Keys to Formatting E-books for EPub and Various E-book Platforms Besides Kindle

I do hope that the author of books who also has the desire or urge to format their printed books into E-Books isn’t just considering formatting for Amazon Kindle. For one thing, Amazon’s payout looks to be a pittance compared to some of the other platforms, especially Lulu. Now I do intend to format for Kindle because everyone and his or her mother has a Kindle device, right? And I know it is a very good idea to format for Kindle–for one thing, a friend of mine who downloaded my Prodigal Band FREE PDF complained that it was hard for her to read the PDF on her Kindle! That is likely because the Kindle Create format is different from a PDF format, which is simply an export from Word or WordPerfect. So, to satisfy folks who only have a Kindle reader which uses MOBI formatting, I will just have to accept a lower payout. Oh well, such is Amazon and it’s money-craving owner, Jeff Bezos, who will never have enough money (and, BTW, he is NOT “the richest man in the world”–which he knows and that is likely why he craves more and more money…it’ll take him years to catch up to the richest man in the world, which is the head of the Rothschild Banking dynasty, not Bezos! Bezos is “only”” worth a trillion or so. Rothschild, who OWNES the Federal Reserve Band and other central banks, is likely half-way to quadrillionaire status….a quadrillion is a one followed by 15 zeros! or the number 10 to the 15th power!). When you have this kind of money, money becomes meaningless in a way.

In any case I have finished formatting Battle of the Band for Lulu’s EPub format which also allows e-book buyers to purchase the e-book from other “partners” such as Barnes and Noble’s Nook platform, Apples iBook, the various Smashwords outfits such as Toshiba Book Place, Kobo and others–and even Amazon! (Just not for Kindle Readers..one would have to download  another e-Reader such as Calibre E-book Reader.)

There are two very important formatting issues one must address when using the EPub formatting tool, the Guide which can be downloaded here. One is using the “Styles” tool when using Microsoft Word (best to use the newest version, but I used Word2013): the Title, Copyright, and Intro-Preface-Foreword-About the Author pages and other intro pages MUST use Heading 1, while Chapters must begin using Heading 2, and subsections using Heading 3. And a lower Heading must NOT be above a higher heading–and all Headings must begin on the very top line of the page (the regular printed words use Normal, with paragraph spacing). And speaking of paragraphs…

If your paragraphs are NOT formatted correctly, your book will be rejected…

This is because EPub format does NOT allow numbered pages and the way it is formatted is how the Table of Contents is created. If your Headings and paragraphs are not formatted correctly, the Table of Contents is garbled, and your book  will be rejected.

It is extremely important to follow exactly the Lulu EPub Guideline PDF book. Make sure you use either “In Line formatting” or “Block”…In Line for novels and Block for non-fiction, or whatever. Finally, format your paragraphs the same way for not just “normal” Style, but Headings 1, 2, and 3 as well, according to the Guide. Hint: Use indent only for Normal, and keep Headings 1, 2, and 3 at 0.0 indent.

Hints: One, click on the paragraph symbol at the very top of the document on the Home ribbon next to the W (Word Doc) and the refresh circle, and a “paragraph” window comes up. Follow the instructions for each Heading or Normal Style guideline. Two, once one’s indents and “First Line” under the “special” function are established, right click on all Headings 1, 2, and 3 as well as the Normal Style boxes and you will see in all cases the “Modify” function. In each case left-click on Modify and choose font (Times New Roman, Garamond or Ariel are the only fonts allowed; I use Times New Roman) and font size, with Heading 1 being the largest and Headings 2 and 3 being smaller, and Normal being the smallest (I use 36 for Heading 1, 24 for Heading 2, 14 for Heading 3, as well as italics, and 12 for Normal). After fonts are dealt with, then click on the Format button below at the left and do what you did for the original “paragraph” function (or just use this tool and forget the “paragraph” tool, it’ll work either way). But you must do this for EACH of your Styles Headings and Normal.

Finally, there are instructions for auto-typing and auto-formatting that the guide says must be done as well. Go to the main menu under the FILE TAB. Click on the Options tab, and then click on the Proofing, then click on Auto Correct Options, then follow the instructions in the Guide regarding “Auto-Format” and “Auto Format As You Type.”

