Random Trilogy Snippets, Part Four: The Biggest Battle is Spiritual (Part One)

Folks, I called my first novel in The Prodigal Band Trilogy ‘Battle of the Band’ for a reason. Not because there are contests called ‘Battle of the Bands.’ But because the ‘battle’ the prodigal band Sound Unltd undergoes is truly a spiritual battle whereby the spiritual forces of good vs. evil wage war to get this band on their sides—while the evil side ‘wins’ the band early, rewarding the band with fame and fortune as long as the band complies with the will of the evil side, the ‘war’ is won by the forces of good: the Creator, the angels known as the Tooters, and the human/spirit being, the ‘witch’ of the Hovels aka Morwenna as the band undergoes their assigned ‘missions of God’ and accepts Christ as Savior.

This snippet set on the spiritual battle features the battles between the Tooters and the satanic character Corion and his Demons (Gold, Silver, Bronze) along with two evil characters possessed by the evil, fake healer and new age cult leader Cole Blessing and his replacement, Mark Besst. The snippets are short. The first one is from Chapter Eight of Battle of the Band; the middle ones follow each other and are within the final chapter of The Prophesied Band, the final two are from Chapter Seventeen of The Prodigal Band. Some of these snippets are featured in previous snippet posts, such as https://omegabooksnet.com/2019/10/30/snippet-of-the-prodigal-band-trilogy-spiritual/

The first one features a battle between the Tooters and the Demons, with the Demons having given the band one song and the Tootlers having given the band another song. The Corion crystals the band members wore added to the ‘soul capture’ scenario that eventually faded out.

(On a 1995 tour)

Onto the Bellyful/Bad Boys Are Back world tour, where a taste of the battle to come between The Tooters and The Demons took Sound Unltd completely unaware while performing ‘Song of the Demons’ back-to-back with ‘Where Do We Come From?’ night after night, in city after world city. Nor could their fans sense the clash of light-against-dark-swords in the spirit dimension high above their waving fans and bodies.

‘Song of the Demons.’ Gold Demon swung its sword and came within a hair’s breadth of decapitating Tooter Two. “Give up now, you puny being!”

“No! I invoke the Creator!”

“Not during our song. It won’t work!” Swoosh!

The bright-red soul catching egg encased the stadium.

Most within chanted, louder and louder, over and over. “Corion, Corion, Novordopax, Tricameron!”

‘Where Do We Come From?’ began. The egg faded, the chanting stopped.

“Pray to our Creator, Tooters three, and on to attack!”

The Tooters took the initiative. One of them yelled as it swung and missed Silver Demon, “We could really use a rendition of ‘Let the Night Down’ about now!”

“Forget it! They haven’t played that in years and it’s not in the Plan. The time will come.”

And always, at the end of the segue, the two sides remained at a standoff.

The second, third and forth snippets follow each other, featuring the evil new age leader Cole Blessing, who is ‘owned’ by Corion, his ‘disciple’ ‘Xulya,’ who is actually the wife of keyboard-synthist Bry, a mother of three boys. Mo and the boys are headed toward a music festival that the prodigal band headlines in their home city of Walltown, the festival overseen by the Tooters. It turns out Blessing is made ‘sick’ due to Corion having to deal with the Tooters he opposes. In the third snippet, Corion—inhabiting Blessing—tries to ‘own’ the Tooters, but fails. In the forth one, Bry and Mo discuss what happened to Blessing.

Cole Blessing wouldn’t come away from their cab.

“Watch out for traffic, Craig, Sean.” Mo held her boys away from the street, but Logan, her youngest, wondered near the curb. “Get away from that street, Logan! You know better than that!”

Craig, the oldest boy, took Logan’s hand and brought him and Sean away from the street.

Mo turned back to Cole, who was staring at The Tooters.

“Come on, Cole, you coming? My friends are waiting, eh?”

Though feeling anxious, Blessing spoke calmly to Mo, still looking at the statue. “I’m not going with you, Xulya. I can’t. Feeling—feeling kind of ill all of a sudden.”

Annoyed. “But Cole, you’re never sick! When the hell did this start?”

“Just now, love. When the cab pulled up.”

