Why is OmegaBooks “Home of the World’s Most Unique Fiction”? (Repost from my author blog, March 2, 2018)

But before I do the repost, here is some news regarding my The Prodigal Band Trilogy e-book to be published by Lulu Publishing: I have just sent in the manuscript revision sheet for the final proof…and I couldn’t believe how many typos and grammar issues I had to revise! And I’m sure I forgot one or two… Printed copies of the three-books-in-one will also become available, and Lulu will send me a few when it is completed…complimentary copies.

Onto the repost…

Originally posted March 2, 2018 on my Blog

I know that sounds bloviated, unrealistic, conceited even, to call my little independent publishing company hardly anyone has ever heard of “home of the world’s most unique fiction.” But folks, I do believe it is true. Here is why:

None of my fiction books fit into a fiction genre. My books are not simply romance, though there is romance in them. Or spiritual, though there is much spirituality in them, and the same goes for the “Christian” label–my novels contain sex, drugs, and rock and roll–now how “Christian” is that? Or fantasy–but there is plenty of fantasy in my novels! Or horror–but there are elements of horror in all my novels, such as Satanists drinking blood like vampires. Or adventure–but there are adventures in all of them, and even a bit of “western” in my forthcoming “The Prodigal Band.” Or the notion of “based on a true story”–no novel is based on one particular true story, but many truthful events which at some point I will document. One “truthful event” scenario that prevails in all my novels so far is the well-worn notion that rock and roll artists, from simple rock stars to mega stars, have “sold their souls to the devil.” Thus my novels are spiritual, fantasy, horror, with a bit of adventure, romance, “Christian” and western thrown in. Historical facts are also at play here.

The over-riding theme, being spiritual, is simply this–and I hate to play spoiler here–a rock and roll band learns how to defeat evil and accepts the ultimate destroyer of evil, but not to spoil anything I won’t say Who. So, folks, are there any other novels out there with the same theme using a rock and roll band? If so, let me know.

The main characters in these books were created by me when I was somewhere between the ages of 12 and 14, the time period being 1964 through 1967 or thereabouts–the time of the Beatles, Stones, Who, Cream, etc.–that is, the beginnings of the true “classic rock” period. Now, what do the bands mentioned above all have in common? They are Brits. To me, these English bands made the genre, so therefore, after spending about 6 weeks in England as a HS graduation gift, along with five others, one my best friend, and learning about living in England (we lived as guests with families near Brighton and attended lectures at Sussex University), I decided my main characters would be from England, and would be in a rock band. (Besides, I love hearing English accents, especially northern ones).

Now isn’t it conventional wisdom that one’s novels almost always contain characters and landscapes similar to or exactly where one grew up? Stephen King’s novels almost always take place in Maine, where he is from, right? JK Rowling’s Harry Potter novels are set in England, where she is from, right? My fave American author if all time, Kurt Vonnegut? He is from central-upper New York State, near Ithaca, and aren’t many if not most of his novels set in that area? A great English novelist, Charles Dickens, has most of his books set in or around London, where I presume he is from, right? So, another “unique” aspect to my novels is that my main characters, which originally were from my birthplace on Long Island when I first created them, were moved to England around the time I went there. But not because I know a huge amount of stuff about England or even would rather live there, but because since they would be in a rock band, in my opinion they had to be from England, which created the best rock music in my day. Plus, I had become an Anglophile, so to speak.

Why a rock band? Two reasons. One, rock music was one of my very few connections to my generation and friends–I was mostly a loner then and I am mostly a loner now…an introvert. Being a fan of rock music allowed me to have at least some good friends and become, if not “A-list” in High School, at least “B-list.” Two, because when I was a teen I wanted to become either one or two things–either an author or journalist, that is, a writer, or a rock star with guitar. I learned some guitar when my grandparents got me a regular guitar for Christmas in 1965 and learned mostly chords. I got more lessons from a friend who happened to be the front man for his local band, which after some lessons I joined–and this band was quite good. But it split up in 1969 or so. Plus, I was okay at guitar as well as singing but not really up to professional standards. So as for college, I had become pretty good at art as well, so I went to art school in NY City but dropped out after a year–I was good, but again, not professional. So then, why didn’t I become a journalist? Because I realized that “journalism” was what the editor and newspaper publisher wanted one to “journalize” about! I did not want to be a “journalist” who had to re-write the truthful story into falsehood just to please my “bosses.” So, after a period of years, I began my first novel featuring a fictional rock band.

