-list’ (more like ‘D-list!’) that’s all I could do as most of my friends were dancing on the gym floor with boys whom had asked them to dance. Well, I had to try to ‘fit-in’ somehow so, even though I thought the music was boring tripe, I pretended to like it anyway. Thus, in my diary I would make up stuff about myself–in terms of a fiction character I can’t even remember the name–being popular and folks like Chubby Checker or Frankie Valli (spelling?) wanting to ‘dance’ with me (not knowing the actual hidden meaning of ‘dance’ at the time…’dance’ was code for a certain ‘f’ word if you know what I mean!) And of course I made up the boy characters as well. And named them the same names I have used for the original rock band characters in my books! (Note: the band concept came about in the latter 60s, and then I added two more band members, then deleted one of the originals in the 80s only to put him back in during the 90s). The reader is going to have to wait to find out the names of the characters for a bit.

Note: Here are the names of the band characters, including last names which I tend not to mention in my snippet posts: singer Erik Manning; guitarist-band leader Jack Lubin; bassist Keith Mullock; guitarist-producer Mick Pordengreau; keyboard synthist Bry McClellan; drummer Tom Cornsby. One of these days I will explain how I came up with the names.

Continue reading “Why I Wrote The Prodigal Band Trilogy”

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Timeline Construction Within The Prodigal Band Trilogy

This post will not be a ‘snippet’ post, but a post about the creation of the three novels within The Prodigal Band Trilogy–the fact that this trilogy does not follow the usual timeline construct. Most trilogies have the first novel representing the beginning time period, and the time moves forward in line into the second novel and then ends the timeline within the third novel. This is how Tolkien’s Lord of the Rings trilogy, as well as The Hunger Games trilogy and the Divergent trilogy are fashioned—beginning, middle, end. And many others as well…and also series novels such as J.K. Rowling’s Harry Potter series. The Prodigal Band Trilogy certainly does not follow that scenario!

The first novel, Battle of the Band, begins (after the ‘before time’ spiritual part) in 1986 and ends in 1996. The second novel, The Prophesied Band, begins in 1982 and ends in 2000. The third novel, The Prodigal Band, begins in 1976 and ends in 2004. So that while each novel itself starts in an earlier year and ends in a later year, the time frame is not continuous from the first novel to the third novel.

Before I state why this is the case let me say that I didn’t exactly plan it this way. The second novel was supposed to take up where the first one left off. But the first one didn’t play out as originally planned either, and the first book wasn’t even supposed to spearhead a trilogy.

Then an inspiration came to me to subtitle Battle of the Band with this subheading: The Saga of the Prodigal Band Begins (as can be seen on the original book cover). In other words, the ‘Parable of the Prodigal Son’ within Luke 15 of the Biblical New Testament had to seal this burgeoning trilogy’s fate, as the first part of this parable is about how the son takes his inheritance, leaves his father, goes far off into another country and spends the fortune on ‘riotous living,’ leaving him financially and spiritually destitute. While the prodigal band isn’t financially ruined they are ‘destitute’ spiritually but discover there is a way out of this ‘poverty.’ So I had to re-do the novel with this theme in mind, which changed pretty much everything, including the time frame construction.

When beginning the second novel, The Prophesied Band (subtitled The Saga of the Prodigal Band Continues…implying this would be the second book in a likely trilogy), I had to construct a scenario whereby the band in question, Sound Unltd, would be ‘the prophesied band.’ So I began this novel (after a spiritual part in what would be the prologue in the original book) with a rock band from the same city, Walltown, as the prodigal band, and the narrator, pop culture pundit Jay Elliot seeking that particular career upon high school graduation in 1982, interviews the creator of the song—which was given to him by angels called the Tooters for the purpose of ‘announcing’ a future band of prophecy. The band of prophecy that would carry out a ‘mission of God’ as the novel ends at a trade and music festival headlined by this prodigal band.