Sigh. Rolled her eyes. “Right, Cole! And you’re out of the cab now, eh?” Looked at her boys, then swiftly turned on him, disgusted. “What the hell you want me to do? Leave my boys here so you can vomit or something?”

“No!” He jumped at her word. “I’m not going! Take your sons and go!” His voice bordered on viciousness. “I don’t know why you insist on playing mother to those brats over there! As if you still love them!”

(Later)

Meanwhile, Cole Blessing remained at the cab as the driver was perfectly willing to let his meter run.

Corion was also there. “So you think you can keep me from my destiny, puny Tooters!”

Wise Tooter Three answered. “It is not we, Corion, son of darkness, who had made your human host sick. It is not us you must defeat! And you will not pass this north gate, nor the park, nor the stage.”

“I could crush you with my pinkie!”

“Then why don’t you?” Plucky Tooter Two answered. “Because you can’t. The Creator created you, and He does not wish it.”

“He created me, yes. But He won’t rule for long! This planet will be mine!”

With uncharacteristic chic, Tooter One slowly responded. “In your dreams.”

(Later)

(Bry) “Speaking of crazy, where’s Cole? Didn’t you say he was gonna accompany you?”

(Mo) “He got sick in front of The Tooters. The others think the statue made him sick because he acts like a god. And he does act like a god sometimes. The way he cured Ger.”

(Bry) “Humph.” Cocked his head. “Hmmm. A security guard came into the bus before and told us a guy who looked like Cole Blessing was standing outside the south gate. The guard told him he could come backstage, seeing as how he was Cole Blessing and he was supposed to be with you. But Cole wouldn’t come inside. Really nasty about it, too. Like he was pissed he couldn’t come in.” Stared into space as two others came out of the bus. “Sounds like he’s more than just a bit sick. Maybe The Tooters—” No, that’s too ridiculous. “But why would a statue—angels or not—be able to force Cole Blessing to stay outside unless—” Too ridiculous! Blessing’s not bloody Corion, eh?

In the fifth snippet, guitarist-producer Mick tells satanic singer Ace of the death metal band DisCord that he needs to change his ways, for the notion that Corion or Satan gives one a choice to (as Aleister Crowley claims in his demonic ‘Book of the Law’) ‘Do what thou wilt’ is utter deception. This follows a previous event where (in Chapter Thirteen) Corion takes the lives of some of his followers since these followers or minions were not able to corral the prodigal band into signing an oath to Corion. In the sixth and final snippet, Corion sends a ‘message’ to his new possessed minion, Mark Besst, that Besst had better do Corion’s will—or else!

(Mick) “…Even if you take the Oath if you join the Inner Sanctum, they might still sacrifice you anyway. Why? Because Satan is the ultimate deceiver. But if God commands Satan to not kill someone he wants to kill, then he won’t. Because God is in control….Mark…killed your friends Ally and Melanie and Drew and Rod Davis. For no reason, other than the man is possessed by an evil spirit who will stop at nothing to get his way. Now from what you said he commanded you to get the Crood into the Hellyons, right?”

(Ace) “Yeh.” Still in shame, for he knew what was coming.

(Mick) “Well guess what, Ace? You might be next, eh? Because unlike God where you have a choice, with Satan, you don’t have a choice! You do what they say, or they whack you, or they destroy your career. They’ll either kill you or screw you over big time. And they’ll do it to all your band. And if you’re a Hellyon already? Doesn’t matter, they’ll get you anyway. ‘Do what you want,’ eh? More like ‘do what we want, or else!’ It’s all deception, Ace, all illusion.”

(Later, at Mark Besst’s estate)

Mark Besst could not find relief from tossing and turning in his bed, in his sleep as his master, Satan-Corion, let him know about how Tom was turning his followers away from the evil, especially Riley and the Crood whom the evil wanted to use against the sextet.