To make sure you are formatting correctly, click on the little “paragraph” symbol in the “paragraph” box right next to where the “Normal” square is in Styles. You will then see the various “Paragraph” symbols up and down your page. Larger symbols must come before the smaller ones in order.

One last thing–do NOT put your cover art (or what Lulu calls “marketing image”) on the very first page of your book! The very first page MUST be the Title page! You will submit your cover art separately, and guidelines for cover art (number of pixels and size and colors) are a whole other set of instructions! If you don’t want to spend days and weeks creating your own cover, go to pexels.com and download your COPYRIGHT= and ROYALTY-FREE image which you can then modify with your book title, edition, and author name. And one last thing–your Title page MUST only include what’s on the cover, or your cover must only include what’s on the Title page….that is called “metadata”…

The Reality of Why I Wrote My Books–I Had To.

Divine inspiration–something!–caused me to go outside within the beauty of star-surging sky around midnight in the early 90s and receive a “message” to finally get those rock band characters out of my head and onto paper, and then computer. God? Angels? Spirits? Because it was not the devil or demons–the devil or demons would not want me to create a trilogy about a rock band fighting evil (and, after a miraculous event in 1997, accept Christ as Savior!).

Now my characters could not be goody-two-shoes-types or boys who could never do wrong or only sin occasionally. They could not be boys like we have out here in far west Texas that claim to strictly follow the Bible and wear jeans or regular pants and button-down shirts, having sisters and mothers that wear nothing but long skirts and their hair up in a knot…Mennonite, but not Mennonite. Folks, does a Christian writer have to write fiction only with “God-fearing” (or not) characters?

Now, a Christian writer can write what he or she wants and however God guides them, but darn it, before I truly became a believer in Christ I was a sinner. Period. I cussed like my characters do. I had sex out of wedlock, which is defined as fornication, I think. I also dabbled in the occult for a short time (until the occult scared the living daylights out of me!). I also dabbled in atheism, but, again, God made sure this wasn’t going to become a permanent mind set! I could spend all day telling how and what and why God gave me messages and events that set me straight.

And I will say again why my main characters make up a rock band–because growing up in the 60s, rock music was one of my main connections to the world and my friends and classmates and generation. Listening to the Beatles and others, watching shows like Ed Sullivan and music-act shows I cannot even remember the names of, reading in pop culture mags about this or that rocker, buying LPs–you know, vinyl records–learning and playing guitar and being for a short time in an actual rock band that didn’t accomplish much, but still…and having friends who dated other rock band members that also didn’t accomplish much… If not for that, my teen years wouldn’t have amounted to a hill of beans! I would have been a depressed teen-aged girl with no hope of ever fitting in. Being a non-conformist is fine, but being a non-conformist exclusively is never a good idea for a teenager. It is the teen and early twenties years where one must explore the world around them, and then make decisions–hopefully the right ones.

And my books follow that proper narrative: six teen boys discover their music abilities and talent and, given a lack of prim and proper upbringing, more or less, take advantage of that talent and aim at rock and roll stardom, fame and fortune, not realizing that stardom, fame and fortune are double-edged swords and can lead to evil. And, mirroring the reality of evil in the music business that I have done extensive research on starting in the 70s, especially as relates to the hidden agendas of those who ultimately run the business and still do today, I can honestly say that my characters and the story lines and plots of the Prodigal Band Trilogy accord with this research and truth regarding the business of recording and performing the music that has influenced young folks from the late 1950s onward.

These three novel works are partially based on factual events of which I will state in future posts on this site as well as my OmegaBooks blog.

I will now bring up one truth that appears in the Free e-book The Prodigal Band, as relates to ‘prayer rituals’ performed as the ‘master disc’ is produced–the master disc, both in the pre-digital age and today’s digital master age, is ritually ‘prayed’ over by the makers of the disc (recording artists, producer, engineers, and record label personnel, for instance). The link to the video below features John Todd, who, in the 60 and 70s before he became a believer in Christ, participated in these rituals as a big shot with Zodiac Productions. Zodiac Records, a major label in the 60s and 70s, had several top rock band acts. The link is below.

John Todd exposes master disc prayer rituals.

There are more videos on this topic as well on YouTube.