Thus the timeframe of the first novel is wrapped within the time frame of the second novel: 1986 to 1996 falls between 1982 and 2000, correct? Further, for the final novel, it made sense to begin that one in a year prior to 1982 and end it in a latter year after 2000.

The final novel was originally going to be called ‘Band of Glory,’ as indicated on the back pages of The Prophesied Band, which was supposed to have the subheading The Saga of the Prodigal Band Concludes. But that was not to be. If it would be called ‘Band of Glory,’ it would have to end in Heaven with God, somehow. But again, inspiration had other ideas…for one thing, what would happen to the entity allied with evil, Corion? And would the band, carrying out the mission given to them, deserve to be in Heaven? Would they stick to the Plan, so to speak? And what events would cause them to choose to stick with this Plan?

The Parable of the Prodigal Son ends with the errant son returning home to his father, feasting on ‘fatted calf’ and being ‘found.’ His brother, of course, questions the sincerity and worthiness of his ‘lost’ brother—just like many Christians today question the efficacy of a wealthy rock star even coming close to accepting Christ a Savior (since they are all ‘devil worshipers,’ right?). Thus, not only did I have to author a novel as to how and why the prodigal band converted to belief on Christ and carried out their missions, but I also had to explain how and why the band was even formed in the first place, including parental and otherwise guidance: how and why were these six band members able to develop such talent and songwriting abilities in the first place? Since these boys grew up beginning in the late 70s, that is why the third novel begins in 1976, into 1980 and 1982 and 1985, with two new band members. Aspects of the first part of the parable and then the second part where the band discovers the way forward into the final ‘found’ part are focused in the first six chapters of this third novel. The ‘way home’ final part of the parable is the focus of the rest of the third novel.

So, thanks to inspiration and keeping to a script based on a biblical parable, this time frame construct of The Prodigal Band Trilogy doesn’t follow ‘the usual trilogy script.’

The next post here will take place in a couple of weeks. Next week’s focus will be on updating my blog with links to newer snippet posts here, since I have not updated the blog in months and this blog is an easy way to link to posts here without constant scrolling down the site to find them. Plus the main menu here also needs updating somewhat. Plus I need to figure out a new ‘snippet category’ to ‘snippet’ about! And more…

Cheers!

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Snippets of The Prodigal Band Trilogy: Historical Context, Part Two—William of Normandy Invades Britain, and Genealogy

As with the Roman invasion of Britain under Emperor Claudius in 43 AD, the Norman invasion of Britain in 1066 AD has little context within The Prodigal Band Trilogy, except for one thing: a major spiritual character, Morwenna, aka ‘the witch of the Hovels,’ would not have had the influence she had on the prodigal band had this invasion not taken place, and had this invasion not been aided by an aristocratic family that somewhat aided the forces of William the Conqueror.

It is weird with aristocrats…throughout history, various aristocratic families have had a tendency to aid the enemies of their countrymen and that would include fellow aristocrats. But when power is to be had, aristocrats often turn against their fellows in order to gain power: Julius Caesar vs. Brutus; Tutors vs. Stuarts; the Hundred Years War between opposing yet related royal families of France and England; the Biblical split up of Israel into Israel vs. Judah, Spanish vs. Austrian Habsburgs, and many more. But the rivalry between Duke William of Normandy and England’s King Harold, as both are closely related, is somewhat complicated, which led to the Norman invasion aided by Norsemen and other English rival aristocrat families where timing was key. From the Wikipedia page on the Norman Conquest:

“The Norman Conquest (or the Conquest) was the 11th-century invasion and occupation of England by an army made up of Normans, Bretons, Flemish, and men from other French provinces, all led by the Duke of Normandy later styled William the Conqueror.