And you wanted me to inhabit you, you worthless weakling that can’t even control one damned minion of mine I told you to control—Riley and his mates are not only not going to help me destroy the traitorous Sound Unltd, but will totally turn against me—because you—you!—could not control them. But I gave in to your request the night you joined my minions in the Inner Sanctum! And what have you to show for it? You couldn’t impale the singer I told you to—and you still have not delivered his son to me! How much longer will I await this? Then the men you hired to get even with the six botch the jobs! Then Ace—one of my chief minions—no longer will do all that I have told him to do, though he and DisCord pretend to still. All because you—you!—cannot do my will! But I will give you one more chance—and if you fail me this time, I will gnaw your bones forever! You know I can and will do this!

A short while later, Mark Besst woke up in a cold sweat, screaming.

Part Two of this post will be posted in two weeks.

Use the menu above to purchase the books (Bookstore) or download the FREE PDF “The Prodigal Band.”

The Prodigal Band Trilogy © 2019 by Deborah Lagarde, Battle of the Band © 1996 by Deborah Lagarde, The Prophesied Band © 1998 by Deborah Lagarde and The Prodigal Band © 2018 by Deborah Lagarde. Permission needed to copy any materials off this page

A Word About This Site Configuration and Scrolling to Read Posts

The latest posts are listed with the most recent one at the top, then going down in descending order to the previous, then the previous one, etc. But at some point one will notice a post one has scrolled past a few minutes ago…in other words, the posts are repeating while scrolling down. That is because the post that is repeated is on “page 2” of the home page, then comes “page 3” and the rest….likely by now there are about ten “pages” of posts back to the beginning of this site. This can be confusing, which is why I am writing about this configuration. If one is confused, then it might be a good idea to head over to my blog where snippet categories (not including the most recent snippet categories) are listed along with the posts within the categories. The links to these posts begin with the ‘music industry’ snippets and the ones with historical context. The links to the ‘random’ category posts will be posted on the blog shortly. So, if you want to more quickly access a snippet category or post, the blog is the place to go.

How I Wrote The Prodigal Band Trilogy, Part Three

At the end of Part Two, I said that an actual spiritual incident I witnessed, which caused me to commit to Christ as Lord and Savior, inspired me to figure out a way to complete the ‘prodigal band’ story (using the Parable of the Prodigal Son as a guide) so as to create a novel trilogy that could spread ‘the message’ of redemption and salvation that anyone could accept freely, of their own free will. This incident certainly helped me to write The Prophesied Band, which ends with the prodigal band Sound Unltd being given ‘mission of God’ by the spiritual forces of Good. But would the prodigal band, having no idea about how to complete these missions, as well as being either atheist or agnostic toward Christianity and religion in general, be able to truly accept the missions and complete them?

In 1998, The Prophesied Band was published and printed (by a different outfit from the one that printed Battle of the Band), but this time I had far fewer copies printed—a wise decision! During that summer I sold roughly one-third of the number of printed copies at local festivals and writer conferences and made enough money to actually cover the cost of printing. By the following summer, I had sold about half of the book copies, and more than half by the fall of 2000. By then I had another Mac desktop and Corel WordPerfect software knowing that likely the next desktop computer would be using a Windows operating system (for one thing, a new Mac computer is almost double the cost of a Windows computer, and hubby and my kids wanted me to get one with Windows, likely with Windows 98).

Continue reading “How I Wrote The Prodigal Band Trilogy, Part Three”

How I Wrote The Prodigal Band Trilogy (Part One)

This post is not about how, in the 60s and 70s and 80s, I came up with the characters as a gang, and then as a band. This post is about how I developed the final plot involving good vs. evil spirits and entities using the prodigal band for good or evil purposes, how I was inspired this way and how I managed to write the three novels, the final one (The Prodigal Band) twenty years after the second one (The Prophesied Band). How I turned just an entertaining piece about the foibles of rock stardom into a spiritual plot using the Parable of the Prodigal Son of the Gospel of Luke Chapter 15 as a guide. Finally, it is about actually creating the novels using various software including ClarisWorks (for Mac) and Corel WordPerfect, Microsoft Word and Adobe Acrobat conversions for PDFs on both Mac and PC desktops and laptops. I reviewed the “why” in the previous post; now is the “how.”

As I’ve stated in the previous post, in the 60s, 70s, and 80s, my mind made up the band and female main characters for the manuscript that I had no idea would become this trilogy. Then in the early 90s, I looked up at the stars and was then inspired to begin the writing journey—out here in rural mountain far west Texas, the stars are everywhere in the night sky on a clear night, unlike in urban and suburban areas. But what would be the main plot?