The Prodigal Band Trilogy: The Spiritual

Moving on to the spiritual aspect of why I wrote these books…

In the fall of 1993, at night with the myriad of star-shine visions outside the house at night in the mountains, a view of the heavens, thinking some divine entity was hovering above, a thought came into my head, in my own voice, telling me that now was the time to begin to compile all the character and theme and setting and story and all the stuff I had carried in my head since the mid-60s. The time to write the novel was nigh….

Since I was raising a toddler daughter at the time, I had limited time to do this work, but I managed to get the rough draft manuscript done by the summer of 1994 only to have to go back to work teaching secondary math–in El Paso, in what was then a ‘gang land high school’ and put up with not only gangster students but a principal that couldn’t handle gangster students (the ONLY time I noticed serious discipline in the hallways was the one week this so-called principal was at a conference in Washington, DC! During that week, the assistant principals and security guards were actually able to do their jobs, and not one student of mine tried sneaking out of class or wanted to roam the halls…the only time this happened!) After the kids went to bed at night, when I wasn’t grading tests or whatever, I edited the rough-rough-rough draft. I quit the teaching job in June, 1995.

That summer I began the actual rough draft on someone else’s Macintosh computer, from 6 am until 8 am, when I had to go back home to home school my kids. In fall of 1995 I bought my own Mac computer with System 7.5. When I had time, I finalized the first novel, Battle of the Band, which was completed in 1996–after a writer/retired teacher friend of mine Beta Edited the novel twice.

And what she told me through her proof-reading/editing caused me to think maybe divine intervention WAS at work in this first book:

Read the rest here.

Download the FREE The Prodigal Band PDF e-book here.

The Prodigal Band Trilogy: The Why, Part 5

In Part 1, I stated why I became a writer-story-teller. In Part 2, I stated why the characters I made up were a gang and then a rock band. In Part 3, I stated why the rock band morphed into one from England, and in Part 4, why they were from northeast England, where the initial setting would occur. Now is Part 5, discussing the various changes I made over the next twenty or so years from 1970 until the final version of the first novel in the series, Battle of the Band, was published, that set the stage for the next two books, including the FREE PDF of The Prodigal Band.

Read the rest here.

Download the FREE PDF The Prodigal Band here.

 

The Prodigal Band Trilogy: The Why, Part 3

Continued from Part 2:  I said my boy diary characters became a gang, but not a drug gang or s violent gang. Just a close knit group of boys, and all these teen boys had girlfriends. Remember, this was fantasy stuff in my fake persona diary that I kept, basically, because I loved writing and writing about a persona that was very popular among boys literally kept me sane (even if it seems as though making up fantasy personas seems insane! I will say this: I am sure any friends I had did think I was a bit on the weird side because I was such a non-conformist. And love of rock music was almost the only way I knew I could fit in with ‘the crowd’).

But, as rock music went psychedelic beginning with the 1967 ‘summer of love’ in San Fran’s Haight-Ashbury district, hippie central, and the release of the landmark Beatles’ album, Sargent Pepper’s Lonely Hearts Club Band—you know, the one with Aliester Crowley on the cover—I suddenly found myself absorbed in this music and decided I wanted to learn guitar.

Read the rest on the OmegaBooks Blog: The Prodigal Band Trilogy, the Why, Part 3 here.

The Prodigal Band Trilogy: The Why, Part 2

Continuing from Part 1, here, no boy would dance with me in the public school gym on rainy days, so I pretended they would using a fictional diary character, a “new persona” so to speak, just to make myself feel like I was okay and not the ‘D-lister’ I imagined everyone else thought I was. I didn’t even think my neighborhood friends thought I was up to snuff (and I don’t mean “snuff film snuff” either! If this happened to day I’d have been called a “geek” or “emo”). Four of the fictional diary boys later became four of my Prodigal Band fictional characters.

But in late December, 1963, before school was let out for Christmas vacation, I noticed a magazine picture on a shelf along the blackboard wall headed out the door….

Read the rest of this blog post here.

 

Download the FREE Prodigal Band PDF here.

 

New Blog Post May 4, 2018 on Omegabooks Blog

Want to know why I got this entire Prodigal Band project started in 1962-1963? At the age or 9?

Click Here to find out what led me to begin this adventure!

Download the FREE PDF The Prodigal Band here. Or read the Prologue here.