Character Creation – OmegaBooks

Spiritual Truth, Yes, But Also Physical Reality Truth Inspired Me to Author My Novels (Part Three: Truth About the Music and Entertainment Industries, From the 60s To Today)

Well, I was unable to put together this Part Three last week, too busy and health and vehicle issues. So, this post is a week late.

Further, I want to mention a novel I’d read and did a lesson on during in my senior year of High School, in English Literature class, a novel by Aldous Huxley, called Point Counter Point. Many consider Huxley to be some socialistic elite scumbag who wanted to screw over the average person, because, after all, that’s what Thomas Huxley and the Fabian Socialists wanted to do. Thing is, while Aldous was a Fabian Socialist (as was George Orwell, by the way), he also told the truth about the psychopathic and anti-human aspects of the elites he hanged out with. While Brave New World is his magnum opus so-to-speak, Point Counter Point is maybe his best and most truthful novel, for it exposes the utter arrogance and psychopathy of the British elite upper class and aristocracy, set in the 1920s—and also features one or two “good guy” characters who opposed this evil elite agenda. This novel, too, inspired my authoring of my novels (the Huxley novel also has a ‘murder rule’ aspect to it). It is for this reason that, unlike so many exposers of elite evil who consider Aldous Huxley an elite scumbag, I do not (and didn’t he predict in a way the transhumanist evil being brought about now in his Brave New World?).

Back to this Part Three post…

From the latter 1960s moving forward, little by little, I found truths that caused me to wonder what the agenda of the popular music and entertainment industries truly was. The whole psychedelic drug thing, the effects of which did not resonate with me: the expression “turn on, tune in, drop out” made no sense…drop out of what? Because articles written in pop culture magazines back then couldn’t help but report “hippies” and whoever taking these drugs and throwing themselves out of windows or thinking they could fly…headfirst onto pavement! Then there was the change in the music, from regular pop to ‘psychedelic’ and ‘orchestral.’ The orchestral (Moody Blues, Pink Floyd, Emerson, Lake and Palmer, and others) was great, almost traditional classical in a way. But the psychedelic was…weird, especially the Beatles album Sargeant Peppers (and the rest of the title), which had the weirdest album cover I had ever seen. All sorts of celebrities on it, many of them dead. Then that weird looking bald-looking older man on the right side of the cover as one looks at it…who turned out to be the forefather of satanic influence in pop culture, Aleister Crowley. That died in 1947…twenty years before that album came out. The opening lyric of the Sargeant Pepper song brings this up (and since the lyric is copyrighted, I’m not going to quote it), and refers to the likely possibility that Crowley was indeed Sargeant Pepper, who “taught” the band to do something if you know what I mean. Plus, Paul McCartney looked different for some reason…and then later, the Abbey Road album cover has him barefoot…Hmmmmm. It was around that time that the ‘Paul is dead’ meme came about. Then about ten years later, John Lennon was assassinated. Then, after George Harrison during an interview (sorry, don’t have link but it’s on YouTube) claimed Paul was indeed dead, so became Harrison! So too did Ringo report this years later, and he is still alive…I hope anyway!

Continue reading “Spiritual Truth, Yes, But Also Physical Reality Truth Inspired Me to Author My Novels (Part Three: Truth About the Music and Entertainment Industries, From the 60s To Today)”

Spiritual Truth, Yes, But Also Physical Reality Truth Inspired Me to Author My Novels (Part One: The Beginning, the Teen Years)

While I had occasionally listened to transistor radio in the pre-teen years which played rock music mostly from American singers or bands such as the Four Seasons and Elvis Presley and Dion and the Belmonts and more (acts that my older brother liked), it was the Beatles and the so-called ‘British Invasion’ beginning in 1964 that hooked me to rock music (same with all my friends and classmates). Yes, the American acts continued to make hit songs, but it was the Brit bands and singers that ‘owned’ rock radio stations and record sales starting in 1964.