William’s claim to the English throne derived from his familial relationship with the childless Anglo-Saxon king Edward the Confessor, who may have encouraged William’s hopes for the throne. Edward died in January 1066 and was succeeded by his brother-in-law Harold Godwinson. The Norwegian king Harald Hardrada invaded northern England in September 1066 and was victorious at the Battle of Fulford, but Godwinson’s army defeated and killed Hardrada at the Battle of Stamford Bridge on 25 September. Within days, William landed in southern England. Harold marched south to oppose him, leaving a significant portion of his army in the north. Harold’s army confronted William’s invaders on 14 October at the Battle of Hastings; William’s force defeated Harold, who was killed in the engagement.”

So Vikings invaded northern England around the time Normans did? Hmmmm… Yet, if one has watched the History Channel TV series Vikings, it might make sense. It turns out William of Normandy is directly descended from Normandy’s first ruler, Rollo, a Viking (and brother to the TV show’s main character, Ragnar Lothbrok), who, after trying to conquer France in Paris, wound up marrying the Carolingian King Charles’s daughter (and supposedly converting to Christianity) and was given Normandy to rule over in 911 AD. (Note: the Carolingians are descended from Charlemagne, who took over France in 800 AD, crowned by the pope of that time.)

“In 911, the Carolingian French ruler Charles the Simple allowed a group of Vikings under their leader Rollo to settle in Normandy as part of the Treaty of Saint-Clair-sur-Epte. In exchange for the land, the Norsemen under Rollo were expected to provide protection along the coast against further Viking invaders. Their settlement proved successful, and the Vikings in the region became known as the “Northmen” from which “Normandy” and “Normans” are derived. The Normans quickly adopted the indigenous culture as they became assimilated by the French, renouncing paganism and converting to Christianity. They adopted the langue d’oïl of their new home and added features from their own Norse language, transforming it into the Norman language. They intermarried with the local population and used the territory granted to them as a base to extend the frontiers of the duchy westward, annexing territory including the Bessin, the Cotentin Peninsula and Avranches.”

So, is it possible these Viking invaders against King Harold invaded to aid in the cause of Rollo’s (I’m speculating here) great-great grandson, William? Hmmmm…. It was Rollo, then son William I, grandson Richard I, then sister of great-grandson Richard II (Edward the Confessor), then Harold, whom William considered illegitimate as he was promised the throne. And why does a Viking invasion have any context within the trilogy? For one thing, the mother of singer Erik is Norwegian—from what would turn out to be a family that had roots in the Norman invasion, as a snippet will tell later in this post.

Continue reading “Snippets of The Prodigal Band Trilogy: Historical Context, Part Two—William of Normandy Invades Britain, and Genealogy”

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Snippets of The Prodigal Band Trilogy: Historical Context, Part One: Rome Invades Britain Under Emperor Claudius; Druids

According to this Wikipedia post on Rome’s conquest of Britain, the conquest began under Emperor Claudius in 43 AD. The historical context within The Prodigal Band Trilogy however isn’t really about conquering England or trying to conquer Scotland or keep the “Picts” as the Scots were called from trying to get rid of the Romans (one reason Hadrian’s Wall was built just north of the Tyne River, to keep out the “Picts”). The historical context is about conquering Wales, home to the fictitious Crag-Dweller sect of Celtic cannibals led by the pagan priest Crynnwagg in the fictitious “Craggy Mountains”. According to Wikipedia, when the Romans conquered Wales they had to put down the Druids as well. Unfortunately, Wikipedia does not have a post about Druids in Wales, but just Druids, a sect of priests that worshiped various pagan gods of the Celts, throughout Celtic areas including Scotland, Ireland, England, Breton (now part of France), Gaul (most of present-day France) and Cornwall, which has its own Cornish dialect.

