As stated in the previous post, the conversions of the wives of the members of the prodigal band begins in Chapter Ten of The Prodigal Band with Morwenna, formerly a Godly spirit being, now human, influencing the women to accept Christ. This begins with singer Erik’s wife, Ger, who had hired Morwenna as her personal assistant. While Erik (as well as the rest of the band) was away meeting with a former roadie who composed a song for the band to perform, Morwenna is meeting with Ger after she and the rest of the band’s women had met in the atrium of Ger’s estate, as posted in the previous post, Part Two. The snippet related to this is below:
Tag: Spirit Beings
The Prodigal Band’s ‘Missions of God’: Snippets On How the Prodigal Band Carries Them Out (Part Six): Keyboard-Synthist Bryan’s Mission (Part B)
During the final singing note of the final song at daybreak at the local music festival mentioned in the previous post, keyboard-synthist Bryan McClellan was given two separate missions by God’s angels, the Tooters. The first one given was to preach to bikers to consider accepting Christ as Lord and Savior, which was featured in the previous post, Part A. The second mission is more complicated and more difficult to deal with as it concerns a loved one, his wife, Mo, whom he had been trying to take back from the New Age cult leader she was living with along with their three sons, and was with the day before the concert ended as agreed to get back together again. Below is his missions, from Chapter Ten of The Prophesied Band © 1998 Deborah Lagarde:
Just as Tooter Two instructed Keith to lead the working and gang youth, the angel told Bry to lead the bikers and free-spirits, then added what the bulky synthist wanted to hear. “Further, only you can deliver your only love from the hand of Evil.”
McClellan smiled as he thought, “So you want me to get Mo away from Cole Blessing? That’s easy enough now.”
“No, Redbeard. Compared to what the others have to do, your mission is the toughest, because you will be pitted directly against the harbinger of sin. Don’t even think he will let you take his number one disciple from him. I just hope you are made strong enough to handle this vilest spirit.”
So that, while he had won her back, he was told that the evil forces that would inhabit another person as the satanic Corion would take over a third person after having murdered both Swami Negran and then Cole Blessing (whom had taken her from Bry and who would be ‘taken’ by Corion as the song mentioned above was concluding). This third person featured in the final trilogy novel, The Prodigal Band (© 2018 Deborah Lagarde), is named Mark Besst and is a tech mogul as well as the new leader of the Circle of Unity cult Swami had founded and previously led by Blessing, a fake physician healer.
The Prodigal Band’s ‘Missions of God’: Snippets On How the Prodigal Band Carries Them Out (Part Four): Drummer Tom’s Mission
Next up is the prodigal band drummer Tom, who was born into great poverty within the slum district called the Hovels in the band’s hometown, his father being indentured along with other folks in this district. At age nine, a spirit being called the witch of the Hovels convinced Tom to leave the Hovels and become adopted by the band’s original manager, Billy Prestin—who also adopted guitarist and band leader Jack, who escaped an abusive father within a supposedly Christian cult. Upon becoming a wealthy rock star, Tom was determined to free his family from indenture (as well as the other Hovels indentured folks) by paying off the debt and also was determined to find out who indentured his family. In the meantime, he chose to hang out with other wealthy celebrities and aristocratic upper class associates so as to find some clues as to who held the indent over his family. That was how he met and developed a loving relationship with the princess of a fictitious principality inside Italy called Leandro, Princess Tina. The love that developed between the two was about more than just finding out who indentured his family. And the man who controlled the indent, another aristocrat named Marty, the Duke of Effingchester, having learned Tom paid off the debt—which was a curse on him as told to ancestors by the satanic spirit character Corion—vowed to get revenge on Tom by marrying the Princess! Tina, of course, was totally opposed to the marriage and despised the Duke and continued in secret to be with Tom when possible. Further, it was Tina who paved the way for Tom to realize he had to turn from his debauched celebrity lifestyle and (as she said to him in The Prophesied Band) ‘open the Bible.’ Further, in Chapter Eight of that second trilogy novel, both Tom and Tina witnessed a satanic ritual through a window of an underground room within satanic cult leader Cole Blessing’s residence. Thus, since Tom hung out with aristocrats and celebrities who were also influenced by the forces of evil and was partnered with a force for good, the Princess who was also fighting the evils of her Godless husband the Duke, God’s angels, the Tooters, gave Tom this mission they knew he could carry out…as long as Tom would not carry put what he promised his father in a letter stating he had paid off the debt—that is, to kill the man who indentured his father. Below, from Chapter Ten of The Prophesied Band, is the mission given to Tom by the Tooters as singer Erik held the final note of the final song at the hometown music festival:
Tom, his drums silent, also listened.