It was around this time I created what would become my novel characters, boys and girls, teens, in a high school clique which evolved into a gang of sorts. At this time the characters were Americans; after all, I knew little about England, so how could these ‘kids’ be English? I watched movies set in what was 1950s and 1960s England (mostly London), but still… However, reading pop culture ‘fan’ magazines, including one from England I don’t remember the name of, helped me learn what being a teen in England was like (living in cities, not the rural areas…I myself lived near New York City, in the Long Island suburbs). Also, during the latter 60s England was going through economic turmoil, possibly joining what was called ‘the Common Market’ (consisting of France, West Germany, Italy, Belgium, Netherlands and Luxembourg), and changing the currency somewhat (the value of the British Pound Sterling had been over five dollars per pound, but it devalued to about half of that over time as the US dollar gained value). Further, a politician named Enoch Powell was heading up a form of nationalism that wanted to end or curtail immigration from India and Pakistan (and his followers were called ‘Paki Bashers’). All this during the US incursion into the Vietnam War, which I hated! (I hate war, period!) This terrible war was another reason I decided to make my characters Brits-while the US was at war, Britain was not—and many songs from these Brit bands were antiwar.

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Snippets-to-Spin-Offs: The Murder Rule (Part Twelve)—Introducing Foxx, the Most Evil Character Within The Murder Rule, Part Three

Update: The original title for the post should have read Part Twelve, not Part Eleven. Glad I finally caught the mistake!

Sorry for not posting in over a month, but this past November was quite busy, including spending time with loved ones in their neck of the woods, south of Houston, as well as shopping, dental work, getting ready for winter, some traveling, and following national and world events within a world seemingly turning more and more evil by the day. And it is this consuming evil that is inspiring me to continue on with this novel, where Part Three is primarily being written to expose this evil. Within corporations and world economies, that whole digital token FTX scandal seemed to be a tip of the iceberg so-to-speak. And, being a former fan of the NFL, I wondered how the so-called “GOAT,” Tom Brady, would handle losing all that money he made as a Super Bowl-winning quarterback!

Then I realized the time of dealing with all these news-worthy distractions had to end, and, in early December, I continued working on The Murder Rule, Part Three. I have written at least two chapters since Thanksgiving.

The narrator is pop culture pundit Lloyd Denholm and the “good guy” character trying to not get “murder ruled” is Joe Phillips, an aristocrat who really isn’t, being the manager of the prodigal band Sound Unltd within The Prodigal Band Trilogy.

In this post I introduce the primary evil character, who, as with Swami Negran (Battle of the Band), Cole Blessing (The Prophesied Band) and Mark Besst (The Prodigal Band), is possessed by the Satan-character called Corion. The name of the character is Ewen Coledge-Foxworth, nicknamed Foxx. Foxx knew Joe Phillips while both attended an elite “public school” academy (in Britain, public schools are actually private schools, while comprehensive schools for the masses are actually public schools) called Broton, located not far from Torquay Manor in the elite area of Surrey, south of London.

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About The Murder Rule: the Why

As with my post on why I wrote The Prodigal Band Trilogy, here, I need to write about why I am writing The Murder Rule, which is a “spin-off” so-to-speak of that trilogy. Hopefully, the novel will be completed either by the end of 2022 or by the middle of 2023…which, BTW, is a year where likely events that seem to be on schedule to happen play a key role in the final part (or parts, should a Part Four happen after Part Three) of The Murder Rule.

So, why am I writing The Murder Rule? The Prodigal Band Trilogy, based on the Gospel of Luke Chapter 15 parable of The Prodigal Son, deals largely with the spiritual battle of Good vs. Evil whereby ‘the prodigal band’ Sound Unltd repents of their nihilistic behaviors (‘riotous living’ according to the parable) and accepts ‘missions of God’ which leads to accepting Christ as Lord and Savior (‘returns to the father’ according to the parable). The Murder Rule is more of an expose` of the truly evil events within the music industry and the world as a whole, whereby if one tied to these evil narratives ‘leaves the reservation’ so-to-speak and begins to repent or fully does repent of their ties to evil, they just might be ‘taught a lesson’ so-to-speak: either they wind up dead or are threatened with death.