If I was never a rock star, how could I write about fictional rock stars? Ever hear of Rolling Stone magazine? The “magazine about rock stars” from the late 60s until today? Research, folks. Plus what happens at gigs, how music/tracks/albums are recorded, back then and today with digital, various instruments, etc. The music business, recording contracts, managerial connections, etc. The research isn’t that hard–and I did most of it back before I had internet! But though fictional rock stars are featured in my novels, the novels aren’t about “rock stardom.” The novels are about good vs. evil. And did I dance with evil! The occult, witch craft, tarot cards, Ouija boards, séances, etc. Just to try it out so to speak–but after one particular horrifying séance were I and two other friends actually called up the dead and the “dead” responded–sending the Ouija board into the air and the curtains in the room flying hither, thither, and yon!–that was the last of my doing “witch” stuff!  So, my novel characters also wind up calling up what would turn out to be demons and wicked angels to “assure” their huge success. If I could do it (never mind success)…

And, if my novels present and future do achieve sales success, it won’t be because of evil spirits, but Good Ones if you know what I mean. I’m on a “mission from…” Remember that line from the movie Blues Brothers?

 

 

 

Happy Resurrection Day…or Easter, Whichever You Prefer

Or, if you are Jewish, Happy Passover.

And, speaking of Passover, there are some believers in Christ who actually do Passover. After all, Christ is our “Passover Lamb” so to speak.

And while most believers on Christ call it Easter, I prefer Resurrection Day since it is the day Christ was resurrected, that is, came back to life as seen by Apostles, Disciples and others.  Easter or Resurrection Day follows Good Friday, where Christ died in the crucifixion (as would the Passover Lamb die as the sacrifice for sin), and then Holy Saturday, where Christ “descends into Hell” as the Apostles Creed states in order to liberate good souls who did not have the opportunity to claim Christ as Savior but did God’s will anyway (such as the prophets, John the Baptist, and others). But instead of a Passover sacrifice which would have to be replicated year after year, this Sacrifice was for all sin, for all sinners, for all time. If you are not a believer on Christ, please consider that act as an option for you.

That is, if you are Muslim or Hindu or Buddhist or atheist or whatever,have a good day anyway but please consider the “accept Christ as Savior” option. If you need a little nudge in that direction, maybe downloading the FREE PDF e-book The Prodigal Band. If a sinful rock band can do it…

Feel Censored? Use Fiction to Tell the Truth. Plus: More Spring Sales

First, about the spring sales…out in my neck of the woods in this mountain rural community we have (sponsored by our Community Church primarily to help our volunteer Fire Department with donations)…last year I “broke even” financially with sales of my two printed novels Battle of the Band and The Prophesied Band at this event. I have sold some more at the “second annual” spring event and handed out “business cards” with the URL for downloading the FREE PDF e-book FREE PDF e-book The Prodigal Band.

Before I go on to the main topic regarding present-day censorship especially with narratives, political and otherwise, I must say that I have a problem with Christians, including authors, that get on my case because my characters cuss or play rock music. Sorry, folks, but if you really think no Christian ever cusses (and I don’t know a Christian who doesn’t cuss every now and then!) or if you think rock musicians are all “devil worshipers” then you haven’t done your homework or you have bought into nonsense. Plus you have Christians who think all “Christian rockers” are really devil worshipers! Stryper then, Hillsong now, right? Did Stryper sing and play about Christ? Yes. Does Hillsong today sing and play about Christ? Yes, despite the appearance of Justin Bieber (I’m being facetious, okay?), and despite some “symbology” issues some have with Hillsong. Now, why would a non-Christian sing and play about Christ? A joke, right? Harking back to the late 60s and Norman Greenbaum’s hit song, “Spirit in the Sky” about Christ–and assuming Greenbaum is Jewish–why would he do a song about Christ? A reminder–the late 60s saw a surge in a movement called “Jews for Jesus.” Maybe Greenbaum was part of that.

