In the sixties, seventies and into the eighties–and, in my research, this exploded in the nineties!–virtually every big name rock star either dated or married at least one supermodel, or perhaps an actress (or in the case of a female rock star, an actor or male model) or pop singer. The most famous couple is Mick Jagger and Bianca, who was a supermodel as well as an actress, and this couple is listed “number one” on a web page that lists famous rock star-supermodel couples, here. Also listed are Jagger’s Stones bandmate Keith Richard, and other huge names like David Bowie, Billy Joel, Ringo Starr, Rod Stewart, Axl Rose, John Mellancamp, and Gene Simmons. And then you’ll see many names from the 90s who were front men in 90s-era bands that I am aware of but never followed, as well as some from the 2000s.
But I decided back in the early 90s when beginning my The Prodigal Band Trilogy authoring journey that if my main characters were rock stars, they had to have supermodel girlfriends/wives. It was obligatory! As if you couldn’t have one without the other…for some band members, anyway. And, whether the female characters are supermodels or actresses/actors or pop singers–as with Hollywood movie stars marrying movie stars–for the most part, especially front men or guitar/bass hero types, it was SOP for a rock star to at least date supermodels or actresses or pop singers, let alone marry them. For a list of rock stars marrying/dating actresses/actors, click here. And Elle Magazine has a ‘visual history’ of such relationships.
Continue reading “Snippets of Reality within The Prodigal Band Trilogy: Rock Stars, Supermodels and Other Celebrities”
There are many websites, word and video, that expose what could be “mind-altering” techniques and experiences with drugs (or other means) that affect personalities of celebrities, among others. If you are reading these posts you likely know about certain pop stars who have supposedly developed “alt-personas”–YouTube is full of these videos: Beyonce as “Sasha Fierce,” Nikki Minaj as “Roman,” and Lady Gaga saying in some TV interview “I swear to Lucifer…”…I could link to these videos but the reader should do the research themselves. Vigilant Citizen has lots of these video snippets on that site as well as that YouTube channel. Did these celebrities decide to change their personalities themselves or were they programmed? I really don’t think anyone but the celebrity themselves can answer that…and then you have the whole “Laurel Canyon” scene of the late 60s where rockers’ personalities “changed”…MK Ultra? Monarch programming? Who knows? But according to Cathy O’Brien who wrote “Trance Formation of America” (an extremely disturbing book I read in the mid-90s), several country-western stars were programmed by these methods. I kid you not.
Or, is Beyonce’s “Sasha Fierce” persona just for stage-shows (and an album) only? I am sure when Beyonce is by herself (if she ever is by herself) she gets to “be herself.” Because believe it or not, celebrities do value their privacy, even those who can’t help but seek attention. If Beyonce and others really are programmed–and I have my doubts because I need verifiable proof they really are being programmed–I am sure they are “allowed” to “be themselves” every now and then. Otherwise, they might go stark raving mad, IMHO! So I really do think Beyonce and the rest can actually be themselves at times when they are not seeking attention (or being programmed?).
In my The Prodigal Band Trilogy, for instance, singer-front man Erik, as attention-seeking as possible (until he finally grows out of it), when seeking privacy, loves to go fishing, as I point out in a few places within the trilogy.
Continue reading “Snippets of Reality within The Prodigal Band Trilogy: Alternative Personas”
In this Snippets of Reality in The Prodigal Band Trilogy, I will discuss where I came up with the Red Crystal Amulets worn by the members of my fictional prodigal band, Sound Unltd. And why one or more members, mostly the drummer Tom, channeled spirits, with the crystal or not, often faking it. It is occultist practice, but various New Age cults or religions had a lot to do with my use of these themes.
As a late teen I dabbled some in tarot cards, Ouija boards, and séances, but (as I had stated before) the night in winter of 1970 when a friend of mine called up ‘demons’ (because they couldn’t be anything else with what happened, which was terrifying!) using a Ouija set up (without the board, we used paper with letters and numbers in a circle, and a glass as a pointer), I decided it was best to not dabble in the occult anymore! Yet, I had to include occultist themes in my books because various rock bands of my day used some occultist themes and practices in their music careers. See my previous post on this.
But in the late 80s before I started getting ‘called’ to write the books within the trilogy, I began to associate with various New Age ideas (I was vegetarian then) what with folks I had met, one of which was supposedly ‘taken’ by ‘aliens’ in a ‘UFO’ (Note: Regardless of what this person said or believed, I never bought into the UFO-extraterrestrial aliens philosophy. Why? I need empirical proof they exist!) and was a member of the so-called Ashtar Command with Ashtar as leader and ‘Jesus Sandanda’ as another ascended master type! (Note: Ashtar sounds a lot like Ishtar, a false god/fallen angel type worshiped by ancient Mesopotamians.) I will not mention the man’s name, but he actually, in my presence, channeled some ‘god’ or other, and before doing so ‘cleansed his chakras.’