I started putting notes together with bound notebook and pen or pencil beginning with angels called the Tooters “prophesying” that a band would come about and be subjected to a tug of war between good and evil spirit characters as the band succeeded through the 90s and would eventually side with good over evil. Sometime in 1992 and 1993, using an old Atari XE computer which used a floppy disk “operating system” as a “hard drive” and where, once the disk set up the system, you take out the system disk and put in another floppy which holds the file one is working on (and where the new floppy holds about 48 kilobytes of space for the files)… In other words, only one or two chapters could be placed on each floppy disk, and, yes, they were indeed floppy! So using about five disks I typed in the first version of the book I titled “Rock Band” since I really had no idea what else to call the book. After completing this, I printed out a copy from each disk; I have no idea what printer I used. The plot was, in my opinion, weak as well—now why would angels call on a rock band to carry out a good agenda over evil when all the rock band members wanted to do was make millions and party and partake in sex orgies and get smashed on cocaine-like drugs? And then wind up in serious tribulations with seemingly no way out? So, in spring of 1994, I hit an impasse.

Continue reading “How I Wrote The Prodigal Band Trilogy (Part One)”

Why I Wrote The Prodigal Band Trilogy

Three years ago I wrote a set of posts titled The Prodigal Band Trilogy: The Why in five parts. If you scroll down most of the way on this Home Page or go to my blog and scroll through pages you will find these posts—but to make it easier to understand why I wrote these three novels, I am reprising these posts into one long post here, beginning with part one and ending with part five, plus an additional post reprise as well. Note: A few small changes were made from the original posts. Enjoy!

Part One

As I have said in previous posts both here and the blog site, I began my journey as a writer of fiction around the age of 8 or 9. I was returning home, on Long Island, New York, with my parents and older brother in a car from a visit to my grandparents (mother’s side) who lived in Mount Dora, Florida (about 20 miles from what was then Orlando). It was the summer of 1962; thus, I was 9 at the time. And I just happened to bring some non-lined notebook-sized paper and pencil with me. The paper was folded in half, width-wise, and looked like a “paperback book.”

Glad I brought the paper and pencil, because I was bored. I do not remember what my brother, in the back seat with me, was doing–he was 14 and likely listening to transistor radio up to near his ears (and folks, before the Beatles came along, pop music was very very boring, cutesy-wootsey “love songs” and other meaningless tripe about teenagers falling in love. From the time of the plane crash of Big Bopper, Ritchie Valens, and Buddy Holly in 1958 until the Beatles in 1964, “rock” music, if you could call it that, was IMHO, tripe. Dion and the Belmonts and Del Shannon and perhaps the Four Seasons were about as good as it got, and who the heck was Elvis? But anyway…) I had no idea what my parents were doing other than driving the car.

This was my first journey into the “deep south.” And the only thing I knew about the “deep south” related to the Civil War and the abominable institution known as slavery back then. There were times along Route 301 or even what was then I-95 when I would see what were called “negro shacks” along the way, plus we all visited some Civil War Confederacy monument somewhere, can’t remember. Now I was a “buff” so to speak of Civil War history. So I decided I was going to make up some story about this kid in the South during the Civil War who, along with his friend, a black kid who had been freed from slavery somehow and lived with the kid and his family, hated the south and slavery! So what he and his friend did was help the Union Army blow up a Confederate “ammunition dump.” And they did. I did not mention the state the kid lived in, or even the kid’s family name, but I called him “Johnny Reb” and the black kid was named Sammy. So, I named a kid who would blow up a Confederate ammo dump Johnny Reb? When my dad actually read the “book” (named “Johnny Reb” and was about 20 pages long in pencil) he brought up this irony! After all, weren’t the Confederates called “Rebels”?

