The Truth About the (Music) ‘Industry’ Expounded in The Prodigal Band Trilogy (Part Five)—If Dead Rock Stars Could Talk (Part Two)

In Part One is listed several rockers and others who ‘committed suicide’ (or were murdered, and there is plenty of evidence to back these claims as the victims tended toward exposing the evil agendas they discovered in the music industry), including the so-called ‘27 Club’ highlighted by Jimi Hendrix and Kurt Cobain, and more recently, Chris Cornell of Soundgarden and Chester Bennington of Linkin Park, within months of each other, for planning to aid children harmed by pedophilia and trafficking. And it is not a coincidence that right after Swedish DJ Avicii created and released a video, ‘For a Better Day,’ that exposed child trafficking rings, he was also ‘suicided’ by ‘hanging from a doorknob.’

The post began with the opening line of the third novel in The Prodigal Band Trilogy, The Prodigal Band: “If dead rock stars could talk.”

If these dead rock stars could talk, we would know a lot more about the evils being perpetrated by the rulers of the industry, and the world itself.

The notion of entertainers in and out of the music industry being ‘suicided’ or otherwise punished for resisting and exposing the evil in the industry really didn’t hit me until after the first two trilogy novels, Battle of the Band and The Prophesied Band, were published in the latter 90s. Right after The Prophesied Band was published, we got dial-up internet, which provided me with research material to help me finish the trilogy, but it took years of research (among other things which kept me busy and putting off the third novel for nearly 20 years) to realize that the idea of ‘if dead rock stars could talk’ needed to be placed front and center within the plot. Further, if the prodigal band realized they were being targeted by the elites for turning against the narrative, they would finally wake up to the surest way to ‘redeem’ themselves from the evil that would be unleashed upon them, given the choice to do so, or not.

Since I have already provided several snippets relating to the evil side carrying out plans of killing the band members that did not work out as they planned, the snippets posts here reveal the actual plots, not the outcomes.

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The Truth About the (Music) ‘Industry’ Expounded in The Prodigal Band Trilogy (Part Five)—If Dead Rock Stars Could Talk (Part One)

In the opening line of The Prodigal Band is this statement: “If dead rock stars could talk.”

It was uttered by a man called ‘Trenchcoat’ who partook in the attempt to murder, or at least do great harm, to the members of the prodigal band Sound Unltd, and he speaks the above opening line in Chapter One of the third novel in the trilogy. ‘Trenchcoat’ works for a secret society of assassins called ‘the Dark Web’ that does the bidding of the evil satanic group the Hellyons and also the evil secret society of elitists called the Novordo Club.

But instead of posting The Prodigal Band Trilogy snippets for now, I am posting actual truth about the possible fates of those in the music industry that went against the narrative that serves the rulers of this industry, including record label owners, parent company owners, handlers, venue owners, etc. Because the prodigal band Sound Unltd did serve the owners and the evil, but did begin turning toward industry truth after various tribulations, repenting in the end. The snippets about this will appear in the next post next week.

For now, I will provide some examples of this truth that there is a price to pay for going against the narrative, using several links to researched articles, some with videos.

This post will offer evidence that a number of rock stars (and not just rock stars by the way…the murders of rappers Biggie Smalls aka Notorious B.I.G and Tupak Shakur are clearly of evil intent relating to rival record companies…check this out in the link to Vigilant Citizen below) died under suspicious circumstances that while are considered ‘suicides’ are more likely murders. This includes members of the notorious “27 Club” (Jimi Hendrix, Jim Morrison, and Kurt Cobain) as well as Stephen Hutchence, Chris Cornell, Chester Bennington, and Avicii, who was a DJ…they ‘suicided’ by hanging from doorknobs.

The rest of this post tells why the ‘suicides’ are more likely punishments for the rockers’ desires to expose evil in the industry and in the corridors of the elites who rule this world, not just the ‘industry.’

Continue reading “The Truth About the (Music) ‘Industry’ Expounded in The Prodigal Band Trilogy (Part Five)—If Dead Rock Stars Could Talk (Part One)”