Secret Societies – OmegaBooks

About The Murder Rule: the Why

As with my post on why I wrote The Prodigal Band Trilogy, here, I need to write about why I am writing The Murder Rule, which is a “spin-off” so-to-speak of that trilogy. Hopefully, the novel will be completed either by the end of 2022 or by the middle of 2023…which, BTW, is a year where likely events that seem to be on schedule to happen play a key role in the final part (or parts, should a Part Four happen after Part Three) of The Murder Rule.

So, why am I writing The Murder Rule? The Prodigal Band Trilogy, based on the Gospel of Luke Chapter 15 parable of The Prodigal Son, deals largely with the spiritual battle of Good vs. Evil whereby ‘the prodigal band’ Sound Unltd repents of their nihilistic behaviors (‘riotous living’ according to the parable) and accepts ‘missions of God’ which leads to accepting Christ as Lord and Savior (‘returns to the father’ according to the parable). The Murder Rule is more of an expose` of the truly evil events within the music industry and the world as a whole, whereby if one tied to these evil narratives ‘leaves the reservation’ so-to-speak and begins to repent or fully does repent of their ties to evil, they just might be ‘taught a lesson’ so-to-speak: either they wind up dead or are threatened with death.

Part One, narrated by a pop culture pundit featured as narrator of The Prodigal Band, Lloyd Denholm, is highlighted by a rocker character featured in Battle of the Band named Denny Spradlin, front man of a rival band to the prodigal band, whom the media reports ‘committed suicide’ in early 1996, but was in fact murdered because he began turning against the music industry ‘narrative.’ To quote a line that opens The Prodigal Band, ‘If dead rock stars could talk,’ which was inspired by actual events as I discuss here and which was picked up by one of my fave alternative news/opinion sites, WinterWatch, here. And since Spradlin supposedly committed suicide—just as several rock stars from the 60s to the 90s supposedly committed suicide when in fact they were murdered for various reasons—is why he was chosen as the victim in Part One of The Murder Rule.

Part Two, narrated by a fan and part-time roadie of the prodigal band Sound Unltd called Bobby Jones, deals with why he later joined the trilogy’s evil new age cult called ‘The Church of the Circle of Unity’ as well as a ‘megachurch’ pastored by a man who wanted to ban his ‘employers’ from the US because of their supposed ‘devil worship.’ When Bobby left the church he committed to the new age cult, but soon regretted that decision. The result? Leaders of that cult, one of whom is featured in The Prodigal Band, tried to ‘teach Bobby a lesson,’ but failed, as Bobby survived a murder attempt (but lost his St. Bernard dog in the process). The character narrating Part Two, Bobby, was chosen not only because he ‘regretted’ partaking in an evil cult, but also because he truly accepted Christ as Savior and composed a song about Christ that would be sold to the prodigal band in Chapter Nine of The Prodigal Band.

Part Three, which I am still working on, is also narrated by Lloyd Denholm and features an important support character within the entire Prodigal Band Trilogy, prodigal band manager Joe Phillips, who is tied to a very elite and powerful family. Yet, he opposes the evil agenda of this family and refuses to take part in the evil agenda and is considered a ‘wayward son’ by these evil family members. Thus, ‘the murder rule’ could also apply to him, even though he is the son of one of the world’s most powerful individuals. Now, why would these powerful individuals seek to destroy members of their own families, or minions whom they needed to carry out their agendas but, at some point, refused to do so? Here is the proof that even sons of oligarchs or high-level oligarchy minions are not above ‘the murder rule.’ Phillips was chosen as the main character in Part Three due to his elite roots and to show that elite roots won’t necessarily prevent one from being ‘murder ruled.’

Folks, this world seems to be getting more and more consumed by evil as time goes by, and it is my ‘mission’ so-to-speak to expose this evil in fiction mirrored by the evil in the real world often clouded in mystery. Thus, a ‘mystery’ or crime novel based upon truth…with spiritual overtones, of course!

Snippets-to-Spin-Offs: The Murder Rule and More (Part Eight)-The Mindset of the Elites’ Desire to Murder, Using Abortion or Otherwise, ‘Inferior’ Humans.

