This will be the final character snippet. This character is the keyboard-synthist Bryan, known as Bry in the trilogy. Much of the use of this character within The Prodigal Band Trilogy deals with the sexual tension he has with his wife, Mo, whom he felt obliged to marry after he got her pregnant. He is from an atheist household while she is from a Christian one, with her father being an Anglican pastor. He is also from a family of classical musicians; both parents are with a local philharmonic orchestra–dad plays piano and mom plays oboe.
Here is his description, from Chapter One of Battle of the Band:
‘The pot-bellied, biker-esque synthesizer player famed for red hair as wild as the wind, fiery as his brew, bore a downcast of regret.’
In other words, he’s also a biker and is the boss of the band’s road crew (which is mainly bikers). And he loves to drink beer.
Continue reading “The Prodigal Band Trilogy Character Snippets: Bryan, the Keyboard-Synthist”
Next up is in The Prodigal Band Trilogy character snippets is Keith, the bassist. As told here, he had a steamy sexual relationship with a pop singer while he was also married to a super-model-cosmetics mogul, Jarris, a woman he began dating as a teen and a woman he vowed to protect from her abusive father. He is also described as a “skuz addicted womanizer” in Chapter Four of The Prophesied Band. Skuz is a fictional opioid-cocaine laced designer drug that is used by the band and various other wealthy rockers living in the world of ‘sex, drugs, and rock and roll.’
His physical description? From Chapter One of Battle of the Band: ‘The dark, strapping bass player with bushy black curls and coal-dark eyes walked without his trademark gold chains.’ He is ‘dark’ because his grandmother is from Nigeria, on his mother’s side.
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Sorry this post is late…no internet for 24 hours, went up about 1 p.m. today…
Now that the holidays are about over, next up is Tom, the drummer. Of all the band members, Tom was the most difficult to characterize and has that ‘walking contradiction’ feel. On the one hand he grew up extremely poor, son of indentured servants, in a true slum section called the Hovels; on the other hand, he surrounded himself with jet-setting celebrities and sons and daughters of aristocracy. On the one hand he was a loner of sorts and tended to show up at gigs and band meetings late; on the other hand he could only be himself surrounded by his band mates, their women, or roadies. On the one hand he loved to argue–with his antagonist Mick, but also with his band manager, his woman, a princess, and other friends among the jet-setters; on the other hand he has no truly discordant agenda with the group and seeks no attention within the group. And, when he is bored with his jet-set entourages, he travels the world meeting ‘real’ people (such as Sherpas in Nepal, African tribesmen in Tanzania, and Muslims in Morocco), and loves mountain climbing (but not skiing). One minute he’s an arrogant pretender among those he considers phonies, and the next minute he’s as humble as a celebrity could get. He pretends to ‘channel’ the so-called ‘god’ Corion using one form of ‘persona’ and then meets ‘real’ people and becomes an activist of sorts, and even converses with good spirits. He even paid off all indentured debt in his hometown of Walltown.
Here is his description: “A short, curly-blond percussionist once angered by lost love approached with the others to an unknown destination, glad with a full life behind him.” He is five-foot-six and tends to wear cotton clothing.
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Next up is Mick, guitarist, guitar-synthist, ‘master of many guitars’ such as mandolin, sitar, shamisen, etc. and temporary bassist until the original bassist, Keith, rejoins the band (Keith’s character is coming soon.) Mick, sexually abused by his mother leading to his bi-sexuality, is bullied in school, but being with fellow band members who were gang boys as well gives Mick an incentive to ‘grow a pair’ if you know what I mean. By the time his band Sound Unltd has made it big in early 1989, Mick is ready to let Keith take over bass and show his mastery at various guitar-like instruments, start an occultist New Age cult, and become the band’s recording producer. Thus, while Jack is the band leader and Erik is the stage front man, Mick is in charge of recording production and runs the recording studio side of the equation. (The final three members have their own leadership roles as well.)
Description of Mick from Chapter One of Battle of the Band:
“The tall, lanky, beak-nosed, ringlet-haired master of many guitars worried over his past perversions.”
