Sorry this post is late…no internet for 24 hours, went up about 1 p.m. today…
Now that the holidays are about over, next up is Tom, the drummer. Of all the band members, Tom was the most difficult to characterize and has that ‘walking contradiction’ feel. On the one hand he grew up extremely poor, son of indentured servants, in a true slum section called the Hovels; on the other hand, he surrounded himself with jet-setting celebrities and sons and daughters of aristocracy. On the one hand he was a loner of sorts and tended to show up at gigs and band meetings late; on the other hand he could only be himself surrounded by his band mates, their women, or roadies. On the one hand he loved to argue–with his antagonist Mick, but also with his band manager, his woman, a princess, and other friends among the jet-setters; on the other hand he has no truly discordant agenda with the group and seeks no attention within the group. And, when he is bored with his jet-set entourages, he travels the world meeting ‘real’ people (such as Sherpas in Nepal, African tribesmen in Tanzania, and Muslims in Morocco), and loves mountain climbing (but not skiing). One minute he’s an arrogant pretender among those he considers phonies, and the next minute he’s as humble as a celebrity could get. He pretends to ‘channel’ the so-called ‘god’ Corion using one form of ‘persona’ and then meets ‘real’ people and becomes an activist of sorts, and even converses with good spirits. He even paid off all indentured debt in his hometown of Walltown.
Here is his description: “A short, curly-blond percussionist once angered by lost love approached with the others to an unknown destination, glad with a full life behind him.” He is five-foot-six and tends to wear cotton clothing.
Continue reading “The Prodigal Band Trilogy Character Snippets: Tom, the Drummer”
Next up is Mick, guitarist, guitar-synthist, ‘master of many guitars’ such as mandolin, sitar, shamisen, etc. and temporary bassist until the original bassist, Keith, rejoins the band (Keith’s character is coming soon.) Mick, sexually abused by his mother leading to his bi-sexuality, is bullied in school, but being with fellow band members who were gang boys as well gives Mick an incentive to ‘grow a pair’ if you know what I mean. By the time his band Sound Unltd has made it big in early 1989, Mick is ready to let Keith take over bass and show his mastery at various guitar-like instruments, start an occultist New Age cult, and become the band’s recording producer. Thus, while Jack is the band leader and Erik is the stage front man, Mick is in charge of recording production and runs the recording studio side of the equation. (The final three members have their own leadership roles as well.)
Description of Mick from Chapter One of Battle of the Band:
“The tall, lanky, beak-nosed, ringlet-haired master of many guitars worried over his past perversions.”
He is also dark-brown-haired, about six-foot-three, skinny (and drummer Tom calls him ‘Skinny’), and wears robes with silk shorts or leather and silk or satin shirts, and earrings in both ears. This indicates his bi-sexuality. (Heterosexuals wear earrings in the left ear, homosexuals in the right ear, bisexuals in both.)
Continue reading “The Prodigal Band Trilogy Character Snippets: Mick, the guitarist-producer”
Next up is band-founder, song-writer, and leader, guitarist Jack.
Before forming the band Sound Unltd, he led the street gang that some of those band members helped him lead as well. While both he and singer Erik lived in great poverty as children, Jack’s own father was abusive, beating his young son over the head with a Bible! Of all the band members, Jack thus hated religion the most. In a snippet also revealing the abuse, he himself dishes out another form of abuse, but not with a Bible. Yet, having to be the leader of the band and make sure any disagreements within the band are solved, Jack does manage to keep his wits about himself for the most part. He does occasionally take part in ‘verbal judo’ with is adoptive father, Billy, the band’s original manager. As with the singer and others in the group, he, too, is a sex hound of sorts, and does over-do on opium-laced drugs at times.
“The tall, angular-faced guitarist possessed dirty-blond hair now growing on once-shaved sides of his head. Now without the screaming instrument he fired into immortality.”
Continue reading “The Prodigal Band Trilogy Character Snippets: Jack, the Guitarist-Band Leader”
I now begin the snippets about the several major characters: the members of the band this trilogy is about, their women, the main “bad guy” characters and the main “good guy” characters. All in all there are close to 20 of these!
Folks I don’t know a trilogy series with as many as 20 important characters, but I couldn’t help it. So I will boil it down to the major characters that appear in all three books of the trilogy.