Part of what the Davos Crowd ‘Great Reset’ plan for 2030 and beyond has to do with population reduction and eugenics. The now-destroyed ‘Georgia Guidestones’ mentioned reducing the world’s population to half-a-million people. Do the research and figure this scenario out for yourself, as it has been in the works for a long time. Their ‘god,’ Satan aka Lucifer, requires blood after all…as do many of the elites—modern-day Count Draculas.

This post was inspired by the recent US Supreme Court decision to overturn the fetal abortion ‘law’ in the case of Roe vs. Wade in 1973. And I am staunchly anti-abortion myself, for abortion is murder, as I have always believed, with the sole exception of having an abortion strictly to save the life of the mother, with the mother’s say-so in that decision (knowing that in the Bible Book of Genesis, Rachel, the wife of Jacob, died when her final son, Benjamin, was being birthed). Further, isn’t it a bit hypocritical to allow ‘my body, my choice’ regarding abortions—as well as ‘gender fluid’ changes and sexual orientation—but not allowing choice by forcing the wearing ‘covid’ masks, forcing one to get ‘covid’ ‘vaccines,’ or forcing one to get various ‘licenses’ to drive, work, forcing taxation, etc.? That is, if one can get an abortion, shouldn’t one also be allowed to practice the ‘right to travel’ enumerated in the Bill of Rights (technically, anyway, since cars weren’t around in the 1780s), or work without a ‘license’ or ‘certificate’? But that is what happens when governments elected by the voters become utterly corrupted…because ultimately these days, governments are run by their ‘donors’ so to speak—the banksters, oligarchs, royal families, and others ‘above the law.’ And who runs these folks I just mentioned? Why, Satan, of course (Ephesians 6:12, the ‘principalities and powers…wickedness in high places.’)

Continue reading “Snippets-to-Spin-Offs: The Murder Rule and More (Part Eight)-The Mindset of the Elites’ Desire to Murder, Using Abortion or Otherwise, ‘Inferior’ Humans.”

Random Trilogy Snippets of Random Events That Lead to Climactic Events, Part Two (from The Prophesied Band)

In terms of what most would call a “climactic event” within a novel, this snippet scenario in this post might not classify as a climactic event in strict terms, but for the band members that witness this event, it should be, seeing as how they react when they find out a secret they had no knowledge about.

Note: I removed the “spoiler alerts” in these snippets.

The climactic event to finish Battle of the Band, where singer Erik and bassist Keith are in comas at a local private hospital in their home city of Walltown and encounter good vs. evil in their spiritual voids as their fellows watch over them and as the evil Swami Negran attempts to capture their souls for the satanic Corion (thwarted by God’s angels, the Tooters, and their agent, the ‘witch’ of the Hovels), gets recounted within Chapters Four and Five of The Prophesied Band.

In this snippet, it turns out that Swami couldn’t capture their souls, as hard as he tried. So Corion, the devil character, punished Negran by causing him to disappear from the hospital. Negran was in fact taken by Corion into Corion’s abyss where the Creator had placed him in Chapter One of Battle of the Band as punishment for Corion’s rebellion against God. But Negran wouldn’t be the only one Corion takes into the abyss. In 50 AD, Crynnwagg, high priest of the cannibal Crag-Dweller cult, was also done that way. Why? And then he escaped the abyss. Why? Hmmmm…. From Chapter Five of The Prophesied Band:

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The Truth About the (Music) ‘Industry’ Expounded in The Prodigal Band Trilogy (Part Five)—If Dead Rock Stars Could Talk (Part Two)

In Part One is listed several rockers and others who ‘committed suicide’ (or were murdered, and there is plenty of evidence to back these claims as the victims tended toward exposing the evil agendas they discovered in the music industry), including the so-called ‘27 Club’ highlighted by Jimi Hendrix and Kurt Cobain, and more recently, Chris Cornell of Soundgarden and Chester Bennington of Linkin Park, within months of each other, for planning to aid children harmed by pedophilia and trafficking. And it is not a coincidence that right after Swedish DJ Avicii created and released a video, ‘For a Better Day,’ that exposed child trafficking rings, he was also ‘suicided’ by ‘hanging from a doorknob.’

The post began with the opening line of the third novel in The Prodigal Band Trilogy, The Prodigal Band: “If dead rock stars could talk.”

If these dead rock stars could talk, we would know a lot more about the evils being perpetrated by the rulers of the industry, and the world itself.

