I was shocked to read a recent Vigilant Citizen post about a Travis Scott headliner concert at a place called Astroworld in Houston, Texas, where stampeding fans injured several others “mosh-pit style” and then other sinister events occurred later including the deaths of eight concert goers (but other estimates include at least a hundred others), folks in videos saying they can hardly breathe, and needle jabs by unknowns as some tried to help the victims…and as Travis Scott continued to perform. Kinda like what happened at Altamont, which I discussed in this post, as Mick Jagger continued to sing while Stones’ Hell’s Angels roadies committed dirty deeds during a performance (supposedly) of the Stones’ hit “Sympathy for the Devil.” A good video about this Astroworld event can be seen here, and a good written post about this can be read here. But leave it to Vigilant Citizen to cover events such as this. Too bad he didn’t reference Altamont!
And speaking of Altamont, that Stones gig was an inspiration for my The Prodigal Band Trilogy. In a previous snippet post is mentioned that a satanic-like ritual performed by the prodigal band Sound Unltd, which led to fans ritually chanting a Corionic chant and which later led to some teen fans, that had attended that San Antonio concert, murdering two four-year-old boys. I will again post a portion of that snippet, below.
Continue reading “Random Trilogy Snippets, Part Four Extra: What Happened at AstroWorld Travis Scott Gig is a Reminder of Some Trilogy Events (Including a Deleted Scene From the Original Battle of the Band)”
Sorry for the delay in posting! This continues the posts from The Prodigal Band Trilogy regarding how the music industry operates. The mind control I refer to here is not MK-Ultra type or magic-trance type operations, but spiritual, using crystals and rituals combined with ‘prayers’ to spiritual entities; in most cases, evil ones.
However, the first snippet post is part of a song given by good spiritual entities (the angels called the Tooters) to an early 80s rock band singer, Cobey McLeod, that would later serve as an example to the prodigal band, Sound Unltd. The song is called “The Legend of the Prophesied Band,” has a ‘surf music staccato,’ and is featured in Chapter One of The Prophesied Band. This snippet contains part of a verse of the song the ‘prophesies’ the band in question partaking in evil, which it would of course:
Then, the surfer-riffs clashed with metallic onslaught. McLeod’s voice spoke of deals made with the ungodly and lives of pleasure wasted.
And they will dance with Satan,
And they will be filled with lust.
Their minds won’t be their own.
They’ll be the tools of the unjust.
But, like the Prodigal Son, they will come home to live in the ways of The Creator. And the young will follow them.
I emphasize here the final two lines, “Their minds won’t be their own, they’ll be the tools of the unjust,” the evil satanic character Corion and his minions.
Continue reading “The Truth About the (Music) ‘Industry’ Expounded in The Prodigal Band Trilogy (Part Four)—Mind Control”
The most important symbols within The Prodigal Band Trilogy—star systems and constellations symbolizing the battle between good and evil, the Red Crystal of Corion and the Corion Cross—have already been discussed with appropriate trilogy snippets in the previous two posts. This post concerns symbols that the prodigal band uses on album covers and as stage props in concerts that are prevalent within the pop music industry now and for decades. Satanic symbols and patterns, checkered-mosaic-tiled-floors (a Freemasonic highlight, supposedly), drippings from chains suspended between legs (indicating drippings from orgasms), pentagrams and “oozing” vaginas are used on one particular album cover. For concerts, A-shaped or triangular ‘monoliths’ (indicating so-called ‘illuminati’ symbolism) topped with rotating circular shapes such as ‘planet Earth’ and eye-shaped symbols (‘the all-seeing-eye’-like symbols), and, of course, the Corion Cross of which the prodigal band’s logo is based upon.
Album covers for rock bands utilizing ‘satanic’ symbols have been around for years and most prominent rock bands from the 60s into today have used these symbols. One symbol I did not use that is extremely prominent then and now—the ‘one-eye sign’—was not used because I never saw that symbol as significant until the site Vigilant Citizen showed me just how this symbol is everywhere in pop culture. But this symbol was even used back in the days of the Beatles; more than one album cover has a variation of the one-eye sign, including one of their earliest albums. Commonly known ‘satanic’ symbols would include upside-down crosses, symbols of pagan gods such as the ‘eye of Horus’ or Baphomet horns (used, to my dismay, by a loved-one’s fave Japanese rock band, the GazettE, on a poster of theirs) or the ‘as above so below’ arms pointing upward and downward simultaneously used by many rockers in posters and such, ‘666’ and such pointed symbols or upside-down 5-pointed stars, and other pagan god symbols too numerous to mention.
So, I figured, if this prodigal band began its journey to redemption as a tool for the forces of evil, at least one album cover and at least one concert featuring these symbols had to be utilized within the trilogy. Since the first novel in the trilogy, Battle of the Band, is the only novel that mentions an album cover in detail or a concert in detail, all three snippets in this post come from this novel.
Continue reading “Symbolism Within The Prodigal Band Trilogy, Part Three”
This symbolism post will deal with the evil character Corion, the Corionic Cross and the Red Crystal of Corion. I used to name Corion because it sounds like the star system Orion and it just came into my head when I began writing the trilogy. Why Orion? Because when I was growing up on Long Island, what with all the street lights and pollution and the fact that I almost never saw any stars even on a clear night, the only star cluster that I could see clearly was Orion’s Belt. That is why I chose the Orion system to help name my character, that happens to be the evil satanic character in the trilogy.
As for the Corionic Cross… why a cross? Because crosses are huge in terms of symbology. Every Christian sect or society seems to use crosses thanks to the crucifixion cross of Christ at Calvary: Jesuits, Dominicans, Orthodox, various Protestants and Catholics, Rosicrucians (their cross looks like a rose), Knights Templar and others. And the satanic groups also use crosses, turning them upside down. And the Corion cultists did use a cross of sorts.
Since band guitarist-producer Mick was a follower of an ancient cult in Wales called the Crag-Dwellers and their god was Corion and Corion had a cross, he decided that the prodigal band Sound Unltd would use a similar cross to be their band logo. The cross and the logo used snakes. The cross and logo (pictured above) are featured on the original cover of the first novel in the trilogy, Battle of the Band.
Continue reading “Symbolism Within The Prodigal Band Trilogy, Part Two”
There is much symbolism within The Prodigal Band Trilogy, which begins with the first novel in the trilogy, Battle of the Band. This is where the symbolism begins and covering the symbols in this first novel will need at least two posts, maybe more.
This post deals mostly with three star-systems and constellations mentioned in a song composed by the prodigal band members and is mentioned in Chapter Two of Battle of the Band. The constellations are Draco, also known as ‘the Dragon’ constellation; Pleiades, which is located within the Taurus constellation and looks like its own constellation; and Orion. In the third novel of the trilogy, The Prodigal Band, I mistakenly claimed Pleiades was within the Dragon constellation, but it only looks that way-it is not within this constellation, and may only look like it is because it could be further back in the sky but looks closer. It also looks on a wide-ranging star map as if Orion is close to the Dragon constellation.
Continue reading “Symbolism Within The Prodigal Band Trilogy, Part One”