There are people who are Christian authors who believe all “Christian authors” should write a certain way and not have cussing characters or characters who sin before they accept Christ as Savior. All “Christian author” novels should be squeaky clean. Sorry, but I can’t write that way when, first of all, I accepted Christ as Savior after repenting of the following behaviors: dabbling in the occult (as one of my band characters does); having pre-marital sex (as several of my characters did); being rebellious against some authority; cussing (I have dropped the “f” word but occasionally use the “s” word–and it was hard for me to type that “f” word into my novels, but my characters are my characters!); and questioning what has been certain interpretations of the Bible, among other sins. Because of this, my novels are not “Christian adult fiction” but “adult fiction.” My novels are meant to try to get non-believers to consider believing on Christ. Isn’t that what Christ said? “Make disciples of all nations”? I’ll let others “preach to the choir.”

Now, the main point: my novels also include a certain amount of satire and parody of how the music industry works, and it’s not just the “sell your soul for fame and fortune.” It is actually more sinister, what with signing recording contracts whereby the label virtually owns you unless they dump you, and both the label and the distribution outfit (the corporation that owns the label) take well over half of the take on sales (today it is supposedly most of the take) and where the recording artist must pay for recording studio and production and album cover art and even tours, assuming the recording label pays out some “advance” which also must be paid back. (And I thought authors had it bad!). But the really big time acts (as chosen by the moguls, that is) do get more leeway and more of the take–for a price, which is not a “sold soul to the devil” price literally, but agenda-wise. Once you are made huge, you are forced to stick to an agenda that you might eventually discover is laden with evil. And then the crash begins…And, if you start to oppose the agenda…watch out!

But why do a non-fiction book about some band that underwent this agenda years ago that I would have to interview for the truth when the possibility exists that one or more of these band members “suicided” or whatever when I can state what I know to be true by writing a fiction novel?

And then you have politics and the powers-that-be. Take George Orwell, who was somewhat of a socialist but understood the dangers of socialism-communism-fascism. Now, he could have written some non-fiction trope about life in the 1940s Soviet Union or 1930s Nazi Germany, but instead he wrote “1984” and “Animal Farm.” Truth, disguised as fiction. What would occur when censorship reigned. Since I am not political and do not trust any political side, I have no intention of writing fiction about politics. Spiritual is what I do. And take Aldous Huxley, from a very prominent political-socialistic-Fabian Society family and a member of the Fabians as well who knew backwards and forwards what the elites he hung out with planned to do. Most everyone has heard of his dystopian magnum opus “Brave New World” (and some scientists seem to be carrying out the gene-editing designer-babies scenario these days), but where he really tells what he knows is the fiction novel set in 1920s London, “Point Counterpoint,” about various elitists in the scientific, political, social, educational, and religious/atheist circles and their plans to rule the world to their specifications, what with a rebel or two trying to put a stop to these plans (the rebels, of course, are socialists and some working-class patsies.) Since it would have been heresy of sorts for a member of the elites to state the truth in non-fiction, he did it with fiction. Then you have Ray Bradbury’s “Fahrenheit 451″…Prescient, or what?

If anyone needs a reason to write fiction these days, I’d say telling the truth about something you need to tell the truth about is as good a way as any!

About the Prodigal Band Trilogy-Main Characters-Part 5: the Good

MERRY CHRISTMAS, EVERYONE!

If there is a large number, or a cabal, of evil-doers in my Prodigal Band Trilogy, then there has to be those on the side of good. Good people, good spirits, good angels, starting with God, known in my series as:

The Creator: Also The All Mighty, The Creator, and the One we call God, Who rules all schemes. That is a direct quote from at least one of my books. The Creator, Who rules all schemes, in the case of my books, has His helpers. Just as the Evil, Corion, has his helpers, spiritual and human.