Around that time I also had a diary–didn’t all young girls have diaries then? So, there I was in late 1963 just starting to have any interest in the watered-down “rock and roll” back then. When it rained outside, and in the Northeast US, home of “Nor’easters,” it almost always rained some in the fall and early winter, the public elementary school kept all the students in the gym after lunch, too wet to play outside. I was in sixth grade at the time and, not being popular so-to-speak, no boy wanted to dance with me. So all I did then was listen to whatever 45 RPM record discs were put onto the record player. Not being a ‘A-list’ or even ‘B-list’ (more like ‘D-list!’) that’s all I could do as most of my friends were dancing on the gym floor with boys whom had asked them to dance. Well, I had to try to ‘fit-in’ somehow so, even though I thought the music was boring tripe, I pretended to like it anyway. Thus, in my diary I would make up stuff about myself–in terms of a fiction character I can’t even remember the name–being popular and folks like Chubby Checker or Frankie Valli (spelling?) wanting to ‘dance’ with me (not knowing the actual hidden meaning of ‘dance’ at the time…’dance’ was code for a certain ‘f’ word if you know what I mean!) And of course I made up the boy characters as well. And named them the same names I have used for the original rock band characters in my books! (Note: the band concept came about in the latter 60s, and then I added two more band members, then deleted one of the originals in the 80s only to put him back in during the 90s). The reader is going to have to wait to find out the names of the characters for a bit.

Note: Here are the names of the band characters, including last names which I tend not to mention in my snippet posts: singer Erik Manning; guitarist-band leader Jack Lubin; bassist Keith Mullock; guitarist-producer Mick Pordengreau; keyboard synthist Bry McClellan; drummer Tom Cornsby. One of these days I will explain how I came up with the names.

Continue reading “Why I Wrote The Prodigal Band Trilogy”

Timeline Construction Within The Prodigal Band Trilogy

This post will not be a ‘snippet’ post, but a post about the creation of the three novels within The Prodigal Band Trilogy–the fact that this trilogy does not follow the usual timeline construct. Most trilogies have the first novel representing the beginning time period, and the time moves forward in line into the second novel and then ends the timeline within the third novel. This is how Tolkien’s Lord of the Rings trilogy, as well as The Hunger Games trilogy and the Divergent trilogy are fashioned—beginning, middle, end. And many others as well…and also series novels such as J.K. Rowling’s Harry Potter series. The Prodigal Band Trilogy certainly does not follow that scenario!

The first novel, Battle of the Band, begins (after the ‘before time’ spiritual part) in 1986 and ends in 1996. The second novel, The Prophesied Band, begins in 1982 and ends in 2000. The third novel, The Prodigal Band, begins in 1976 and ends in 2004. So that while each novel itself starts in an earlier year and ends in a later year, the time frame is not continuous from the first novel to the third novel.

Before I state why this is the case let me say that I didn’t exactly plan it this way. The second novel was supposed to take up where the first one left off. But the first one didn’t play out as originally planned either, and the first book wasn’t even supposed to spearhead a trilogy.

Then an inspiration came to me to subtitle Battle of the Band with this subheading: The Saga of the Prodigal Band Begins (as can be seen on the original book cover). In other words, the ‘Parable of the Prodigal Son’ within Luke 15 of the Biblical New Testament had to seal this burgeoning trilogy’s fate, as the first part of this parable is about how the son takes his inheritance, leaves his father, goes far off into another country and spends the fortune on ‘riotous living,’ leaving him financially and spiritually destitute. While the prodigal band isn’t financially ruined they are ‘destitute’ spiritually but discover there is a way out of this ‘poverty.’ So I had to re-do the novel with this theme in mind, which changed pretty much everything, including the time frame construction.

When beginning the second novel, The Prophesied Band (subtitled The Saga of the Prodigal Band Continues…implying this would be the second book in a likely trilogy), I had to construct a scenario whereby the band in question, Sound Unltd, would be ‘the prophesied band.’ So I began this novel (after a spiritual part in what would be the prologue in the original book) with a rock band from the same city, Walltown, as the prodigal band, and the narrator, pop culture pundit Jay Elliot seeking that particular career upon high school graduation in 1982, interviews the creator of the song—which was given to him by angels called the Tooters for the purpose of ‘announcing’ a future band of prophecy. The band of prophecy that would carry out a ‘mission of God’ as the novel ends at a trade and music festival headlined by this prodigal band.

