At the end of Part Two, I said that an actual spiritual incident I witnessed, which caused me to commit to Christ as Lord and Savior, inspired me to figure out a way to complete the ‘prodigal band’ story (using the Parable of the Prodigal Son as a guide) so as to create a novel trilogy that could spread ‘the message’ of redemption and salvation that anyone could accept freely, of their own free will. This incident certainly helped me to write The Prophesied Band, which ends with the prodigal band Sound Unltd being given ‘mission of God’ by the spiritual forces of Good. But would the prodigal band, having no idea about how to complete these missions, as well as being either atheist or agnostic toward Christianity and religion in general, be able to truly accept the missions and complete them?
In 1998, The Prophesied Band was published and printed (by a different outfit from the one that printed Battle of the Band), but this time I had far fewer copies printed—a wise decision! During that summer I sold roughly one-third of the number of printed copies at local festivals and writer conferences and made enough money to actually cover the cost of printing. By the following summer, I had sold about half of the book copies, and more than half by the fall of 2000. By then I had another Mac desktop and Corel WordPerfect software knowing that likely the next desktop computer would be using a Windows operating system (for one thing, a new Mac computer is almost double the cost of a Windows computer, and hubby and my kids wanted me to get one with Windows, likely with Windows 98).
Continue reading “How I Wrote The Prodigal Band Trilogy, Part Three”
Sorry this post is late, but last week I was entirely with loved ones from east Texas and at a local spring-fed swimming pool full of catfish, snap turtles and other fish, some of which are endangered, among other activities.
For me, if any plot is going to have some kind of impact encouraging the reading of the novel as well as book sales, the spiritual or ‘good vs. evil’ scenario makes the most sense and is the one I could best handle. Growing up, the genre of horror movies full of good vs. evil scenes and characters made the most impact and were the most entertaining—monster movies, vampires like Dracula, men-turned-monsters like Frankenstein or the Wolf Man or zombies such as in ‘Night of the Living Dead’ and more. Without or without the science fiction aspects, I watched just about every horror movie out there in the 50s and 60s. And every one of them had a good vs. evil theme.
Then came rock music, which isn’t exactly horror (even the movie “Rocky Horror Picture Show” filled with rock music wasn’t really horror!). So this rock band I created wouldn’t exactly fit into some horror scenario. But it could certainly fit into a ‘good vs. evil’ scenario, especially when so many folks, especially Christians, thought all rock stars ‘sold their souls to the devil.’ And it was this ‘sell souls to the devil’ notion that, while it made sense—the Rolling Stones’ song ‘Sympathy for the Devil’ and Jimmy Page’s following of Aleister Crowley and the Beatles following a new age cultist called Maharishi Yogi and more—I realized this to be not quite true for most rockers, in the 60s and 70s and 80s, anyway. I needed proof, and what better way to ‘prove’ this was true or not than to have an excuse to do the research? Just because some preachers said this was true didn’t actually mean this way really true. What I found was that yes, some rockers were avowed ‘devil worshipers’ (Marilyn Manson being the most avowed as a member of ‘the Church of Satan’), and while very few were even somewhat Christian (as time went on a few would make that choice, such as Megadeath’s Dave Mustain and one or two others), it seemed to me that most were not devil worshipers but did ‘sell their souls’ for fame and fortune whether they wanted to or not. They wanted the rock star lifestyle, not devil worship. However, this did lead some into occult practices. Yet their choices often led to dire outcomes, such as drug or alcohol addiction, which my novel band characters engaged in handsomely.
Continue reading “How I Wrote The Prodigal Band Trilogy, Part Two”