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My original inspiration to author the books of The Prodigal Band Trilogy was divine, or divine inspiration, my ‘mission of God’ so to speak, a term I use within the novels. But that was not the only reason for the content of these books: Battle of the Band, The Prophesied Band, The Prodigal Band.
Through years of research into popular culture, various brainwashing programs based on eye-witness stories, New Age philosophy and cult practices–I’ve known several individuals who belonged to New Age cults as well as bogus Christian ones, and of course occult groups as well–effects of drug use on various rockers and others including overdoses leading to death or near-death, supposed ‘suicides’ by famous rockers that may or may not have been suicides and were perhaps even murders (the ‘27 Club’ and all that…and now famous young rappers also appear to be caught up in that)… And then there has been research into Satanism, the so-called ‘Illuminati’ and other evil groups in that the power these evil ideas have on popular culture especially these days with all the symbolism shown in VMA shows and whatnot…devil horns, eye-covering ‘one eye symbol’ photos that seem to be everywhere…and the various websites exposing this stuff. Seemingly what began as my research began in the late 60s before I even considered writing these novels is now the norm. Back in the 60s and 70s, it seemed a bit extreme. Yet the most popular bands of that era, and their handlers, may have set those occultic scenarios into motion. I know that because I, too, dabbled into the occult for a short time.
I will say this, however. Without the divine inspiration, my novels would likely have played out differently. The journey of my six-member band, the ‘prodigal band,’ would have ended up on a different course.
Beginning next week this series of reality events and truths that caused me to write what I wrote will be posted, one truth at a time.
And, while fiction is fiction, there is likely not one fiction novel of any genre or kind that has not been inspired by some real event or truth in the life of the author.
As to the picture at the top of this post–“pearls of wisdom,” so to speak.
This will be the final character snippet. This character is the keyboard-synthist Bryan, known as Bry in the trilogy. Much of the use of this character within The Prodigal Band Trilogy deals with the sexual tension he has with his wife, Mo, whom he felt obliged to marry after he got her pregnant. He is from an atheist household while she is from a Christian one, with her father being an Anglican pastor. He is also from a family of classical musicians; both parents are with a local philharmonic orchestra–dad plays piano and mom plays oboe.
Here is his description, from Chapter One of Battle of the Band:
‘The pot-bellied, biker-esque synthesizer player famed for red hair as wild as the wind, fiery as his brew, bore a downcast of regret.’
In other words, he’s also a biker and is the boss of the band’s road crew (which is mainly bikers). And he loves to drink beer.
Continue reading “The Prodigal Band Trilogy Character Snippets: Bryan, the Keyboard-Synthist”
Next up is in The Prodigal Band Trilogy character snippets is Keith, the bassist. As told here, he had a steamy sexual relationship with a pop singer while he was also married to a super-model-cosmetics mogul, Jarris, a woman he began dating as a teen and a woman he vowed to protect from her abusive father. He is also described as a “skuz addicted womanizer” in Chapter Four of The Prophesied Band. Skuz is a fictional opioid-cocaine laced designer drug that is used by the band and various other wealthy rockers living in the world of ‘sex, drugs, and rock and roll.’
His physical description? From Chapter One of Battle of the Band: ‘The dark, strapping bass player with bushy black curls and coal-dark eyes walked without his trademark gold chains.’ He is ‘dark’ because his grandmother is from Nigeria, on his mother’s side.
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Sorry this post is late…no internet for 24 hours, went up about 1 p.m. today…
Now that the holidays are about over, next up is Tom, the drummer. Of all the band members, Tom was the most difficult to characterize and has that ‘walking contradiction’ feel. On the one hand he grew up extremely poor, son of indentured servants, in a true slum section called the Hovels; on the other hand, he surrounded himself with jet-setting celebrities and sons and daughters of aristocracy. On the one hand he was a loner of sorts and tended to show up at gigs and band meetings late; on the other hand he could only be himself surrounded by his band mates, their women, or roadies. On the one hand he loved to argue–with his antagonist Mick, but also with his band manager, his woman, a princess, and other friends among the jet-setters; on the other hand he has no truly discordant agenda with the group and seeks no attention within the group. And, when he is bored with his jet-set entourages, he travels the world meeting ‘real’ people (such as Sherpas in Nepal, African tribesmen in Tanzania, and Muslims in Morocco), and loves mountain climbing (but not skiing). One minute he’s an arrogant pretender among those he considers phonies, and the next minute he’s as humble as a celebrity could get. He pretends to ‘channel’ the so-called ‘god’ Corion using one form of ‘persona’ and then meets ‘real’ people and becomes an activist of sorts, and even converses with good spirits. He even paid off all indentured debt in his hometown of Walltown.
Here is his description: “A short, curly-blond percussionist once angered by lost love approached with the others to an unknown destination, glad with a full life behind him.” He is five-foot-six and tends to wear cotton clothing.
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