Thus the timeframe of the first novel is wrapped within the time frame of the second novel: 1986 to 1996 falls between 1982 and 2000, correct? Further, for the final novel, it made sense to begin that one in a year prior to 1982 and end it in a latter year after 2000.

The final novel was originally going to be called ‘Band of Glory,’ as indicated on the back pages of The Prophesied Band, which was supposed to have the subheading The Saga of the Prodigal Band Concludes. But that was not to be. If it would be called ‘Band of Glory,’ it would have to end in Heaven with God, somehow. But again, inspiration had other ideas…for one thing, what would happen to the entity allied with evil, Corion? And would the band, carrying out the mission given to them, deserve to be in Heaven? Would they stick to the Plan, so to speak? And what events would cause them to choose to stick with this Plan?

The Parable of the Prodigal Son ends with the errant son returning home to his father, feasting on ‘fatted calf’ and being ‘found.’ His brother, of course, questions the sincerity and worthiness of his ‘lost’ brother—just like many Christians today question the efficacy of a wealthy rock star even coming close to accepting Christ a Savior (since they are all ‘devil worshipers,’ right?). Thus, not only did I have to author a novel as to how and why the prodigal band converted to belief on Christ and carried out their missions, but I also had to explain how and why the band was even formed in the first place, including parental and otherwise guidance: how and why were these six band members able to develop such talent and songwriting abilities in the first place? Since these boys grew up beginning in the late 70s, that is why the third novel begins in 1976, into 1980 and 1982 and 1985, with two new band members. Aspects of the first part of the parable and then the second part where the band discovers the way forward into the final ‘found’ part are focused in the first six chapters of this third novel. The ‘way home’ final part of the parable is the focus of the rest of the third novel.

So, thanks to inspiration and keeping to a script based on a biblical parable, this time frame construct of The Prodigal Band Trilogy doesn’t follow ‘the usual trilogy script.’

The next post here will take place in a couple of weeks. Next week’s focus will be on updating my blog with links to newer snippet posts here, since I have not updated the blog in months and this blog is an easy way to link to posts here without constant scrolling down the site to find them. Plus the main menu here also needs updating somewhat. Plus I need to figure out a new ‘snippet category’ to ‘snippet’ about! And more…

Cheers!

The Prodigal Band Trilogy Original Deleted Scenes, Part Seven

Welcome to the next episode in the ‘Deleted Scenes’ series of sections of the original trilogy novels that were not included in the three-books-in-one The Prodigal Band Trilogy. It has been a while since I have posted in this series as loved ones had come out for a visit. So here goes.

In this episode which gives more detail to a sinister event that happened on top of the burning of the band’s jet as it landed at a London Airport for an important meeting that never happened–it was a ruse to get the band to London so that even more nefarious events could happen, but didn’t (in Chapters Eleven, Twelve, and Thirteen)–the forces of evil tried another nefarious event to get even with the prodigal band for not toeing the evil line anymore, but instead siding with Good. The Evil couldn’t burn them in the jet, so instead it chose to burn them at home, so to speak.

Continue reading “The Prodigal Band Trilogy Original Deleted Scenes, Part Seven”

Snippets of Reality within The Prodigal Band Trilogy: Rock Stars, Supermodels and Other Celebrities

In the sixties, seventies and into the eighties–and, in my research, this exploded in the nineties!–virtually every big name rock star either dated or married at least one supermodel, or perhaps an actress (or in the case of a female rock star, an actor or male model) or pop singer. The most famous couple is Mick Jagger and Bianca, who was a supermodel as well as an actress, and this couple is listed “number one” on a web page that lists famous rock star-supermodel couples, here. Also listed are Jagger’s Stones bandmate Keith Richard, and other huge names like David Bowie, Billy Joel, Ringo Starr, Rod Stewart, Axl Rose, John Mellancamp, and Gene Simmons. And then you’ll see many names from the 90s who were front men in 90s-era bands that I am aware of but never followed, as well as some from the 2000s.