I am starting off with the singer-frontman band member, Erik, because in most bands the singer-frontman is the most noticeable and most well-known member, the one ‘the whole world’ has heard of. Here is his physical description:
A lead singer with dark brown mid-back length hair accentuated by sensuous bangs on a baby-face was slender, thin-lipped and of medium height. Voice a Godly gift. Yet, some said, the devil’s tool.
Plus he has blue eyes.
Without going into telling this character’s main attributes–I will let the reader figure these out for themselves–I will state wherein these character snippets occur, in what chapter of what book the snippet is within.
Continue reading “The Prodigal Band Trilogy Character Snippets: Erik, the Singer-Frontman”
Since this “snippet” series began with the genre category of Comedy, it is fitting that it ends with the category of Tragedy. Both are the hallmarks of theater that began in ancient Greece and are historically headlined by the immortal William Shakespeare.
When it comes to plays, NOBODY rivals Shakespeare! Tragedies IMHO are his magnum opus (especially MacBeth and Hamlet) but my favorite comedy character, theatrical or otherwise, is the ‘buffoon’ known as Falstaff, who appears in several of Shakespeare’s plays about various kings named Richard. Then there is Romeo and Juliet, which has inspired any number of spinoffs, one of my favorites being Adam Sandler’s You Don’t Mess with the Zohan, where an Israeli special ops agent takes on his main rival, The Phantom, a Palestinian “terrorist” leader with Hezbollah ties. But Zohan gets tired of that job and wants to be a hair-dresser. So he secretly moves to the US (after failing to take down Phantom) and becomes a hair-dresser. At a salon owned by Palestinian Dahlia, who turns out to be sister to the Phantom! They fall in love and marry–the Israeli-Palestinian “Romeo and Juliet”!
The greatest tragedy? When Hamlet ponders his existence using the immortal line, “To be or not to be, that is the question.” And then the rest of the soliloquy.
Continue reading “Snippets of The Prodigal Band Trilogy: Tragedy”
Suspense is defined as a play on anxiety, and when reading a book or watching a show or movie, “suspense” leaves one “on tenterhooks” as if one is holding one’s breath waiting for some event to happen. Mystery novels and horror novels and crime novels are loaded with suspense, and likely all novels have some suspense attached to them.
There is plenty of suspense in The Prodigal Band Trilogy, but in only a few instances is the suspense of truly “being on tenterhooks” level exists in this three-books-in-one trilogy. Below I will “snippet” perhaps the most suspenseful part of the book, which takes place in Chapter Twelve of The Prodigal Band.
Continue reading “Snippets of The Prodigal Band Trilogy: Suspense”
Everyone has their definition of “comedy” because everyone has their own sense of humor and everyone has their own idea of what is “funny” and what isn’t, which could also include satire (which I will deal with later…in my opinion there is more satire than comedy in these three books that make up the trilogy.)
The first example also includes some slapstick…well, that’s my opinion anyway. This example is found in the final chapter of Battle of the Band and comes right before another category I just added to the series, Tragedy.
Continue reading “Snippets of The Prodigal Band Trilogy: Comedy”
But before I do the repost, here is some news regarding my The Prodigal Band Trilogy e-book to be published by Lulu Publishing: I have just sent in the manuscript revision sheet for the final proof…and I couldn’t believe how many typos and grammar issues I had to revise! And I’m sure I forgot one or two… Printed copies of the three-books-in-one will also become available, and Lulu will send me a few when it is completed…complimentary copies.
Onto the repost…
Originally posted March 2, 2018 on my Blog
I know that sounds bloviated, unrealistic, conceited even, to call my little independent publishing company hardly anyone has ever heard of “home of the world’s most unique fiction.” But folks, I do believe it is true. Here is why:
Continue reading “Why is OmegaBooks “Home of the World’s Most Unique Fiction”? (Repost from my author blog, March 2, 2018)”
Read the rest here
For the original blog posts, they are here at the Blog.
Since Lulu.com is now in production mode of my “three-e-books-in-one” The Prodigal Band Trilogy, now is a good time to rehash “the why” I created these books beginning years ago.
While not quite as important to the novels as the six band members of Sound Unltd, all big-time rock bands or rappers or pop singers or whatever have ‘administrative staff’–managers, road managers, roadies, producers, promoters, accountants, lawyers, consultants, and what not. A few of these types of support staff personnel within the three books are important characters that appear in all three books. And they are–
Continue reading “About the Prodigal Band Trilogy–Main Characters-Part 3: Support Characters and Women”