Fiction Writing – Page 2

The Prodigal Band’s ‘Missions of God’: Snippets On How the Prodigal Band Carries Them Out (Part Five): Bassist Keith’s Mission

Next up is the mission of prodigal band bassist Keith, who, unlike drummer Tom, as well as guitarist Jack and, to a lesser extent, singer Erik, never experienced a day of poverty in his life. Not only did he grow up in a solidly middle-class family, but his kin folks were well known to be heavily involved in the music field. His grandfather was an orchestra conductor, classical music composer, and orchestra bassist and viola musician as well. His father played in a somewhat successful early rock band on electric bass. Both taught Keith on acoustic and electric bass at an early age; he was a child prodigy on bass, and bass was his thing, though he also did backing vocals.

But his other passion was being a local gang member who would also be a leader of sorts. That was why Keith was given the mission of God that he was given, aided by the fact that he was part-Afro on his mother’s side. After all, many street gangs then and now have black members. From Chapter Ten of The Prophesied Band (© 1998 Deborah Lagarde) is the mission given by one of God’s angels, the Tooters, during the final singing note at the local music festival in 2000:

Keith only stood in wonder and listened as Tooter Two spoke to him.

“As always, Keith Mullock, you will listen to and do what your leader Jack says. He will instruct you in His Word. And this is what you will do with it, for you are a true son of the working-classes and gang youth brother. You will use His Inspired Word to bring the blue-collar youth and the youth of the streets into His fold so that the discouraged, the disaffected, and the gang youth of violence will turn their energies into serving their Creator and His Son before it’s too late. And in this way, worker’s son of The Code, you can fulfill your promise to live by it.”

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The Prodigal Band’s ‘Missions of God’: Snippets On How the Prodigal Band Carries Them Out (Part Four): Drummer Tom’s Mission

Next up is the prodigal band drummer Tom, who was born into great poverty within the slum district called the Hovels in the band’s hometown, his father being indentured along with other folks in this district. At age nine, a spirit being called the witch of the Hovels convinced Tom to leave the Hovels and become adopted by the band’s original manager, Billy Prestin—who also adopted guitarist and band leader Jack, who escaped an abusive father within a supposedly Christian cult. Upon becoming a wealthy rock star, Tom was determined to free his family from indenture (as well as the other Hovels indentured folks) by paying off the debt and also was determined to find out who indentured his family. In the meantime, he chose to hang out with other wealthy celebrities and aristocratic upper class associates so as to find some clues as to who held the indent over his family. That was how he met and developed a loving relationship with the princess of a fictitious principality inside Italy called Leandro, Princess Tina. The love that developed between the two was about more than just finding out who indentured his family. And the man who controlled the indent, another aristocrat named Marty, the Duke of Effingchester, having learned Tom paid off the debt—which was a curse on him as told to ancestors by the satanic spirit character Corion—vowed to get revenge on Tom by marrying the Princess! Tina, of course, was totally opposed to the marriage and despised the Duke and continued in secret to be with Tom when possible. Further, it was Tina who paved the way for Tom to realize he had to turn from his debauched celebrity lifestyle and (as she said to him in The Prophesied Band) ‘open the Bible.’ Further, in Chapter Eight of that second trilogy novel, both Tom and Tina witnessed a satanic ritual through a window of an underground room within satanic cult leader Cole Blessing’s residence. Thus, since Tom hung out with aristocrats and celebrities who were also influenced by the forces of evil and was partnered with a force for good, the Princess who was also fighting the evils of her Godless husband the Duke, God’s angels, the Tooters, gave Tom this mission they knew he could carry out…as long as Tom would not carry put what he promised his father in a letter stating he had paid off the debt—that is, to kill the man who indentured his father. Below, from Chapter Ten of The Prophesied Band, is the mission given to Tom by the Tooters as singer Erik held the final note of the final song at the hometown music festival:

Tom, his drums silent, also listened.

“You will know His Word by your band leader’s instructions. You must know these Words so that you can use them to fight Corion’s new order and the Evil of Corion you saw that night at Cole Blessing’s home. Your mission is to make your entertainment colleagues turn from their Godless ways and to take the tool of Godless culture away from the servants of Evil. Your enemy, the Duke of Effingchester, will try to stop you. You must defeat his influence, but you must not defeat him as you once promised your father. Remember, The Creator will deal with him.”