But I decided back in the early 90s when beginning my The Prodigal Band Trilogy authoring journey that if my main characters were rock stars, they had to have supermodel girlfriends/wives. It was obligatory! As if you couldn’t have one without the other…for some band members, anyway. And, whether the female characters are supermodels or actresses/actors or pop singers–as with Hollywood movie stars marrying movie stars–for the most part, especially front men or guitar/bass hero types, it was SOP for a rock star to at least date supermodels or actresses or pop singers, let alone marry them. For a list of rock stars marrying/dating actresses/actors, click here. And Elle Magazine has a ‘visual history’ of such relationships.

Continue reading “Snippets of Reality within The Prodigal Band Trilogy: Rock Stars, Supermodels and Other Celebrities”

Snippets of Reality within The Prodigal Band Trilogy: Alternative Personas

There are many websites, word and video, that expose what could be “mind-altering” techniques and experiences with drugs (or other means) that affect personalities of celebrities, among others. If you are reading these posts you likely know about certain pop stars who have supposedly developed “alt-personas”–YouTube is full of these videos: Beyonce as “Sasha Fierce,” Nikki Minaj as “Roman,” and Lady Gaga saying in some TV interview “I swear to Lucifer…”…I could link to these videos but the reader should do the research themselves. Vigilant Citizen has lots of these video snippets on that site as well as that YouTube channel. Did these celebrities decide to change their personalities themselves or were they programmed? I really don’t think anyone but the celebrity themselves can answer that…and then you have the whole “Laurel Canyon” scene of the late 60s where rockers’ personalities “changed”…MK Ultra? Monarch programming? Who knows? But according to Cathy O’Brien who wrote “Trance Formation of America” (an extremely disturbing book I read in the mid-90s), several country-western stars were programmed by these methods. I kid you not.

Or, is Beyonce’s “Sasha Fierce” persona just for stage-shows (and an album) only? I am sure when Beyonce is by herself (if she ever is by herself) she gets to “be herself.” Because believe it or not, celebrities do value their privacy, even those who can’t help but seek attention. If Beyonce and others really are programmed–and I have my doubts because I need verifiable proof they really are being programmed–I am sure they are “allowed” to “be themselves” every now and then. Otherwise, they might go stark raving mad, IMHO! So I really do think Beyonce and the rest can actually be themselves at times when they are not seeking attention (or being programmed?).

In my The Prodigal Band Trilogy, for instance, singer-front man Erik, as attention-seeking as possible (until he finally grows out of it), when seeking privacy, loves to go fishing, as I point out in a few places within the trilogy.

Continue reading “Snippets of Reality within The Prodigal Band Trilogy: Alternative Personas”

Snippets of Reality within The Prodigal Band Trilogy: The Red Crystal Amulets and Channeling Spirits

In this Snippets of Reality in The Prodigal Band Trilogy, I will discuss where I came up with the Red Crystal Amulets worn by the members of my fictional prodigal band, Sound Unltd. And why one or more members, mostly the drummer Tom, channeled spirits, with the crystal or not, often faking it. It is occultist practice, but various New Age cults or religions had a lot to do with my use of these themes.

As a late teen I dabbled some in tarot cards, Ouija boards, and séances, but (as I had stated before) the night in winter of 1970 when a friend of mine called up ‘demons’ (because they couldn’t be anything else with what happened, which was terrifying!) using a Ouija set up (without the board, we used paper with letters and numbers in a circle, and a glass as a pointer), I decided it was best to not dabble in the occult anymore! Yet, I had to include occultist themes in my books because various rock bands of my day used some occultist themes and practices in their music careers. See my previous post on this.

But in the late 80s before I started getting ‘called’ to write the books within the trilogy, I began to associate with various New Age ideas (I was vegetarian then) what with folks I had met, one of which was supposedly ‘taken’ by ‘aliens’ in a ‘UFO’ (Note: Regardless of what this person said or believed, I never bought into the UFO-extraterrestrial aliens philosophy. Why? I need empirical proof they exist!) and was a member of the so-called Ashtar Command   with Ashtar as leader and ‘Jesus Sandanda’ as another ascended master type! (Note: Ashtar sounds a lot like Ishtar, a false god/fallen angel type worshiped by ancient Mesopotamians.) I will not mention the man’s name, but he actually, in my presence, channeled some ‘god’ or other, and before doing so ‘cleansed his chakras.’

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