The Tooters: Here is an interesting fact–I named these good angels The Tooters, back in the 70s, before I even knew anything about God’s angels “sounding the trumpets” in the Biblical Book of Revelation! But I named these three angels The Tooters because I had seen several angelic statues seemingly blowing trumpets in several places. And it was this notion of angels blowing trumpets or horns that helped drive my narrative of angels battling demons to put out a fire which burned an entire city in the year 1136 AD. (Why that year? I have no specific reason other than the 1100s in English history presents a lot of turmoil and a lot of peasant revolts many years after Norman Conquest. A conquest by a foreign power almost always has serious ramifications many years later, especially in a place such as England which was, from the Roman period until the 1200s–nearly a thousand years!–under constant threat of conquest: Romans, then Anglo-Saxons, the Vikings (Danelaw), then the Normans.) While The Tooters are a granite three-part statue, this statue is the portal or gateway through which the evil Demons first arrived that year and through which the three good angles then appeared, put the fire out, and prevented the Demons from returning to their Abyss–as they prevented the Demons, on God’s orders, from ever doing such a thing again. They would also keep Corion in check.

Morwenna, aka ‘the Witch of the Hovels’: As ‘the Witch of the Hovels’ (called that by locals who believed a ‘witch’ inhabited the Hovels, a slum for the indebted), she was a spirit that existed as a human at various times when necessary. As a witch, only chosen individuals could see her, hear her, talk to her, and feel her. When necessary, the witch was the human, Morwenna, who could be seen by all, but still would only contact those chosen by The Tooters for contact. As Morwenna she was young, but would grow old to the point where she became a spirit being.

Why female spirits, when the Bible says angels were the ‘Sons of God’ and were male only? In my original printed versions of both Battle of the Band and The Prophesied Band, I made a serious misinterpretation of the Bible with Zechariah 5:9, which talks about female spirits, and since Babylon is also referenced, I now assume these were evil spirits as with the Whore of Babylon in Revelation 17 and 18. In both of my books, The Tooters appear to be female due to this misinterpretation (and several Christian friends who I had review the first book pointed this out; still I refused to listen and put female Tooters in the next book!). That mistake was removed in The Prodigal Band. Still, I decided to keep Morwenna female, as ‘witches’ are considered female, and who is to say those female spirits in Zechariah 5:9 are truly evil?

In any case, both The Tooters and Morwenna are the guiding forces for my fictitious band to seek truth and good, and renounce evil.

And then there are the narrators, one of whom is an angel in human form–the Bible references angels in human form in many places: the angels who spoke to Abram/Abraham, the angles who prevented Lot from letting sexual perverts into his house before Sodom and Gomorrah were burned, the fallen ‘Genesis Six’ angles who mated with the ‘daughters of men’ and thus created ‘the giants’ (called Nephilim), various angles such as Michael who spoke to Biblical prophets such as Ezekiel, Gabriel, who told Mary she was ‘with child’ (Jesus) before she even had sex with Joseph–all of these angels presented themselves as male humans.

Jay Elliot, also known as the ‘Counselor Angel,’ is the narrator of The Prophesied Band while being a Rolling Stone free-lance reporter (and Counselor Angel in Battle of the Band). Among other human jobs he has, he is the one that tries to convince the fictitious band, Sound Unltd, that they are ‘the prophesied band’ heralded in a previous fictitious hit song of the early 80s.

Lloyd Denholm, fully human and also Christian, is another Rolling Stone writer who eventually gets to help the band see righteousness, with Jay Elliot’s help. It begins with Denholm debunking the notion made by phony Christian preachers that Sound Unltd are ‘devil worshipers’ (a notion that gets repeated over and over when it comes to actual rock stars–sorry, they may want fame and fortune more than anything, but that doesn’t mean they are ‘devil worshipers’! Some are, of course, but not all, and, further, even rock stars are capable of repenting and accepting Christ. So there!).

Those notions are part and parcel with my book series–to speak of how and why we all need to accept Christ as Savior (Christ, not religion) and why ANYONE, even evil people, can repent and accept Christ. It is my job, not to actually convert anyone, but to try to get folks to consider it, and the benefits thereof. So far my FREE PDF e-book The Prodigal Band has been downloaded hundreds of times by what my stats tell me, so that’s a start.