The trilogy states the year 50 AD as the time when Rome invaded Wales, but that is not true, yet not far off either. According to the map on the Wikipedia page, the Romans entered Wales in 54 AD, and, by 96 AD, Wales was pretty much conquered completely. I chose the year 50 AD, not knowing exactly when Rome tried to invade Wales, because it’s a ‘round number’ so to speak—plus, there was a new Roman Emperor in 54 AD, Nero. And another thing—that fact that Rome conquered Wales and most of the rest of Britain really doesn’t play into the novels. Yet, the fact is (which I knew was fact for years) that the Druids did try to keep the Romans out of Britain (as they’d tried in Gaul and other places they inhabited, but under Julius Caesar in his time—Caesar did conquer Gaul and did visit Britain for a bit). Therefore, since the trilogy features the evil Crynnwagg as the high priest of the Crag Dwellers who lived in the ‘Craggy’ Mountains of Wales and fought Druids, and since Druids did try to keep out the Romans, it figured that the Roman invasion under Claudius needed to be referenced. From Wikipedia:

“…Late in 47 the new governor of Britain, Publius Ostorius Scapula, began a campaign against the tribes of modern-day Wales, and the Cheshire Gap. The Silures of southeast Wales caused considerable problems to Ostorius and fiercely defended the Welsh border country. Caratacus himself was defeated in the Battle of Caer Caradoc and fled to the Roman client tribe of the Brigantes who occupied the Pennines. Their queen Cartimandua was unable or unwilling to protect him however, given her own truce with the Romans, and handed him over to the invaders. Ostorius died and was replaced by Aulus Didius Gallus who brought the Welsh borders under control but did not move further north or west, probably because Claudius was keen to avoid what he considered a difficult and drawn-out war for little material gain in the mountainous terrain of upland Britain. When Nero became emperor in 54, he seems to have decided to continue the invasion and appointed Quintus Veranius as governor, a man experienced in dealing with the troublesome hill tribes of Anatolia. Veranius and his successor Gaius Suetonius Paulinus mounted a successful campaign across North Wales, famously killing many druids when he invaded the island of Anglesey in 60. Final occupation of Wales was postponed however when the rebellion of Boudica forced the Romans to return to the south east in 60 or 61.”

Most of Wales was conquered in the 70s AD, according to Wikipedia.

“…The new governor was Agricola, returning to Britain, and made famous through the highly laudatory biography of him written by his son-in-law, Tacitus. Arriving in mid-summer of 78, Agricola completed the conquest of Wales in defeating the Ordovices…He then invaded Anglesey, forcing the inhabitants to sue for peace.”

Further down scrolling indicates in red all of Wales was conquered up to around where Hadrian’s Wall would be located, in 96 AD. As for the Druids, from the Wikipedia page on Druids:

Continue reading “Snippets of The Prodigal Band Trilogy: Historical Context, Part One: Rome Invades Britain Under Emperor Claudius; Druids”

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The Truth About the (Music) ‘Industry’ Expounded in The Prodigal Band Trilogy (Part Five)—If Dead Rock Stars Could Talk (Part Two)

In Part One is listed several rockers and others who ‘committed suicide’ (or were murdered, and there is plenty of evidence to back these claims as the victims tended toward exposing the evil agendas they discovered in the music industry), including the so-called ‘27 Club’ highlighted by Jimi Hendrix and Kurt Cobain, and more recently, Chris Cornell of Soundgarden and Chester Bennington of Linkin Park, within months of each other, for planning to aid children harmed by pedophilia and trafficking. And it is not a coincidence that right after Swedish DJ Avicii created and released a video, ‘For a Better Day,’ that exposed child trafficking rings, he was also ‘suicided’ by ‘hanging from a doorknob.’

The post began with the opening line of the third novel in The Prodigal Band Trilogy, The Prodigal Band: “If dead rock stars could talk.”

If these dead rock stars could talk, we would know a lot more about the evils being perpetrated by the rulers of the industry, and the world itself.

The notion of entertainers in and out of the music industry being ‘suicided’ or otherwise punished for resisting and exposing the evil in the industry really didn’t hit me until after the first two trilogy novels, Battle of the Band and The Prophesied Band, were published in the latter 90s. Right after The Prophesied Band was published, we got dial-up internet, which provided me with research material to help me finish the trilogy, but it took years of research (among other things which kept me busy and putting off the third novel for nearly 20 years) to realize that the idea of ‘if dead rock stars could talk’ needed to be placed front and center within the plot. Further, if the prodigal band realized they were being targeted by the elites for turning against the narrative, they would finally wake up to the surest way to ‘redeem’ themselves from the evil that would be unleashed upon them, given the choice to do so, or not.