“You will know His Word by your band leader’s instructions. You must know these Words so that you can use them to fight Corion’s new order and the Evil of Corion you saw that night at Cole Blessing’s home. Your mission is to make your entertainment colleagues turn from their Godless ways and to take the tool of Godless culture away from the servants of Evil. Your enemy, the Duke of Effingchester, will try to stop you. You must defeat his influence, but you must not defeat him as you once promised your father. Remember, The Creator will deal with him.”
A Look at the Key Chapter of The Prodigal Band Trilogy that Decides the Fate of the Prodigal Band, and Their ‘Redemption Draws Near’ (Part Three)
The previous post, Part Two of this series, ends with the six prodigal band members heading upward along a “line” that seemed to move upward to an undetermined location. Then, suddenly, a “dot” is noticed. In previous posts, “dots” would indicate the presence of a person—or a being of some kind. The “being” they encountered tells them what they needed to hear to guide them into their “mission,” and appeared in person in the previous chapter: Bobby, a former roadie who sent them a song he wrote that he hoped would inspire them to do what was necessary to carry out their “missions of God.” It was this event which caused them to consider whether they would truly accept and accomplish their “missions,” or not. Bobby also told them why they had to be “raptured” (caught up) to this “timeless void.”
The snippet below, unlike the previous one, is rather short.
Talent For A Mission: Chapter Four (Part Four)
This post, Part Four of Chapter Four of Talent For A Mission, covers Luke 15: 20-24 about “returning to the father.”
{15:20} And he arose, and came to his father. But when he was yet a great way off, his father saw him, and had compassion, and ran, and fell on his neck, and kissed him.
{15:21} And the son said unto him, Father, I have sinned against heaven, and in thy sight, and am no more worthy to be called thy son.
{15:22} But the father said to his servants, Bring forth the best robe, and put [it] on him; and put a ring on his hand, and shoes on [his] feet:
{15:23} And bring hither the fatted calf, and kill [it;] and let us eat, and be merry:
{15:24} For this my son was dead, and is alive again; he was lost, and is found. And they began to be merry.
In other words, the six members of the prodigal band, having been given “missions of God” by God’s angels, the Tooters, “returned to the father.” For, in order to do their “missions of God,” they had to “return to God.” Further, in order to “make merry” and “be found” after years of being “lost” (since “prodigal” means “lost” in this context), they had to repent of their many and grave sins and accept Christ as Lord and Savior and Redeemer, the “rewards” being an eternity in Heaven with their “father,” not an eternity with the satanic Corion “gnawing their bones forever.”
The other “reward” was that, with their jet having had a bomb placed within a cabin seat by a minion of evil, they were taken out of the jet right before the bomb went off, and then existed in a timeless white void where they would make their fateful decisions regarding their “missions.”
Continue reading “Talent For A Mission: Chapter Four (Part Four)”
Another Inspiration For The Prodigal Band Trilogy as Well as The Murder Rule—Stephen King’s ‘The Stand’ Novel and Video Series
I am nearly finished with Part Two of The Murder Rule and wondering how I will begin Part Three, which could be the final part of this novel…or not. Hopefully, Part Two will finish by the end of August and Part Three will begin in September.
I have already covered various spiritual and other inspirations for my The Prodigal Band Trilogy and its spin-off, The Murder Rule: Bible scripture and parables, occult and New Age beliefs, rock music, popular culture, occult symbols and rituals, good vs. evil, and more. The articles listed in the menu item Links to All Snippet Posts provide coverage of this topic.
However, I need to point out one more popular culture item not mentioned because this novel, which became a four-part-mini-series that I watched over VHS tape in the mid-90s, definitely helped inspire my trilogy—Stephen King’s The Stand. I am bringing this up now because I recently watched a ‘fan edit’ of this video series on YouTube here, in which nearly the entire series is included (a few parts were left out that likely don’t matter anyway). While watching this nearly six-hour video, I saw parts of it that I remember helped inspire the trilogy, especially the first novel, Battle of the Band. If you’ve never seen the series (even if you read the novel, which I have not), I recommend you watch the whole video, in whole or in parts. (Note: there were changes made in the video series such that there are differences between the novel and the video series.)
