In these final snippets from Part One of The Murder Rule I will post ‘the pre-climax’ so to speak, not revealing the name of the killer of rocker Denny Spradlin in early February, 1996. But this killer did know the man Denholm spoke with in the second snippet, a former rap superstar and record mogul himself, now living in fear for his life should he expose the true killer of Spradlin, among other reasons, such as betraying his oath to ‘the Order’ that Spradlin also betrayed and who suffered murder over it.
Denholm knew that this rap star named ‘Drakk’ was also in hiding, but did not know where. But he figured Drakk’s lawyer in the record label lawsuit that Drakk had lost, because the other side had threatened and bribed the judge to make sure Drakk’s side lost, would know where Drakk was. The lawyer’s name was Wilmont. Denholm made an appointment with Wilmont to find out where Drakk was.
The first snippet is below, and both snippets are copyright © 2022 Deborah Lagarde. The time frame is June, 2005.
Continue reading “Snippets-to-Spin-Offs: The Murder Rule, and More (Part Seven)—Reaching the Climax”
Before I go on to the main topic regarding present-day censorship especially with narratives, political and otherwise, I must say that I have a problem with Christians, including authors, that get on my case because my characters cuss or play rock music. Sorry, folks, but if you really think no Christian ever cusses (and I don’t know a Christian who doesn’t cuss every now and then!) or if you think rock musicians are all “devil worshipers” then you haven’t done your homework or you have bought into nonsense. Plus, you have Christians who think all “Christian rockers” are really devil worshipers! Stryper then, Hillsong now, right? Did Stryper sing and play about Christ? Yes. Does Hillsong today sing and play about Christ? Yes, despite the appearance of Justin Bieber (I’m being facetious, okay?), and despite some “symbology” issues some have with Hillsong. Now, why would a non-Christian sing and play about Christ? A joke, right? Harking back to the late 60s and Norman Greenbaum’s hit song, “Spirit in the Sky” about Christ–and assuming Greenbaum is Jewish–why would he do a song about Christ? A reminder–the late 60s saw a surge in a movement called “Jews for Jesus.” Maybe Greenbaum was part of that.
There are people who are Christian authors who believe all “Christian authors” should write a certain way and not have cussing characters or characters who sin before they accept Christ as Lord and Savior. All “Christian author” novels should be squeaky clean. Sorry, but I can’t write that way when, first of all, I accepted Christ as Savior after repenting of the following behaviors: dabbling in the occult (as one of my band characters does); having pre-marital sex (as several of my characters did); being rebellious against some authority; cussing (I have dropped the “f” word but occasionally use the “s” word–and it was hard for me to type that “f” word into my novels, but my characters are my characters!); and questioning what has been certain interpretations of the Bible, among other sins. Because of this, my novels are not “Christian adult fiction” but “adult fiction.” My novels are meant to try to get non-believers to consider believing on Christ of their own free will. Isn’t that what Christ said? “Make disciples of all nations”? I’ll let others “preach to the choir.”
Now, the main point: my novels also include a certain amount of satire and parody of how the music industry works, and it’s not just the “sell your soul for fame and fortune” narrative. It is actually more sinister, what with signing recording contracts whereby the label virtually owns you unless they dump you, and both the label and the distribution outfit (the corporation that owns the label, or “parent company”) take well over half of the take on sales (today it is supposedly most of the take) and where the recording artist must pay for recording studio and production and album cover art and even tours, assuming the recording label pays out some “advance” which also must be paid back. (And I thought authors had it bad!). But the really big time acts (as chosen by the moguls, that is) do get more leeway and more of the take–for a price, which is not a “sold soul to the devil” price literally, but agenda-wise. Once you are made huge, you are forced to stick to an agenda that you might eventually discover is laden with evil. And then the crash begins…And, if you start to oppose the agenda…watch out! My The Prodigal Band Trilogy makes this truth clear and to the point.
Continue reading “Feeling Censored? Use Fiction to Tell the Truth (Revised)”