Since I have already provided several snippets relating to the evil side carrying out plans of killing the band members that did not work out as they planned, the snippets posts here reveal the actual plots, not the outcomes.

Continue reading “The Truth About the (Music) ‘Industry’ Expounded in The Prodigal Band Trilogy (Part Five)—If Dead Rock Stars Could Talk (Part Two)”

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The Truth About the (Music) ‘Industry’ Expounded in The Prodigal Band Trilogy (Part Five)—If Dead Rock Stars Could Talk (Part One)

In the opening line of The Prodigal Band is this statement: “If dead rock stars could talk.”

It was uttered by a man called ‘Trenchcoat’ who partook in the attempt to murder, or at least do great harm, to the members of the prodigal band Sound Unltd, and he speaks the above opening line in Chapter One of the third novel in the trilogy. ‘Trenchcoat’ works for a secret society of assassins called ‘the Dark Web’ that does the bidding of the evil satanic group the Hellyons and also the evil secret society of elitists called the Novordo Club.

But instead of posting The Prodigal Band Trilogy snippets for now, I am posting actual truth about the possible fates of those in the music industry that went against the narrative that serves the rulers of this industry, including record label owners, parent company owners, handlers, venue owners, etc. Because the prodigal band Sound Unltd did serve the owners and the evil, but did begin turning toward industry truth after various tribulations, repenting in the end. The snippets about this will appear in the next post next week.

For now, I will provide some examples of this truth that there is a price to pay for going against the narrative, using several links to researched articles, some with videos.

This post will offer evidence that a number of rock stars (and not just rock stars by the way…the murders of rappers Biggie Smalls aka Notorious B.I.G and Tupak Shakur are clearly of evil intent relating to rival record companies…check this out in the link to Vigilant Citizen below) died under suspicious circumstances that while are considered ‘suicides’ are more likely murders. This includes members of the notorious “27 Club” (Jimi Hendrix, Jim Morrison, and Kurt Cobain) as well as Stephen Hutchence, Chris Cornell, Chester Bennington, and Avicii, who was a DJ…they ‘suicided’ by hanging from doorknobs.

The rest of this post tells why the ‘suicides’ are more likely punishments for the rockers’ desires to expose evil in the industry and in the corridors of the elites who rule this world, not just the ‘industry.’

Continue reading “The Truth About the (Music) ‘Industry’ Expounded in The Prodigal Band Trilogy (Part Five)—If Dead Rock Stars Could Talk (Part One)”

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The Truth About the (Music) ‘Industry’ Expounded in The Prodigal Band Trilogy (Part Four)—Mind Control

Sorry for the delay in posting! This continues the posts from The Prodigal Band Trilogy regarding how the music industry operates. The mind control I refer to here is not MK-Ultra type or magic-trance type operations, but spiritual, using crystals and rituals combined with ‘prayers’ to spiritual entities; in most cases, evil ones.

However, the first snippet post is part of a song given by good spiritual entities (the angels called the Tooters) to an early 80s rock band singer, Cobey McLeod, that would later serve as an example to the prodigal band, Sound Unltd. The song is called “The Legend of the Prophesied Band,” has a ‘surf music staccato,’ and is featured in Chapter One of The Prophesied Band. This snippet contains part of a verse of the song the ‘prophesies’ the band in question partaking in evil, which it would of course:

Then, the surfer-riffs clashed with metallic onslaught. McLeod’s voice spoke of deals made with the ungodly and lives of pleasure wasted.

And they will dance with Satan,

And they will be filled with lust.

Their minds won’t be their own.

They’ll be the tools of the unjust.

But, like the Prodigal Son, they will come home to live in the ways of The Creator. And the young will follow them.

