The Prodigal Band Trilogy, being about the trials, tribulations, and triumphs of a fictitious and big time rock and roll band, is full of celebrities. That makes the trilogy and the books within it ripe for satire among other genres. Though the three-books-in-one trilogy leaves out much of the satire originally published in the original three books, there is still enough to regale the reader here, with two snippets posted. One involves celebrity attention-seeking behavior, and the other involves their hypocrisy, especially when it comes to their so-called ‘environmental activism,’ which, in my opinion, is just more attention-seeking behavior but often strictly for tax-write-off purposes.
Note: while it would be nice to be a best-selling author, one thing I absolutely do not want is to be a celebrity! I value my privacy as much as I could have what with having to market my books, but if I became a celebrity I would have no privacy!
Being a celebrity is a double-edged sword. Yes, they have fortunes and fabulous homes and cars and whatever, but while it takes attention-seeking to maintain celebrity, at some point the celebrity wants privacy and to go about with their lives devoid of constant media-tabloid-hounds chasing after them. And at some point, someone will come up with some nonsense about them that is not true and turns their lives inside out and backwards. Yet, whose fault is that? Theirs! They’re the ones who sought the attention, right?
Fortunately, for me and my characters, I realized these books were not going to be essays on satire. Yet I believe if your characters are celebrities some satire is necessary.
Continue reading “Snippets of The Prodigal Band Trilogy: Satire”
I have read few Romance novels, and I have seen few Romance movies that I have any affection for (but Romance Adventure movies like High Road to China, Jewel of the Nile, and Romancing the Stone are outstanding, IMHO). But one thing I know about the Romance genre–all Romance-themed novels or movies have this in common: sexual tension. It is not tension during the act of sex, but tension between the sexes involved with the romance relationship.
For instance: in High Road to China–one of my fave movies ever–the Bess Armstrong character and the Tom Selleck character (named O’Malley), in between hugging and kissing and bedding with each other, are constantly arguing, yelling at each other, her screaming, “O’Malley!” every few seconds or so, and O’Malley all pissed off because she demanded to fly her own plane and later crashed his plane named Dorothy in Nepal, as they headed to China to find her father, who was being screwed out of millions by his crooked business partner. In the end, of course, they decide to build a good relationship upon leaving western China where her dad is leading a rebellion against some overlord in the 1920s. All novels, Romance genre or not, that build some sexual tension, always have that tension relieved at the end, when love abounds.
And there is plenty of sexual tension in The Prodigal Band Trilogy. I have already discussed this marriage tension between the bassist Keith and his wife Jarris, in the Drama snippet.. In fact there is sexual tension between each band member and his woman throughout the three-books-in-one trilogy that get resolved at some point.
But the key “romance-sexual tension” partnership within the band and their women is between keyboard-synthist Bryan and his wife, Mo, who marry early and then things begin to go awry as they bring forth children. Prior to having kids, the relationship is as good as it could be; having children become the linchpin for what develops into a rocky relationship, as I will describe below in three snippets.
Continue reading “Snippets of The Prodigal Band Trilogy: Romance”
I grew up immersed in the Horror genre, movies mostly, but also some comic books. When I was a pre-teen and teenager, some local TV station had aSaturday night movie series called “ChillerTheater.” Today that has morphed into the DirecTV and DishTV channel “The Chiller Channel” or whatever it’s called now. It was on this show series I saw “Godzilla,” “The Beast from 20,000 Fathoms,” “The Crawling Eye,” and various Japanese and other monster movies, various zombie/ghoul/vampire/Frankenstein-type monsters and serial murder movies many of which starred my fave actor at the time, Vincent Price. Basically, if Vincent Price was in the movie, I watched it.
In my twenties, I started reading horror genre fiction but I thought horror movies were more exciting. There was one book–I have no idea what the title was but it’s one of the few I actually finished reading–about some vampire-like rock band that recruits roadies or fans or whatever and then turns them into vampires, but one small group of fans turns against the band. Eventually, the vampire band gets “burned” if you know what I mean. But I did not buy the book because it had vampires, but because it had vampires who were rock stars!