He is also dark-brown-haired, about six-foot-three, skinny (and drummer Tom calls him ‘Skinny’), and wears robes with silk shorts or leather and silk or satin shirts, and earrings in both ears. This indicates his bi-sexuality. (Heterosexuals wear earrings in the left ear, homosexuals in the right ear, bisexuals in both.)
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Next up is band-founder, song-writer, and leader, guitarist Jack.
Before forming the band Sound Unltd, he led the street gang that some of those band members helped him lead as well. While both he and singer Erik lived in great poverty as children, Jack’s own father was abusive, beating his young son over the head with a Bible! Of all the band members, Jack thus hated religion the most. In a snippet also revealing the abuse, he himself dishes out another form of abuse, but not with a Bible. Yet, having to be the leader of the band and make sure any disagreements within the band are solved, Jack does manage to keep his wits about himself for the most part. He does occasionally take part in ‘verbal judo’ with is adoptive father, Billy, the band’s original manager. As with the singer and others in the group, he, too, is a sex hound of sorts, and does over-do on opium-laced drugs at times.
“The tall, angular-faced guitarist possessed dirty-blond hair now growing on once-shaved sides of his head. Now without the screaming instrument he fired into immortality.”
Continue reading “The Prodigal Band Trilogy Character Snippets: Jack, the Guitarist-Band Leader”
I now begin the snippets about the several major characters: the members of the band this trilogy is about, their women, the main “bad guy” characters and the main “good guy” characters. All in all there are close to 20 of these!
Folks I don’t know a trilogy series with as many as 20 important characters, but I couldn’t help it. So I will boil it down to the major characters that appear in all three books of the trilogy.
I am starting off with the singer-frontman band member, Erik, because in most bands the singer-frontman is the most noticeable and most well-known member, the one ‘the whole world’ has heard of. Here is his physical description:
A lead singer with dark brown mid-back length hair accentuated by sensuous bangs on a baby-face was slender, thin-lipped and of medium height. Voice a Godly gift. Yet, some said, the devil’s tool.
Plus he has blue eyes.
Without going into telling this character’s main attributes–I will let the reader figure these out for themselves–I will state wherein these character snippets occur, in what chapter of what book the snippet is within.
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While not quite as important to the novels as the six band members of Sound Unltd, all big-time rock bands or rappers or pop singers or whatever have ‘administrative staff’–managers, road managers, roadies, producers, promoters, accountants, lawyers, consultants, and what not. A few of these types of support staff personnel within the three books are important characters that appear in all three books. And they are–
Continue reading “About the Prodigal Band Trilogy–Main Characters-Part 3: Support Characters and Women”
The fictitious rock and roll band that is on a journey to either choosing a good vs. evil path that ultimately all must take at some point called–for a very good reason–Sound Unltd, consists of six musicians of worthy talent, ambition, drive, and goals, with an instrument make up resembling most rock bands regardless of origin: guitarists–in this case, two–bass, percussion, keyboard-synthesizer, and lead singer/frontman. Since the time of the Beatles, this has been the usual configuration, more or less. Some of the six can play other instruments, as well, and some also have classical or operatic training. Three of the six come from musical families.
Continue reading “About the Prodigal Band Trilogy–Main Characters-Part 2: the Band”
In the previous post and other various posts, I stated that my main characters morphed from a gang or clique of boys in the area I grew up, Long Island and New York City, to rock musicians from England–a decision influenced by, first, the fact that I actually made it into a local band; second, rock music was my main connection to youth culture of my generation (60s and 70s); third, my fave bands of that era–and the most influential bands of that era–were Brits, and I had visited England as well as attended the 1970 Isle of Wight Rock Festival which featured the Who, Traffic, ELP, Led Zeppelin, and Jimi Hendrix (who died in London a few weeks later) and others of note (some whom I missed since we had to leave early to get the flight back to the States).
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In the mid-1990s I joined a local far west Texas writer’s group called ‘Texas Mountain Trail Writers.’ While working on the first printed novel I would call Battle of the Band, I needed ‘tutoring’ so-to-speak on absolutely what had to go into the novel to make it a legitimate novel, to market and sell the thing–that is, get some literary agent to ‘sell’ it to a big time publisher. No literary agent came a-calling, so I had to do it myself.
And this was what I picked up in all of these discussions and even annual writer conferences, which I will now list:
Read the rest here.