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The Prodigal Band’s ‘Missions of God’: Snippets On How the Prodigal Band Carries Them Out (Part Three): Guitarist-Producer Mick’s Mission

I would say Mick’s mission was given to him by God’s angels, the Tooters, as it was given because of his connections to the occult as well as the fact that he was considered by the media and fans and more as the most reprobate member of the prodigal band, including the fact that he had been bisexual and hung out with supposed Satanists. Further, when the angel gave him the mission message while the singer held his final song note at that local music festival in July, 2000, that angel “spewed fire” in disgust as he spoke (from Chapter Ten of The Prophesied Band, © 1998 Deborah Lagarde). The angel’s message is below:

None of the six were more shaken than Mick, who shivered mightily in his clothes as Tooter One, with a voice that could spew brimstone, helped the lanky one recount his many acts of perversion: pagan worship, leading your occultist Druid Family cult, promoting and loving the satanic singer, Adam Bloodlove.

“Even so, you have finally seen some of the error of your ways and are thus entitled to complete your mission. One, continue to mend your sinful lifestyle. As you do this, we, The Tooters of The Creator, charge you with making your fellows in perversion see their own errors. As well as you can, lead the fornicators and pagan worshipers to the One True God. Your mission completion will help Him weigh the rest of your life in the balance. We hope you will not be found wanting.”

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The Prodigal Band’s ‘Missions of God’: Snippets On How the Prodigal Band Carries Them Out (Part Two): Guitarist-Band Leader Jack’s Mission

Next up is guitarist-band leader Jack’s mission, which was given to him during singer Erik’s final singing note to end the performance of a prophetic song at a local music festival, given to him by God’s angels, the Tooters. The message to him, stated in the snippet below, was given to him for two reasons. One, he was the leader of the band, having also been the leader of the street gang four of the band members originally hailed from. Two, he was the only band member who had ever actually read God’s Word, the Holy Bible. Never mind that his father, who followed an evil fake “Christian” cult, beat him over the head with it! So that, while he had read parts of the Bible, having been abused with it, Jack was still reluctant to lead band members into studying it, as stated below. Thus, this mission wasn’t exactly an easy one! Yet while abuse from his father using the Bible caused Jack to hate Christianity, he never thought Christ Himself favored this abuse, which is why the Tooter giving him the mission message could count on Jack doing the mission, stated in the angel’s final sentence about ‘guidance.’

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The Prodigal Band’s ‘Missions of God’ Snippets: How the Prodigal Band Carries Them Out (Part One): Singer Erik’s Mission

So begins another snippets episode series from The Prodigal Band Trilogy. This series, in at least six parts, shows how each of the prodigal band members carries out examples of their given ‘missions of God,’ given by His angles, the Tooters, and given to them simultaneously during the final singing note at the very end of a performance of a prophetic song at a music festival in their home city of Walltown in northeast England. It is important to note that the Tooters, after telling each of them their given missions, tell them it is God’s Will for them to carry out these missions, for they are, indeed, ‘the prophesied band.’ The given missions, thus, are given to them in the final chapter of the second trilogy novel, The Prophesied Band.

First up is perhaps the mission that would seem to be the easiest to carry out, since it simply involved singing—to have the youth hearing Sound Unltd vocalist Erik’s singing voice to repent of their sinning ways and call upon the name of the Lord, that is, Christ. Only the singer doesn’t fully understand what the angels are saying, because, after all, he is an ‘unrepentant sinner’ and is not ‘religious.’ So, while singer Erik’s mission seems easy since it just involves singing, what the mission also implies is that the singer would have to, first of all, do a ‘mission’ on himself! It’s easy to sing about Christ, but would one really choose to sing about Christ unless one truly believes on Christ? Further, can a person singing about Christ, but not believing in Christ, convince the listener of the song to accept Christ as Lord and Savior? Hmmmm….

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A Look at the Key Chapter of The Prodigal Band Trilogy that Decides the Fate of the Prodigal Band, and Their ‘Redemption Draws Near’ (Part Five)

This final post within this series that decides the fate of the prodigal band and their redemption is below, but it begins with the final sentence of the previous post, Part Four, to serve as a reminder of their decisions they must make and what they have to do in order to make their decisions—get rid of ‘the baggage’ that ‘caused’ them to ‘repudiate’ or never consider making that decision they would make individually ‘as a group.’ Below is the snippet, in its entirety from the end of Chapter Eleven of The Prodigal Band, © 2018 Deborah Lagarde.

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A Look at the Key Chapter of The Prodigal Band Trilogy that Decides the Fate of the Prodigal Band, and Their ‘Redemption Draws Near’ (Part Four)

The previous post in this series, Part Three, where the prodigal band is within white, timeless void, ends with former roadie, Bobby, who also composed a song for them relating to their “missions of God” about ‘the Way,’ Chrit, telling them that they had a choice as to accept the missions through accepting Christ—it was up to them, period. In this Part Four, they begin their journey into making that choice. The snippet, neither long nor short, will be broken up a couple of times in order to explain necessary ‘background’ material to help the reader understand what is happening within the snippet, from the middle of Chapter Eleven of The Prodigal Band, © 2018 Deborah Lagarde. Below is the snippet, in portions.