Part One, narrated by a pop culture pundit featured as narrator of The Prodigal Band, Lloyd Denholm, is highlighted by a rocker character featured in Battle of the Band named Denny Spradlin, front man of a rival band to the prodigal band, whom the media reports ‘committed suicide’ in early 1996, but was in fact murdered because he began turning against the music industry ‘narrative.’ To quote a line that opens The Prodigal Band, ‘If dead rock stars could talk,’ which was inspired by actual events as I discuss here and which was picked up by one of my fave alternative news/opinion sites, WinterWatch, here. And since Spradlin supposedly committed suicide—just as several rock stars from the 60s to the 90s supposedly committed suicide when in fact they were murdered for various reasons—is why he was chosen as the victim in Part One of The Murder Rule.

Part Two, narrated by a fan and part-time roadie of the prodigal band Sound Unltd called Bobby Jones, deals with why he later joined the trilogy’s evil new age cult called ‘The Church of the Circle of Unity’ as well as a ‘megachurch’ pastored by a man who wanted to ban his ‘employers’ from the US because of their supposed ‘devil worship.’ When Bobby left the church he committed to the new age cult, but soon regretted that decision. The result? Leaders of that cult, one of whom is featured in The Prodigal Band, tried to ‘teach Bobby a lesson,’ but failed, as Bobby survived a murder attempt (but lost his St. Bernard dog in the process). The character narrating Part Two, Bobby, was chosen not only because he ‘regretted’ partaking in an evil cult, but also because he truly accepted Christ as Savior and composed a song about Christ that would be sold to the prodigal band in Chapter Nine of The Prodigal Band.

Part Three, which I am still working on, is also narrated by Lloyd Denholm and features an important support character within the entire Prodigal Band Trilogy, prodigal band manager Joe Phillips, who is tied to a very elite and powerful family. Yet, he opposes the evil agenda of this family and refuses to take part in the evil agenda and is considered a ‘wayward son’ by these evil family members. Thus, ‘the murder rule’ could also apply to him, even though he is the son of one of the world’s most powerful individuals. Now, why would these powerful individuals seek to destroy members of their own families, or minions whom they needed to carry out their agendas but, at some point, refused to do so? Here is the proof that even sons of oligarchs or high-level oligarchy minions are not above ‘the murder rule.’ Phillips was chosen as the main character in Part Three due to his elite roots and to show that elite roots won’t necessarily prevent one from being ‘murder ruled.’

Folks, this world seems to be getting more and more consumed by evil as time goes by, and it is my ‘mission’ so-to-speak to expose this evil in fiction mirrored by the evil in the real world often clouded in mystery. Thus, a ‘mystery’ or crime novel based upon truth…with spiritual overtones, of course!

How and Why I Came Up With the Names of the Trilogy Main Characters

When one writes a novel or a series, one has to make up the names of the main characters. There are all sorts of reasons one names the main characters particular names. I could probably name a hundred reasons, but for this post I will only name the reasons why I named my main characters—the prodigal band members and their women and a few others—what I named them.

I came up with these names for the most part in the mid-60s, but instead of a ‘prodigal’ rock band, they and the girls that hung out with them were a clique or a gang of sorts, and were ‘locals,’ fictitious teens living on Long Island which is where I grew up. They had no particular ethnicity or religion, but were as if they were the same kind of teens as the actual teens where I lived, and where I lived the population was almost all white (a few blacks or Hispanics or Asians where I lived), about 40 percent Italian and about 20 percent Jewish, with the rest being a mix of mostly northern Europeans (mostly German, British, French, Polish, Scandinavian, Czech, Slovak, or Russian). The most common boy’s names were John or Jack, Tom, Pete, Joe, Bob, Bill, Mike…typical common boys names. In fact, the surnames for the band members didn’t really come up until the latter 60s when the clique turned into a rock and roll band—a band from England, a year or two before I actually visited England as a high school graduation gift, along with the friend who suggested this trip, who happened to be Jewish (but not religious about it).