Proof That My New Novel, The Murder Rule, is Derived from My Prodigal Band Trilogy, Episode One
In Part One of a three-or-four-or more part new novel that will likely be titled The Murder Rule is featured the ‘suicide,’ which is actually a murder, of a minor character within the first trilogy novel, Battle of the Band, a rocker and friend of the prodigal band, named Denny Spradlin, front man of another Brit band called Wolfin. As with some of the prodigal band members, he is also a drug addict but is trying to end that addiction and find some meaning in his real non-celebrity life. He is also trying to leave behind the evil agenda within the music industry he knows he helped bring about.
In order to claim The Murder Rule is derived or ‘spun-off’ from The Prodigal Band Trilogy, parts of the trilogy had to come into focus while writing the manuscript for the new novel. In a couple of days, I managed to write two whole chapters that feature both the narrator or Battle of the Band as well as The Prophesied Band, pop culture pundit Jay Elliot, and the narrator of The Prodigal Band as well as The Murder Rule, pop culture pundit Lloyd Denholm. Lloyd, a Brit, moved to the fictitious California coastal city called Richmont, where Elliot also lived, so that the two could work on a pop culture magazine project about the history of rock music into the 90s and 2000s. But the topic of Spradlin’s demise kept cropping up in conversations between the two, due to the fact that various other rock stars of that time had also died or nearly died, rockers Elliot knew because these rockers tended to confide in him. Due to what Elliot had been told by some members of the prodigal band Sound Unltd and others, both came to the conclusion that murder, not suicide, caused Denny Spradlin’s death.
Two or more snippets from Part One of The Murder Rule will be featured in the coming weeks; right now, I will post a snippet from Part One of The Murder Rule to begin this series. I will not list the Chapter this comes from since I might change the arrangement of chapters and manuscript prior to publication later. And a reminder: The Murder Rule is copyright by Deborah Lagarde and will be registered with the Library of Congress when officially published, hopefully, this year.
Random Trilogy Snippets, Part Four: The Biggest Battle is Spiritual (Part Four)
Welcome to the fourth The Prodigal Band Trilogy snippet post dealing with spiritual battles between the forces of good vs. evil, and between good or evil forces and the characters, notably the band members. This post isn’t really a spiritual ‘battle,’ though this action, where the Tooters, angels of ‘the Almighty,’ speak directly to each member of the prodigal band Sound Unltd—simultaneously—brings about a battle of sorts later! And what these angels speak is each band member’s ‘mission of God’ that the ‘witch’ of the Hovels, at the behest of the Tooters, informed the band about at a recent meeting, which took place across from the Tooters statue in Victoria Park in the band’s home city of Walltown, early June, 2000.
For she had already instructed the band leader Jack as well as drummer Tom that the band must perform at the upcoming Walltown Music and Trade Festival that would take place July 15-16, as headliners. In other words, the band had roughly six weeks to get the festival set-ups ready for hundreds of thousands of festival goers, including setting up bleachers on either side of the park as well as large video screens and television and recording crews—and the band would pay the entire costs of the festival, and would perform for free!
Continue reading “Random Trilogy Snippets, Part Four: The Biggest Battle is Spiritual (Part Four)”
Random Trilogy Snippets, Part Four: The Biggest Battle is Spiritual (Part Two)
To heck with waiting until next week to post this ‘spiritual battle’ part two, The Prodigal Band Trilogy, snippet post. While looking through the novel for snippets relating to spiritual battles between spirit entities or between the band characters and these entities, I found a long snippet that shows why one spiritual side or the other cannot always carry out their assigned task of winning over the people (real or fictional) the spirits are supposed to win over. In other words, there are spiritual battles among the group of people themselves, which hamper the spirit forces’ tasks. In the entire trilogy, it just might be the best example of this spiritual ‘tug-of-war’ among the band characters. All of them—singer Erik, drummer Tom, guitarist-band leader Jack, guitarist-producer Mick, bassist Keith, and keyboard-synthist Bryan—are featured. The long snippet is within Chapter Eight of Battle of the Band.
Having just completed a special ‘World Unity Day’ concert in San Antonio, Texas, the two main song composers, Erik (lyrics) and Jack (music) fall asleep in a limo headed to Houston for another gig as well as an appointment at a recording studio to track a new song. While asleep, the satanic character Corion’s minions called the Demons (Gold, Silver, Bronze) ‘give’ the two a new song, not only to be recorded, but to ‘seal the band’s oath’ to the evil as part of the band’s ‘pact’ with Corion explained early in this first novel of the trilogy. Later that morning the song is recorded, but questions arise as to the origin of the song, a song which has an historical context for both the good and evil sides. The song is called “Song of the Demons” (and I will not post the lyric words in this snippet). Eventually, the six discuss the ‘why’ of being ‘given’ a song ‘of demons’ when one of them brings up a previous event as the band several years before began their nationwide contest-winning tour, when Jack ‘prayed’ for success. Then drummer Tom, the ‘channeler’ of spirits within his entourage of new agers, arranges to channel the spirits to find out the truth of this situation. Also mentioned in the snippet are the Tooters, the good angels opposing Corion and his Demons.