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A Look at the Key Chapter of The Prodigal Band Trilogy that Decides the Fate of the Prodigal Band, and Their ‘Redemption Draws Near’ (Part Three)

The previous post, Part Two of this series, ends with the six prodigal band members heading upward along a “line” that seemed to move upward to an undetermined location. Then, suddenly, a “dot” is noticed. In previous posts, “dots” would indicate the presence of a person—or a being of some kind. The “being” they encountered tells them what they needed to hear to guide them into their “mission,” and appeared in person in the previous chapter: Bobby, a former roadie who sent them a song he wrote that he hoped would inspire them to do what was necessary to carry out their “missions of God.” It was this event which caused them to consider whether they would truly accept and accomplish their “missions,” or not. Bobby also told them why they had to be “raptured” (caught up) to this “timeless void.”

The snippet below, unlike the previous one, is rather short.

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A Look at the Key Chapter of The Prodigal Band Trilogy that Decides the Fate of the Prodigal Band, and Their ‘Redemption Draws Near’ (Part Two)

This post, Part Two, from the likely most important chapter (Chapter Eleven) in the entire Prodigal Band Trilogy, opens up the likelihood that the band will collectively accept not only their “God-given” missions (given by God’s angels), but God Himself.

But first, let me state why, having said I would post the week after posting Part One, which was last week, I could not post: I could not post because I was too busy being with family and barely even used the internet. I wasn’t even at the location I am now.

Now then, on to Part Two of this series, and a very long post at hand, broken into sections to help in the explanation of this post.

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A Look at the Key Chapter of The Prodigal Band Trilogy that Decides the Fate of the Prodigal Band, and Their ‘Redemption Draws Near’ (Part One)

It is within Chapter Eleven of The Prodigal Band, the third novel of The Prodigal Band Trilogy, where the most important key to the purpose of writing this trilogy is found. It is where the prodigal band named Sound Unltd decides to ‘return to the Father,’ that is, God, as the Luke 15 Parable of the Prodigal Son states. It is where they collectively decide to accept Jesus Christ as Lord and Savior and Redeemer.

It has been over three weeks since I posted my last post which related to The Murder Rule, the post being inspired by the near-assassination of Slovakia leader Fico and the assassination of a military leader of Iran, Raisi…on top of other important assassinations and near assassinations that have been done recently—and throughout history. But last night as I was reading this section of The Prodigal Band, inspiration came into my head to write here that this section ‘sealed the deal’ so-to-speak—the band would accept and carry out their ‘missions of God’ given to them by God’s angels, the Tooters, at their hometown festival, during the final note of a song the Tooters gave them years before.

This section is long and somewhat complicated as each band member sparks his personality into the conversations they carry out within a ‘void,’ a timeless, soundless, unknown dimension they think just might be ‘heaven.’ It is a void they were ‘caught up’ into having been taken out of a jet that was about to burn due to a bomb going off, a bomb placed by a minion of evil to force them to ‘toe the line’ or be murdered. They were headed to a ‘Directorate meeting’ where the agenda was to force them to finalize their ‘sell their souls to the devil’ pact, on paper, to finalize their ‘oaths’ to the satanic spirit figure, Corion. The section begins with them getting onto their 747 jet from Philadelphia to London and ends with their collective decision to accept Christ. The section will be divided into a few parts, and, unlike the snippet posts which tended to be longer, each sub-section will be explained as to the personalities within the conversations and various events that happen to them in the void, including those with Biblical implications…being “caught up,” but not quite in the clouds…

Before I post the segment that begins this series of posts, let me review for the reader’s sake the names of the band members ‘caught up’ into this ‘heavenly’ void—from Chapter One of Battle of the Band, with the names of the band members inserted in parentheses:

A lead singer (Erik) with dark brown mid-back length hair accentuated by sensuous bangs on a baby-face was slender, thin-lipped and of medium height. Voice a Godly gift. Yet, some said, the devil’s tool.

The tall dirty-haired guitarist (Jack) possessed an angular face and had hair growing on once side-shaved sides of his head. Now without the screaming instrument he fired into immortality.

The dark, strapping bass player (Keith) with bushy black curls and coal-dark eyes walked without his trademark gold chains.

The tall, lanky, beak-nosed, ringlet-haired master of many guitars (Mick) worried over his past perversions.

The pot-bellied, biker-esque synthesizer player (Bryan) famed for red hair as wild as the wind, fiery as his brew, bore a downcast of regret.

A short, curly-blond percussionist (Tom) once angered by lost love approached with the others to an unknown destination, glad with a full life behind him.

Below is Part One of this series; the scenes are a prelude to the ‘caught up’ into a ‘heavenly realm,’ with the band members at the jet and on it headed to London. But there will be ‘note’ interruptions to explain what is going on in the segments and the characters involved.

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