The notion of entertainers in and out of the music industry being ‘suicided’ or otherwise punished for resisting and exposing the evil in the industry really didn’t hit me until after the first two trilogy novels, Battle of the Band and The Prophesied Band, were published in the latter 90s. Right after The Prophesied Band was published, we got dial-up internet, which provided me with research material to help me finish the trilogy, but it took years of research (among other things which kept me busy and putting off the third novel for nearly 20 years) to realize that the idea of ‘if dead rock stars could talk’ needed to be placed front and center within the plot. Further, if the prodigal band realized they were being targeted by the elites for turning against the narrative, they would finally wake up to the surest way to ‘redeem’ themselves from the evil that would be unleashed upon them, given the choice to do so, or not.

Since I have already provided several snippets relating to the evil side carrying out plans of killing the band members that did not work out as they planned, the snippets posts here reveal the actual plots, not the outcomes.

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The Truth About the (Music) ‘Industry’ Expounded in The Prodigal Band Trilogy (Part Four)—Mind Control

Sorry for the delay in posting! This continues the posts from The Prodigal Band Trilogy regarding how the music industry operates. The mind control I refer to here is not MK-Ultra type or magic-trance type operations, but spiritual, using crystals and rituals combined with ‘prayers’ to spiritual entities; in most cases, evil ones.

However, the first snippet post is part of a song given by good spiritual entities (the angels called the Tooters) to an early 80s rock band singer, Cobey McLeod, that would later serve as an example to the prodigal band, Sound Unltd. The song is called “The Legend of the Prophesied Band,” has a ‘surf music staccato,’ and is featured in Chapter One of The Prophesied Band. This snippet contains part of a verse of the song the ‘prophesies’ the band in question partaking in evil, which it would of course:

Then, the surfer-riffs clashed with metallic onslaught. McLeod’s voice spoke of deals made with the ungodly and lives of pleasure wasted.

And they will dance with Satan,

And they will be filled with lust.

Their minds won’t be their own.

They’ll be the tools of the unjust.

But, like the Prodigal Son, they will come home to live in the ways of The Creator. And the young will follow them.

I emphasize here the final two lines, “Their minds won’t be their own, they’ll be the tools of the unjust,” the evil satanic character Corion and his minions.

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Snippets of The Prodigal Band Trilogy Controversial Topics Series: Episode One-Politics

Welcome to the latest Snippet Series within The Prodigal Band Trilogy, Controversial Topics! In the previous post I mentioned two of the most controversial topics within the trilogy, evolution and indentured servitude, both topics relating to two of the prodigal band members. But I will begin the series with a topic that does not get a lot of play within the trilogy, politics.

Here is one definition of politics: the activities associated with the governance of a country or other area, especially the debate or conflict among individuals or parties having or hoping to achieve power. (Source: Bing search engine)

I chose politics as the first in the series not only because of the mess regarding the recent presidential election in the US—and I did not vote for either Trump or Biden as I do not support either one, nor am I Republican or Democrat, nor am I left-wing or right-wing…and in my opinion what was defined as left- or right-wing back in the 60s and 70s has changed greatly over the last twenty or so years. In other words, I am apolitical. As for who will actually wind up in the White House next month, I have to hand it to George Wallace (his awful racism aside), who said this truth—“There’s not a dime’s worth of difference between a Republican and a Democrat.” (Note: Wallace was Democrat, which today would seem extremely contradictory since he really was racist and today’s Democrats act like “social justice warrior” types (but I still think they are closet racists…what exactly have they done for blacks other than keep them in poverty? The nation’s poorest blacks all live in Democrat-run cities like Baltimore and Detroit!).

Well, enough of “politics”! BTW, I hate politics! It’s all about power, after all.

No matter what definition I use for politics, it is the ‘ruler’ over the politics that remains hidden to most voters or otherwise. In some nations this ruler is the one with the most money, or rules over some dictator, or rules over some general, or is seemingly an oligarch or bankster or criminal even. Some nations are monarchies like the UK that have governing bodies like Parliaments and some are ruled by religious types or are backed by religious leaders (think Iran and Israel here). In my novels, the seeming ‘rulers’ are extremely wealthy bankers and oligarchs and aristocrats, within Britain (do I even mention the Royal Family? Hardly…but these books are fictional, after all).