I emphasize here the final two lines, “Their minds won’t be their own, they’ll be the tools of the unjust,” the evil satanic character Corion and his minions.

Continue reading “The Truth About the (Music) ‘Industry’ Expounded in The Prodigal Band Trilogy (Part Four)—Mind Control”

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The Truth About the (Music) ‘Industry’ Expounded in The Prodigal Band Trilogy (Part Three)—Handlers and Agendas

It isn’t just a matter of “selling one’s soul” for fame and fortune that explains why so many entertainers appear to promote and practice debauched behavior on- and off-stage. Those guiding their careers and success surely have something to do with it, including managers, producers, backers, and such ‘influencers’ as pop culture sages and spirit-guides. Timothy Leary and new age leader Maharishi Mahesh Yogi are examples from the ‘hippie days’ of the sixties, and Aliester Crowley, a Satanist and leader of an occultist group Thelema who died in 1947 (and memorialized by the Beatles as ‘sergeant pepper’ of sorts…Crowley also appeared on that album’s cover) also was an influencer in the 60s, 70s, 80s and 90s; Jimmy Page of Led Zeppelin fame was an avowed follower of Crowley.

Thus it is not just ‘whistling Dixie’ that I included among the evil characters for The Prodigal Band Trilogy the occult ‘church’ leader Swami Negran, his successor, ‘healer’ Cole Blessing, and then the next successor Mark Besst, a tech oligarch in the age of the internet. Also included in the bad guy list are evil ‘Novordo Club’ and occult secret society the Hellyons members Baron Torquay-Lambourgeau, Duke Marty Effingchester, Mrs. X and Y and Rodney Davis, a mafioso-type, and others. All of these can be considered handlers, making sure the prodigal band Sound Unltd follows the nihilist agenda set forth by the evil, led by the Satan-character, Corion, who guides those handlers.

Continue reading “The Truth About the (Music) ‘Industry’ Expounded in The Prodigal Band Trilogy (Part Three)—Handlers and Agendas”

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The Truth About the (Music) ‘Industry’ Expounded in The Prodigal Band Trilogy (Part Two)

Years ago I read several articles in various newspapers and pop culture magazines about Mafia or ‘Syndicate’ influence in the music industry (as with Hollywood and other entertainment platforms) into the 80s and 90s. I know for a fact that the Mafias (and I don’t just mean the Sicilian one) owned various night clubs and concert venues (and not just in the US).Though Mafia influence seems to have waned some I suspect they still have a say in the entertainment businesses, including record labels.

Note: the part about involvement with evil New Age guru Swami Negran, as stated in the previous post, will appear next week in Part Three.

The following snippet is from Chapter Two of the original version of The Prodigal Band, self-published by OmegaBooks in 2018, © Deborah Lagarde. The then-five band members (minus bassist Keith who would rejoin the band later) are sitting with then-manager Billy Prestin, Keith’s dad Sean Mullock and new road manager Billy Hallsip, eating spaghetti, the night before the band Sound Unltd would embark on their contest-winning national tour.

Continue reading “The Truth About the (Music) ‘Industry’ Expounded in The Prodigal Band Trilogy (Part Two)”

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The Truth About the (Music) ‘Industry’ Expounded in The Prodigal Band Trilogy (Part One)—And a Tribute to Rap Legend DMX…RIP, DMX!

I was going to post a new set of articles regarding either The Prodigal Band Trilogy or a message for Christian authors in their writings. But then I learned rapper DMX, an avowed believer on Christ, died supposedly of a heart attack on April 2, which so happened to be Good Friday, the day Jesus Christ was crucified on the cross in the year (according to most historians) 29 AD.

While I was never a fan of rap, gangsta or otherwise, I was a fan (sort of) of DMX as he was an avowed believer on Christ and is known to have spoken about Christ to fans and rap fans in general. While I was not a listener to his tracks, I did hear him in various videos talking about ‘the industry,’ such as one on YouTube that was later incorporated into a ‘truther’ video upon his passing, such as this one: https://www.youtube.com/watch?v=W7c0Z6P82hI (copy and paste the link into the browser; due to the ridiculous CASE Act, I will not post the video which might be copyrighted.) He not only denounced the evil within ‘the industry’ but also ‘preached’ so to speak about accepting Christ as Savior to fans at concerts and other events. Further, DMX was an actual inspiration while completing the trilogy in 2018.