And around this time, Ozzie Osbourne was making it huge…And. Oh yeah, AC-DC, “Highway to Hell” and all that…
One of the reasons I began writing the books that make up the trilogy was the notion, which has some merit but which can also be debunked, that rock stars are all “devil worshipers” and rock music is “the devil’s music” which quite a few Christians still believe is true. Many supposedly Christian YouTube channels try to verify this over and over and over while mentioning a few, such as the guitarist for MegaDeath–I forgot his name–are avowed believers in Christ (as is rapper DMX). My point is not to prove rockers are not devil worshipers; some clearly are (such as Marilyn Manson). My point is wanting folks to get over the notion that listening to rock music is going to turn one against Christ or for Satan. As if listening to country music and someone like Miley Cyrus is going to turn one to Christ!
To contrast the band called Sound Unltd’s beginning and rise to fame and fortune with their inability to handle it wisely later, and then the coming trials and tribulations they face, I thought it would be a good idea to bring in the most debauched period of their ‘supremacy’ in rock music. This is where the horror comes in. There are no monsters or vampires or zombies or mass murders, but it still has horror themes including ‘rituals of the craft’ if you know what I mean.
Continue reading “Snippets of The Prodigal Band Trilogy: Horror”
The Fantasy genre can be defined in many ways as it mixes in with Science Fiction or Horror-Occultic or Spiritual or even Dystopian genres. But The Prodigal Band Trilogy does not take place on some fantasy world in another galaxy or another planet or another time frame, but in the modern times mostly in the time frame of late 70s to early 2000s, mostly in the UK or the US, mostly in southeast England, NYC, LA area or the Bay Area or in the fictitious city of Walltown in northeast England where the band, Sound Unltd, is from, or the Bay Area fictitious city called Richmont. Yet that’s not the fantasy part.
Both the first chapter of Battle of the Band and the first chapter of The Prodigal Band begin in the “beforetime” realm of God in heaven with the fallen angels being cast into the Abyss, and on Earth in the 1130s in Walltown, which in the year 1136 is burning, having been cursed by an evil Duke calling forth Demons to burn the residences of rebellious serfs. Meanwhile angelic forces entering the city through a portal where a three-part angelic statue is being built, come to inhabit that statue where they sit in spirit as they put out the fire. Since the statue-figures have music horns, the statue is called The Tooters.
Another force for good–truly a fantasy character–an old woman considered a ‘witch’ by the locals, Morwenna being her name, is able to channel The Tooters for the cause of good. As she is given a song that will be passed down to future generations to save the town from evil, she suddenly by divine intervention becomes young again, and is able to mate with the man who will raise a son to pass down the song for over 800 years. What can be more fantasy than a woman who grows old and young and old and young for 800 years to assure the song is passed down to what would become a ‘prophesied’ band.
Continue reading “Snippets of The Prodigal Band Trilogy: Fantasy”
Everyone has their definition of “comedy” because everyone has their own sense of humor and everyone has their own idea of what is “funny” and what isn’t, which could also include satire (which I will deal with later…in my opinion there is more satire than comedy in these three books that make up the trilogy.)
The first example also includes some slapstick…well, that’s my opinion anyway. This example is found in the final chapter of Battle of the Band and comes right before another category I just added to the series, Tragedy.
Continue reading “Snippets of The Prodigal Band Trilogy: Comedy”
But before I do the repost, here is some news regarding my The Prodigal Band Trilogy e-book to be published by Lulu Publishing: I have just sent in the manuscript revision sheet for the final proof…and I couldn’t believe how many typos and grammar issues I had to revise! And I’m sure I forgot one or two… Printed copies of the three-books-in-one will also become available, and Lulu will send me a few when it is completed…complimentary copies.
Onto the repost…
Originally posted March 2, 2018 on my Blog
I know that sounds bloviated, unrealistic, conceited even, to call my little independent publishing company hardly anyone has ever heard of “home of the world’s most unique fiction.” But folks, I do believe it is true. Here is why:
Continue reading “Why is OmegaBooks “Home of the World’s Most Unique Fiction”? (Repost from my author blog, March 2, 2018)”
Read the rest here
For the original blog posts, they are here at the Blog.
Since Lulu.com is now in production mode of my “three-e-books-in-one” The Prodigal Band Trilogy, now is a good time to rehash “the why” I created these books beginning years ago.