Merry Christmas to All Followers and Readers of This Site and My Books!

Remember–Jesus is the Reason for the Season! Be Blessed!

And don’t forget to download my FREE PDF e-book The Prodigal Band here. You can read more about the book here.

Will post more about my book series Tuesday or Wednesday. Cheers!

About the Prodigal Band Trilogy–Main Characters-Part 2: the Band

The fictitious rock and roll band that is on a journey to either choosing a good vs. evil path that ultimately all must take at some point called–for a very good reason–Sound Unltd, consists of six musicians of worthy talent, ambition, drive, and goals, with an instrument make up resembling most rock bands regardless of origin: guitarists–in this case, two–bass, percussion, keyboard-synthesizer, and lead singer/frontman. Since the time of the Beatles, this has been the usual configuration, more or less. Some of the six can play other instruments, as well, and some also have classical or operatic training. Three of the six come from musical families.

Descriptions of the band members:

I will offer physical descriptions two ways: one by actual overall description in word, and also a comparison to actual rock musicians or singers that should be well known…that is, character A looks like or plays his instrument like “so-and-so.” The word description of each band member comes from the beginning of the Prologue of ‘The Prodigal Band’, and I will name the character within the description:

“A lead singer (Erik) with dark brown shoulder-length hair accentuated by sensuous bangs on a baby-face was slender, thin-lipped and of medium height. Voice a Godly gift. Yet, some said, the devil’s tool.”  Within The Prodigal Band I compare his looks to Elvis Presley, but a lot skinnier; plus he has a Nordic complexion. His mother is from Norway, thus his name is spelled with a ‘k’ and not the usual ‘c’ ending. His voice is also similar to Elvis, deep and rich sounding.

“A tall, angular-faced guitarist (Jack) possessed dirty-blond hair now growing on once-shaved sides of his head. Now without the screaming instrument he fired into immortality.” I don’t really have an actual guitarist he resembles, but as for his playing style, it is not quite Hendrix, but still innovative, and has various qualities one would expect from Clapton, Page, Townsend, Walsh, or Prince.

“The dark, strapping bass guitar player (Keith) with bushy black hair and dark-coal eyes walked without his trademark gold chains.” The closest comparison to a renowned bassist is Jack Bruce of Cream, who, in my opinion, is the best bassist in rock history. And, for the sake of diversity which is rampant in England since the 60s, Keith’s grandmother is African, from Nigeria. I made Keith part-black while I was writing ‘Battle of the Band,’ but I did not stress this change until ‘The Prodigal Band’, where I bring up the issue or racism–I hate racism of any kind! As for looks, he certainly isn’t as dark as Hendrix! He and Erik call each other ‘bro.’

“The tall, lanky, beak-nosed, ringlet-haired album producer and master of many guitars (Mick) worried over his past perversions.” Mick is a cross physically between Jimmy Page, Alice Cooper, and Ozzie Osbourne, but much taller and skinnier (his nickname is ‘Skinny’). As with Page, he is an occultist, more or less. Jimmy Page bought occult cult leader Aleister Crowley’s Loch Ness occult estate, while in the books, Mick lives in an ancient occultist castle in the Cambrian Mountains of Wales near a burial site of an ancient Celtic occult high priest. The supposedly satanic memes of Page’s Led Zeppelin also provide a comparison for my fictitious band.

“The pot-bellied, biker-esque keyboard-synthesizer player (Bryan) famed for red hair wild as the wind, fiery as his brew, bore a downcast of regret.” I really cannot think of a keyboard-synth or piano player in rock music that has a similar description, but he does look like a typical Hell’s Angels biker. His nickname is ‘Bry’ or ‘Redbeard.’ As for playing style, his style reminds me of the keyboardist for Dire Straits, but the keyboardist of the previously referenced 60s group the Animals, Alan Price, is also a reference here, if you remember back to those days. Plus, he also plays Northumberland bagpipes and some horned instruments.