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Snippet of Reality Within The Prodigal Band Trilogy: Child Abuse and Then Some by the Powers-That-Be

Everyone on Earth, likely, has heard of the infamous pedophile and sex trafficker Jeffrey Epstein, who cajoled various world leaders into going with his sex schemes involving teenaged (or younger) girls. Epstein was American; Britain had its own infamous trafficker who also supposedly had ties to some in the Royal Family named Jimmy Saville, who was in fact knighted by ‘Her Majesty.’ Then lesser known is the Belgian Marc Dutroux who also was known to attract world leaders, who was tried several years ago and one can research. And there are others from various nations. Also in the US was the Franklin Scandal of the 1980s and1990s that one can research involving many US politicians.

But my The Prodigal Band Trilogy characters are (mostly) Brits. So when one of my favorite alternative news sites, WinterWatch, posted an article about pedophilia and sex trafficking in the UK was almost standard operating procedure among that nation’s elites, that piqued my interest as a snippet topic. Not necessarily sex trafficking, but mostly pedophilia and especially child abuse (which IMHO is part of pedophilia) even using very young children as victims. Here is the link to find out more about this likely truth.

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The Prodigal Band Trilogy Character Snippets: Mick, the guitarist-producer

Next up is Mick, guitarist, guitar-synthist, ‘master of many guitars’ such as mandolin, sitar, shamisen, etc. and temporary bassist until the original bassist, Keith, rejoins the band (Keith’s character is coming soon.) Mick, sexually abused by his mother leading to his bi-sexuality, is bullied in school, but being with fellow band members who were gang boys as well gives Mick an incentive to ‘grow a pair’ if you know what I mean. By the time his band Sound Unltd has made it big in early 1989, Mick is ready to let Keith take over bass and show his mastery at various guitar-like instruments, start an occultist New Age cult, and become the band’s recording producer. Thus, while Jack is the band leader and Erik is the stage front man, Mick is in charge of recording production and runs the recording studio side of the equation. (The final three members have their own leadership roles as well.)

Description of Mick from Chapter One of Battle of the Band:

“The tall, lanky, beak-nosed, ringlet-haired master of many guitars worried over his past perversions.”

He is also dark-brown-haired, about six-foot-three, skinny (and drummer Tom calls him ‘Skinny’), and wears robes with silk shorts or leather and silk or satin shirts, and earrings in both ears. This indicates his bi-sexuality. (Heterosexuals wear earrings in the left ear, homosexuals in the right ear, bisexuals in both.)

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Snippets of The Prodigal Band Trilogy: Suspense

Suspense is defined as a play on anxiety, and when reading a book or watching a show or movie, “suspense” leaves one “on tenterhooks” as if one is holding one’s breath waiting for some event to happen. Mystery novels and horror novels and crime novels are loaded with suspense, and likely all novels have some suspense attached to them.

There is plenty of suspense in The Prodigal Band Trilogy, but in only a few instances is the suspense of truly “being on tenterhooks” level exists in this three-books-in-one trilogy. Below I will “snippet” perhaps the most suspenseful part of the book, which takes place in Chapter Twelve of The Prodigal Band.

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Snippets of The Prodigal Band Trilogy: Conspiracy

When I began writing the trilogy in the early 1990s was when various news reports of “militia movements” and “far right” “patriot” groups began hitting the mainstream media, highlighted by the incident at Ruby Ridge, Idaho, and the take down of David Koresh’s Branch Davidian compound in Waco, Texas. Then, a year before I published Battle of the Band, the first book in the trilogy, the Oklahoma City bombing happened. All of these events saw standoffs of sorts between some so-called patriot group and the Federal government. These and other incidents led many to start spouting “conspiracy theories” about a “new world order” group some called “the Illuminati” as well as secret societies ruled over by “dark forces.” I am not posting this to claim if these theories are true or not–I will leave that up to the reader.

But these theories and elite groups mentioned in the trilogy provide the counterpoint to the “good” side that the fictional rock band called Sound Unltd eventually sides with, having seen the “evil” side. Further, there are groups of elites in think tanks and secret societies, some considered satanic, that actually exist. Some of these groups and secret societies are fairly well-known. Finally, it isn’t just worldwide governments, economies, media and entertainment that these elites rule over. One snippet concerns control of weather and physical structures.

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