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Omegabooksnet.com Site Menu Updates

Two new MENU pages have been added to the site Menu above.

Links to All Snippet Posts. That way, one doesn’t have to scroll all the way down the Home Page to find Snippet Posts one might be interested in reading. All the Snippet Posts are listed, and it is likely that I am done with posting snippet posts.

About the Trilogy Characters. That way, you don’t have to scroll down the Home Page to read about the various characters: the band, their women and support characters, and the good and evil characters, and the spirituality involved.

This Character page will be added to, since I plan to write more posts about the characters, such as why did I come up with their names and other stuff. Cheers!

Why I Wrote The Prodigal Band Trilogy

Three years ago I wrote a set of posts titled The Prodigal Band Trilogy: The Why in five parts. If you scroll down most of the way on this Home Page or go to my blog and scroll through pages you will find these posts—but to make it easier to understand why I wrote these three novels, I am reprising these posts into one long post here, beginning with part one and ending with part five, plus an additional post reprise as well. Note: A few small changes were made from the original posts. Enjoy!

Part One

As I have said in previous posts both here and the blog site, I began my journey as a writer of fiction around the age of 8 or 9. I was returning home, on Long Island, New York, with my parents and older brother in a car from a visit to my grandparents (mother’s side) who lived in Mount Dora, Florida (about 20 miles from what was then Orlando). It was the summer of 1962; thus, I was 9 at the time. And I just happened to bring some non-lined notebook-sized paper and pencil with me. The paper was folded in half, width-wise, and looked like a “paperback book.”

Glad I brought the paper and pencil, because I was bored. I do not remember what my brother, in the back seat with me, was doing–he was 14 and likely listening to transistor radio up to near his ears (and folks, before the Beatles came along, pop music was very very boring, cutesy-wootsey “love songs” and other meaningless tripe about teenagers falling in love. From the time of the plane crash of Big Bopper, Ritchie Valens, and Buddy Holly in 1958 until the Beatles in 1964, “rock” music, if you could call it that, was IMHO, tripe. Dion and the Belmonts and Del Shannon and perhaps the Four Seasons were about as good as it got, and who the heck was Elvis? But anyway…) I had no idea what my parents were doing other than driving the car.

This was my first journey into the “deep south.” And the only thing I knew about the “deep south” related to the Civil War and the abominable institution known as slavery back then. There were times along Route 301 or even what was then I-95 when I would see what were called “negro shacks” along the way, plus we all visited some Civil War Confederacy monument somewhere, can’t remember. Now I was a “buff” so to speak of Civil War history. So I decided I was going to make up some story about this kid in the South during the Civil War who, along with his friend, a black kid who had been freed from slavery somehow and lived with the kid and his family, hated the south and slavery! So what he and his friend did was help the Union Army blow up a Confederate “ammunition dump.” And they did. I did not mention the state the kid lived in, or even the kid’s family name, but I called him “Johnny Reb” and the black kid was named Sammy. So, I named a kid who would blow up a Confederate ammo dump Johnny Reb? When my dad actually read the “book” (named “Johnny Reb” and was about 20 pages long in pencil) he brought up this irony! After all, weren’t the Confederates called “Rebels”?