“A short, curly-blond percussionist (Tom) once angered by lost love approached with the others to an unknown destination, glad with a full life behind him.” The closest resemblance here is to Ginger Baker, rock and roll’s version of the greatest drummer of all time, Gene Krupa, who was the drummer for Benny Goodman’s Orchestra, an icon of the ‘big band era’ of the late 1930s and 1940s. Plus, Tom also looks kind of like Baker, with blonder and curlier hair, and shorter a well. Tom’s nickname is ‘Shorty.’

Music style–One reason I named them ‘Sound Unltd’ is that they can play virtually any rock and roll style, from fifties throw-back to progressive-psychedelic-late 60s to heavy metal to punk to new wave to grunge to rock-rap to even orchestral and rock-aria and operatic. There is a scene in ‘The Prophesied Band’ where the narrator, a fictitious ‘Rolling Stone’ reporter, imagines lead singer Erik on operatic stage while performing a rock aria he wrote. Their stage performances resemble the gigs of the 90s, with all the pyrotechnics, raunchy stage-mic stand-sex antics, guitar-bashing (first performed by the Who’s Pete Townsend in the 60s), faked amp burning, and other attention seeking behaviors.

Music influences–The Beatles, certainly, but also Mick Jagger’s notorious stage antics, and Led Zeppelin’s supposedly occultist influences as well. Other influences include Kurt Cobain and Nirvana, Prince–who is one heckuva musician–Michael Jackson even, with his dancing on stage, and, of course, Jimi Hendrix…there will never be another guitarist like him!

That’s all I’m going to say about the characters and their personalities. If you want to really know their personalities, read the books! Hint: my own daughter loves these guys! Maybe so will you.

About the Prodigal Band Trilogy: the Main Characters, Part 1

In the previous post and other various posts, I stated that my main characters morphed from a gang or clique of boys in the area I grew up, Long Island and New York City, to rock musicians from England–a decision influenced by, first, the fact that I actually made it into a local band; second, rock music was my main connection to youth culture of my generation (60s and 70s); third, my fave bands of that era–and the most influential bands of that era–were Brits, and I had visited England as well as attended the 1970 Isle of Wight Rock Festival which featured the Who, Traffic, ELP, Led Zeppelin, and Jimi Hendrix (who died in London a few weeks later) and others of note (some whom I missed since we had to leave early to get the flight back to the States).

That the most influential rock bands of that era were from England was a major reason my fictional band, Sound Untd, is from England. And what band from that era had the most influence on how I constructed my fictional band? Why, the Beatles of course! The so-called Fab Four–whom many claim are the greatest rock band of all time…basically re-invigorated the genre leading the so-called ‘British Invasion’ in 1963-64 as rock music in the States had been, IMHO, flat-lining since the plane crash of Buddy Holly, the Big Bopper, and Ritchie Valens in 1958. One doesn’t need to read the ‘Rolling Stone History of Rock and Roll’ books to know that from 1959 until the Beatles, rock was tripe, was cutesy-wootsey, was just ‘boy meets girl, boy ‘dances’ girl’ stuff (and you know what they mean by ‘dance’–having sex, right?), with a few true rock outfits to keep the genre alive (Del Shannon, Dion and the Belmonts, Beach Boys and a few others). Folks, it wasn’t until the Beatles came around–and the groups that followed them–that I had any interest in rock music at all. With the arrival of the Beatles, my world–and the world of my friends–became consumed by listening to the radio and records, reading ‘fan magazines,’ including the British one called ‘Melody Maker,’ and even getting together and pretending we were the Beatles on stage as the Beatles records played on victrolas or stereos (and not just the Beatles, either) in bedrooms or basements. It was this “pretending” to be John or Paul or George that would later give me the idea of learning guitar.

It was the Beatles and the other groups that helped me to grow up amongst my peers and not just be the loner, sort of, that I had been before. Finally, I was able to ‘fit in.’ Finally, I became interested, somewhat, in boys–it would take several years, however, before boys became interested in me. I wasn’t exactly a ‘hot date’ if you know what I mean. It wasn’t until my senior year of high school that I even thought I was good-looking enough (despite my acne) and finally landed a boyfriend of sorts (whose acne was even worse, but anyway…). Oh, as for my friends–most were better looking than me, and one of them, who looked like the model ‘Twiggy,’ (remember her? And she appeared in the movie ‘Blues Brothers’ as well toward the end), actually had a rock musician boyfriend–lead singer and lead guitar, of course. Another friend also dated once or twice another band singer who graduated the year before I did. And another friend had her band and she could sing like Janis Joplin! So, folks, since I knew I had writing talent since I’d been writing since the age of 8 or so, what better way to get the ball rolling than to write fiction stuff about an imaginary rock band?