Continue reading “Random Trilogy Snippets, Part Four: The Biggest Battle is Spiritual (Part Two)”
Snippets of The Prodigal Band Trilogy: Historical Context, Part Two—William of Normandy Invades Britain, and Genealogy
As with the Roman invasion of Britain under Emperor Claudius in 43 AD, the Norman invasion of Britain in 1066 AD has little context within The Prodigal Band Trilogy, except for one thing: a major spiritual character, Morwenna, aka ‘the witch of the Hovels,’ would not have had the influence she had on the prodigal band had this invasion not taken place, and had this invasion not been aided by an aristocratic family that somewhat aided the forces of William the Conqueror.
It is weird with aristocrats…throughout history, various aristocratic families have had a tendency to aid the enemies of their countrymen and that would include fellow aristocrats. But when power is to be had, aristocrats often turn against their fellows in order to gain power: Julius Caesar vs. Brutus; Tutors vs. Stuarts; the Hundred Years War between opposing yet related royal families of France and England; the Biblical split up of Israel into Israel vs. Judah, Spanish vs. Austrian Habsburgs, and many more. But the rivalry between Duke William of Normandy and England’s King Harold, as both are closely related, is somewhat complicated, which led to the Norman invasion aided by Norsemen and other English rival aristocrat families where timing was key. From the Wikipedia page on the Norman Conquest:
“The Norman Conquest (or the Conquest) was the 11th-century invasion and occupation of England by an army made up of Normans, Bretons, Flemish, and men from other French provinces, all led by the Duke of Normandy later styled William the Conqueror.
William’s claim to the English throne derived from his familial relationship with the childless Anglo-Saxon king Edward the Confessor, who may have encouraged William’s hopes for the throne. Edward died in January 1066 and was succeeded by his brother-in-law Harold Godwinson. The Norwegian king Harald Hardrada invaded northern England in September 1066 and was victorious at the Battle of Fulford, but Godwinson’s army defeated and killed Hardrada at the Battle of Stamford Bridge on 25 September. Within days, William landed in southern England. Harold marched south to oppose him, leaving a significant portion of his army in the north. Harold’s army confronted William’s invaders on 14 October at the Battle of Hastings; William’s force defeated Harold, who was killed in the engagement.”
So Vikings invaded northern England around the time Normans did? Hmmmm… Yet, if one has watched the History Channel TV series Vikings, it might make sense. It turns out William of Normandy is directly descended from Normandy’s first ruler, Rollo, a Viking (and brother to the TV show’s main character, Ragnar Lothbrok), who, after trying to conquer France in Paris, wound up marrying the Carolingian King Charles’s daughter (and supposedly converting to Christianity) and was given Normandy to rule over in 911 AD. (Note: the Carolingians are descended from Charlemagne, who took over France in 800 AD, crowned by the pope of that time.)
“In 911, the Carolingian French ruler Charles the Simple allowed a group of Vikings under their leader Rollo to settle in Normandy as part of the Treaty of Saint-Clair-sur-Epte. In exchange for the land, the Norsemen under Rollo were expected to provide protection along the coast against further Viking invaders. Their settlement proved successful, and the Vikings in the region became known as the “Northmen” from which “Normandy” and “Normans” are derived. The Normans quickly adopted the indigenous culture as they became assimilated by the French, renouncing paganism and converting to Christianity. They adopted the langue d’oïl of their new home and added features from their own Norse language, transforming it into the Norman language. They intermarried with the local population and used the territory granted to them as a base to extend the frontiers of the duchy westward, annexing territory including the Bessin, the Cotentin Peninsula and Avranches.”
So, is it possible these Viking invaders against King Harold invaded to aid in the cause of Rollo’s (I’m speculating here) great-great grandson, William? Hmmmm…. It was Rollo, then son William I, grandson Richard I, then sister of great-grandson Richard II (Edward the Confessor), then Harold, whom William considered illegitimate as he was promised the throne. And why does a Viking invasion have any context within the trilogy? For one thing, the mother of singer Erik is Norwegian—from what would turn out to be a family that had roots in the Norman invasion, as a snippet will tell later in this post.
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