Around that time I also had a diary–didn’t all young girls have diaries then? So, there I was in late 1963 just starting to have any interest in the watered-down “rock and roll” back then. When it rained outside, and in the Northeast US, home of “Nor’easters,” it almost always rained some in the fall and early winter, the public elementary school kept all the students in the gym after lunch, too wet to play outside. I was in sixth grade at the time and, not being popular so-to-speak, no boy wanted to dance with me. So all I did then was listen to whatever 45 RPM record discs were put onto the record player. Not being a ‘A-list’ or even ‘B-list’ (more like ‘D-list!’) that’s all I could do as most of my friends were dancing on the gym floor with boys whom had asked them to dance. Well, I had to try to ‘fit-in’ somehow so, even though I thought the music was boring tripe, I pretended to like it anyway. Thus, in my diary I would make up stuff about myself–in terms of a fiction character I can’t even remember the name–being popular and folks like Chubby Checker or Frankie Valli (spelling?) wanting to ‘dance’ with me (not knowing the actual hidden meaning of ‘dance’ at the time…’dance’ was code for a certain ‘f’ word if you know what I mean!) And of course I made up the boy characters as well. And named them the same names I have used for the original rock band characters in my books! (Note: the band concept came about in the latter 60s, and then I added two more band members, then deleted one of the originals in the 80s only to put him back in during the 90s). The reader is going to have to wait to find out the names of the characters for a bit.

Note: Here are the names of the band characters, including last names which I tend not to mention in my snippet posts: singer Erik Manning; guitarist-band leader Jack Lubin; bassist Keith Mullock; guitarist-producer Mick Pordengreau; keyboard synthist Bry McClellan; drummer Tom Cornsby. One of these days I will explain how I came up with the names.

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Snippets of The Prodigal Band Trilogy: Historical Context, Part Two—William of Normandy Invades Britain, and Genealogy

As with the Roman invasion of Britain under Emperor Claudius in 43 AD, the Norman invasion of Britain in 1066 AD has little context within The Prodigal Band Trilogy, except for one thing: a major spiritual character, Morwenna, aka ‘the witch of the Hovels,’ would not have had the influence she had on the prodigal band had this invasion not taken place, and had this invasion not been aided by an aristocratic family that somewhat aided the forces of William the Conqueror.

It is weird with aristocrats…throughout history, various aristocratic families have had a tendency to aid the enemies of their countrymen and that would include fellow aristocrats. But when power is to be had, aristocrats often turn against their fellows in order to gain power: Julius Caesar vs. Brutus; Tutors vs. Stuarts; the Hundred Years War between opposing yet related royal families of France and England; the Biblical split up of Israel into Israel vs. Judah, Spanish vs. Austrian Habsburgs, and many more. But the rivalry between Duke William of Normandy and England’s King Harold, as both are closely related, is somewhat complicated, which led to the Norman invasion aided by Norsemen and other English rival aristocrat families where timing was key. From the Wikipedia page on the Norman Conquest:

“The Norman Conquest (or the Conquest) was the 11th-century invasion and occupation of England by an army made up of Normans, Bretons, Flemish, and men from other French provinces, all led by the Duke of Normandy later styled William the Conqueror.

William’s claim to the English throne derived from his familial relationship with the childless Anglo-Saxon king Edward the Confessor, who may have encouraged William’s hopes for the throne. Edward died in January 1066 and was succeeded by his brother-in-law Harold Godwinson. The Norwegian king Harald Hardrada invaded northern England in September 1066 and was victorious at the Battle of Fulford, but Godwinson’s army defeated and killed Hardrada at the Battle of Stamford Bridge on 25 September. Within days, William landed in southern England. Harold marched south to oppose him, leaving a significant portion of his army in the north. Harold’s army confronted William’s invaders on 14 October at the Battle of Hastings; William’s force defeated Harold, who was killed in the engagement.”

So Vikings invaded northern England around the time Normans did? Hmmmm… Yet, if one has watched the History Channel TV series Vikings, it might make sense. It turns out William of Normandy is directly descended from Normandy’s first ruler, Rollo, a Viking (and brother to the TV show’s main character, Ragnar Lothbrok), who, after trying to conquer France in Paris, wound up marrying the Carolingian King Charles’s daughter (and supposedly converting to Christianity) and was given Normandy to rule over in 911 AD. (Note: the Carolingians are descended from Charlemagne, who took over France in 800 AD, crowned by the pope of that time.)

