When Snippets Become Spin-Offs: The Murder Rule, and More (Part Two)

In the previous post, here, I discussed the new novel-in-parts that for right now will be called The Murder Rule, with two parts already being worked on and one or two or three more parts being considered—there will be at least one more part to this novel. Here is a snippet from the previous post linked above featuring two of the main characters within this first part:

In order to introduce this novel-in-the-works, I will begin with a snippet that will introduce a major character within The Murder Rule. He is another rock star, singer Denny Spradlin of the band that helped mentor the prodigal band Sound Unltd, called Wolfin. (Note: it was originally called ‘Wolfen,’ but since that is the name of an 80s mystery movie set in the Bronx, I had to change the spelling.) Denny and his collaborator, guitarist Blake Fenmore, while loving their fame and fortune, eventually turn into nothing but party animals and eventually become lazy and stop producing hits, falling into has-been-dom, which leads to trouble and danger. Denny becomes a ‘useless eater’ of sorts to those controlling the music industry evil agenda; further, he is addicted to the opioid designer drug mentioned in the trilogy, called skuz.

The previous post linked above ends with a snippet from Chapter Nine of Battle of the Band that inspired this part of the new novel. This snippet ends with a televised report of Denny being found dead ‘from a drug overdose,’ which shocked the viewer of this report, the singer for the prodigal band, Erik, who considered the possibility that Denny might commit suicide even though Denny told him he wouldn’t even consider it.

This notion of a rock star committing ‘suicide’ has been commonplace since the 60s, if not a drug overdose: Jimi Hendrix, Jim Morrison, Janis Joplin, Kurt Cobain, Chris Cornell and Chester Bennington were prominently featured in my post from last June, here, about ‘if dead rock stars could talk.’ Some of these deaths, which have been proven of late to have likely been murders, caused some inspiration for my trilogy, considering that it seemed as if these murders happened because these rockers went against the evil narrative that has been growing within the music industry since the 60s. And because my fictional prodigal band Sound Unltd slowly but surely turned against the narrative, they too would be planned ‘victims.’ Only it didn’t quite work out as the fictional evil music industry overlords had hoped for the prodigal band. Unfortunately for Denny, the evil ‘plan’ did work; but before he died, Denny put a kink of sorts into the ‘plan.’

And that brings me to this snippet from The Murder Rule, which features the entire first chapter. The first part features Wolfin singer Denny Spradlin and an ‘advisor’ and ‘friend’ who just happens to represent the music industry evil narrative, who is ‘advising’ Denny (as well as fellow band member and ‘party animal’ Blake Fenmore, Wolfin’s guitarist) to, so to speak, ‘do what you’re told.’ Get back to the music business in order to make hits and hit videos; recruit for the agenda ‘mission’ according to what is called ‘The Pleasure Rule,’ and mentor these future rock stars according to the industry narrative—in reality, recruit for the evil, which in The Prodigal Band Trilogy is known as Corion, the ‘god’ of the evil and satanic cult called ‘The Church of the Circle of Unity.’ For there are ‘consequences’ for those who fail to fulfill these ‘missions.’

Continue reading “When Snippets Become Spin-Offs: The Murder Rule, and More (Part Two)”

The Truth About the (Music) ‘Industry’ Expounded in The Prodigal Band Trilogy (Part Five)—If Dead Rock Stars Could Talk (Part One)

In the opening line of The Prodigal Band is this statement: “If dead rock stars could talk.”

It was uttered by a man called ‘Trenchcoat’ who partook in the attempt to murder, or at least do great harm, to the members of the prodigal band Sound Unltd, and he speaks the above opening line in Chapter One of the third novel in the trilogy. ‘Trenchcoat’ works for a secret society of assassins called ‘the Dark Web’ that does the bidding of the evil satanic group the Hellyons and also the evil secret society of elitists called the Novordo Club.

But instead of posting The Prodigal Band Trilogy snippets for now, I am posting actual truth about the possible fates of those in the music industry that went against the narrative that serves the rulers of this industry, including record label owners, parent company owners, handlers, venue owners, etc. Because the prodigal band Sound Unltd did serve the owners and the evil, but did begin turning toward industry truth after various tribulations, repenting in the end. The snippets about this will appear in the next post next week.

For now, I will provide some examples of this truth that there is a price to pay for going against the narrative, using several links to researched articles, some with videos.

This post will offer evidence that a number of rock stars (and not just rock stars by the way…the murders of rappers Biggie Smalls aka Notorious B.I.G and Tupak Shakur are clearly of evil intent relating to rival record companies…check this out in the link to Vigilant Citizen below) died under suspicious circumstances that while are considered ‘suicides’ are more likely murders. This includes members of the notorious “27 Club” (Jimi Hendrix, Jim Morrison, and Kurt Cobain) as well as Stephen Hutchence, Chris Cornell, Chester Bennington, and Avicii, who was a DJ…they ‘suicided’ by hanging from doorknobs.

The rest of this post tells why the ‘suicides’ are more likely punishments for the rockers’ desires to expose evil in the industry and in the corridors of the elites who rule this world, not just the ‘industry.’

Continue reading “The Truth About the (Music) ‘Industry’ Expounded in The Prodigal Band Trilogy (Part Five)—If Dead Rock Stars Could Talk (Part One)”

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