Continue reading “The Truth About the (Music) ‘Industry’ Expounded in The Prodigal Band Trilogy (Part One)—And a Tribute to Rap Legend DMX…RIP, DMX!”

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The Foreword to The Prodigal Band, Self-Published by OmegaBooks in 2018, the Original Version of the Third Novel of The Prodigal Band Trilogy

Below is the original Foreword to the original, copyright 2018 by Deborah Lagarde, version of the third novel of The Prodigal Band Trilogy, The Prodigal Band, which is available as a FREE PDF download at the link in the menu above. It turns out, however, that calling this a ‘Foreword’ was a mistake since I wrote it; Forewords are usually written by another person; a Publisher, an Editor, or a Beta Reader. It should have been called an ‘Introduction.’

Further, Foreword or Introduction, the words below do state the ultimate purpose of the novel and the trilogy as a whole. Cheers!

A new post will arrive next week.

Continue reading “The Foreword to The Prodigal Band, Self-Published by OmegaBooks in 2018, the Original Version of the Third Novel of The Prodigal Band Trilogy”

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Why Is The Prodigal Band Available As A FREE PDF Download?

Folks, the last time I counted the number of downloads of the FREE PDF The Prodigal Band, the third novel in The Prodigal Band Trilogy, that number exceeded 500! This is not counting the number of downloads prior to July, 2019, when the number of downloads of uploaded files was not recorded by WordPress but the number of visits to the download page was recorded, and there were lots of visits there.

Here  is the link to the page that tells about the third novel The Prodigal Band, including the content of Chapter One, and here is the link to the download site at the top of this page.

But why is The Prodigal Band available as a FREE PDF download? Since the trilogy book published by Lulu is available to be purchased, why just give away the third novel in the trilogy?

The third novel The Prodigal Band is a FREE PDF download because this is the novel that completes the prodigal band’s journey to redemption, whereas the first novel, Battle of the Band, tells of the band’s fall into crises after crises after reaching the goal of fame and fortune and then the crash, while the second novel, The Prophesied Band, has the band recovering physically and psychologically on the road to recovering spiritually, which occurs in the second part of The Prodigal Band. In other words, as with the Gospel of Luke Chapter 15’s The Parable of the Prodigal Son about his fall, recovery, and then the journey home to his father, Battle of the Band is about the fall; The Prophesied Band is about the recovery; The Prodigal Band is about the journey home to redemption. And this journey to redemption was the point of it all, why I wrote this trilogy in the first place. But I also had to write the two previous novels to show and tell what the redemption meant and why the redemption was necessary. And the battles between Good vs. Evil as well.

It would certainly help if the reader read the first two novels to find out why redemption was necessary and the details about the battle between Good and Evil, to read about the crises and the beginnings of understanding what was necessary to see one’s was out of the morass the band members (and their women also) had put themselves into while reaching rock god status. But I will leave that up to the reader as to whether the reader wants to read the other two novels.

But The Prodigal Band has a redemption message, and it is in fact a FREE message that one can use FREE WILL to decide if one is to accept the message or not. I do not feel as if I need to ‘charge’ anyone a ‘fee’ so to speak to get this message, and I also think since it is a FREE WILL message it should be made available for FREE as a PDF download (since PDF files are easy to download and easy to add to one’s e-book device….just follow the instructions on the download page!). So while I won’t be earning money this way, that’s not what this ‘mission of God’ is all about, and besides, I’m doing fine financially, thanks to God’s blessings. Cheers!

And that is why The Prodigal Band is available as a FREE PDF download!

Photo above copyright 2009 by Deborah Lagarde

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