“In 911, the Carolingian French ruler Charles the Simple allowed a group of Vikings under their leader Rollo to settle in Normandy as part of the Treaty of Saint-Clair-sur-Epte. In exchange for the land, the Norsemen under Rollo were expected to provide protection along the coast against further Viking invaders. Their settlement proved successful, and the Vikings in the region became known as the “Northmen” from which “Normandy” and “Normans” are derived. The Normans quickly adopted the indigenous culture as they became assimilated by the French, renouncing paganism and converting to Christianity. They adopted the langue d’oïl of their new home and added features from their own Norse language, transforming it into the Norman language. They intermarried with the local population and used the territory granted to them as a base to extend the frontiers of the duchy westward, annexing territory including the Bessin, the Cotentin Peninsula and Avranches.”

So, is it possible these Viking invaders against King Harold invaded to aid in the cause of Rollo’s (I’m speculating here) great-great grandson, William? Hmmmm…. It was Rollo, then son William I, grandson Richard I, then sister of great-grandson Richard II (Edward the Confessor), then Harold, whom William considered illegitimate as he was promised the throne. And why does a Viking invasion have any context within the trilogy? For one thing, the mother of singer Erik is Norwegian—from what would turn out to be a family that had roots in the Norman invasion, as a snippet will tell later in this post.

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The Truth About the (Music) ‘Industry’ Expounded in The Prodigal Band Trilogy (Part One)—And a Tribute to Rap Legend DMX…RIP, DMX!

I was going to post a new set of articles regarding either The Prodigal Band Trilogy or a message for Christian authors in their writings. But then I learned rapper DMX, an avowed believer on Christ, died supposedly of a heart attack on April 2, which so happened to be Good Friday, the day Jesus Christ was crucified on the cross in the year (according to most historians) 29 AD.

While I was never a fan of rap, gangsta or otherwise, I was a fan (sort of) of DMX as he was an avowed believer on Christ and is known to have spoken about Christ to fans and rap fans in general. While I was not a listener to his tracks, I did hear him in various videos talking about ‘the industry,’ such as one on YouTube that was later incorporated into a ‘truther’ video upon his passing, such as this one: https://www.youtube.com/watch?v=W7c0Z6P82hI (copy and paste the link into the browser; due to the ridiculous CASE Act, I will not post the video which might be copyrighted.) He not only denounced the evil within ‘the industry’ but also ‘preached’ so to speak about accepting Christ as Savior to fans at concerts and other events. Further, DMX was an actual inspiration while completing the trilogy in 2018.

Continue reading “The Truth About the (Music) ‘Industry’ Expounded in The Prodigal Band Trilogy (Part One)—And a Tribute to Rap Legend DMX…RIP, DMX!”

Snippets of The Prodigal Band Trilogy Controversial Topics Series: Episode Six-The Consequences of Poverty and Debt (Part One)

As with Episode Five about the controversial topic of Evolution vs. Creation and Intelligent Design, this episode, Six, will be in two parts. This post will discuss how indentured servitude, stemming from poverty and debt, plays into the trilogy. Part Two will feature snippets about the consequences of indentured servitude from the trilogy.

Throughout history, neither poverty nor debt has been controversial, and poverty and debt can happen by being born into it with virtually no way out, or through bad fortune, or through theft. Billions of people on Earth are poor and even more are in debt of some kind.

What makes poverty and debt controversial within The Prodigal Band Trilogy, however, is the legally binding document called an indenture, which by definition binds one party into the service of another party for a stipulated period of time. The document is called an indenture based on a legal meaning of an ‘indent’ which is a legal contract drawn up in duplicate or triplicate. Thus, the notion of ‘indentured servitude’ means that person doing the service does so for a stipulated period of time; mostly in history it has been used to pay back a debt. Historically, that period of time tended to be seven years.

Along with slavery, indentured servitude was abolished in the US by the 13^th Amendment to the Constitution, which reads: “Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States, or any place subject to their jurisdiction.”

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