But from England…but where in England?

My fictitious band absolutely could NOT be from Liverpool because that’s where the Beatles are from, and because they spoke with one of the weirdest accents on God’s green earth–Scouse. Sing-songy, to the point of crazy (and yes, folks, out here where I live a recent property owner just happened to be from Liverpool). And anyway, no way was my group going to be from where the Beatles were. London? Nope. Several bands, especially the Rolling Stones, were from London and, as with the Beatles, the Stones were prominent enough to where they, too, would be a serious influence on how my band was created. Manchester? A group that hit it huge for about a year, Hermann’s Hermits, was from there, but after a while they just did what I thought was tripe. And it seemed to me that most of these British Invasion groups were from either Liverpool, London, or Manchester.

Another group from another part of England hit it big in the summer and fall of 1964, and this group did some very interesting–and different–music, more bluesy, and with a really, really good keyboard player that really titillated my ears–the Animals, whose first hit was a remake of the Bob Dylan song, ‘House of the Rising Sun.’ Later songs had a bluesy style, such as ‘Boom Boom’ and ‘Bo Diddley.’ I saw them one night on the Ed Sullivan Show, and, after performing, Sullivan started to interview them, and–well, talk about weird accents! Neither I–nor by the looks of it, Sullivan–could understand about half of what they said, but it turned out they were from Newcastle-upon-Tyne, which is way up north and close to Scotland. In fact, the accent had a Scottish lilt to it–and that was the fascinating part. Their music, and their accent.

Then, in 1970–and I’ve stated this in a previous post as well–the night before taking the ferry from Portsmouth (I think, or South Hampton) to the Isle of Wight, I just happened to meet three guys from Newcastle, and while one of them was hard to understand, the others were easier–but still, they spoke with that fascinating accent, called Geordie. Several years later after meeting some folks from Scotland, they told me the Geordie accent (and there is a dialect, as well, but I won’t get into that) was very similar to and actually derived somewhat from Scottish. Historically it makes sense: Hadrian’s Wall, which the Tyneside town of Wallsend is named for, was in fact the old time border between England and Scotland. The portion of the county of Northumberland (or Northumbria) north of that wall was part of Scotland off and on for centuries, and was finally incorporated into England in 1744, the days of ‘Bonnie Prince Charley” and that war. And, the more I hear Geordie (YouTube videos and the like), the more I’m glad I chose that area and that accent for my characters in the band.

They come from the fictitious city of Walltown (south of Wallsend on the Tyne river where they build boats and stuff, and east of Newcastle), and the main tourist attraction of this fictitious city is an angelic statue called The Tooters (referencing the horn-blowing angels in the Book of Revelation). Well guess what? Across from Newcastle is Gateshead, and it just so happens that the main tourist attraction in Gateshead is–and angelic statue! (The thing is, it looks more like a bird, but at least it has wings, if not horns). And bear in mind I didn’t know ANY of this when I started writing my book(s)!

Finally, why did I call my group ‘Sound Unltd’? The original name for the group was the actual original name in my books, the Smash. Later, I changed it to ‘Smash Unltd’ (you do realize ‘unltd’ is short for ‘unlimited,’ right?). Two things caused me to change it to ‘Sound Unltd’–one, the fact that a group called ‘Sounds Incorporated’ existed in the 60s (of course, they never made it here), and that spiritual inspiration that came to me in the early 90s. Further, the name Sound Unltd is so ‘pretentious sounding’ that I figured no one would ever call themselves by that name, and so far, no one has–and they better not, since the name exists in copyrighted manuscripts! I do hope I never to lay out a couple o’ hundred dollars to trademark it!