I have read few Romance novels, and I have seen few Romance movies that I have any affection for (but Romance Adventure movies like High Road to China, Jewel of the Nile, and Romancing the Stone are outstanding, IMHO). But one thing I know about the Romance genre–all Romance-themed novels or movies have this in common: sexual tension. It is not tension during the act of sex, but tension between the sexes involved with the romance relationship.
For instance: in High Road to China–one of my fave movies ever–the Bess Armstrong character and the Tom Selleck character (named O’Malley), in between hugging and kissing and bedding with each other, are constantly arguing, yelling at each other, her screaming, “O’Malley!” every few seconds or so, and O’Malley all pissed off because she demanded to fly her own plane and later crashed his plane named Dorothy in Nepal, as they headed to China to find her father, who was being screwed out of millions by his crooked business partner. In the end, of course, they decide to build a good relationship upon leaving western China where her dad is leading a rebellion against some overlord in the 1920s. All novels, Romance genre or not, that build some sexual tension, always have that tension relieved at the end, when love abounds.
And there is plenty of sexual tension in The Prodigal Band Trilogy. I have already discussed this marriage tension between the bassist Keith and his wife Jarris, in the Drama snippet.. In fact there is sexual tension between each band member and his woman throughout the three-books-in-one trilogy that get resolved at some point.
But the key “romance-sexual tension” partnership within the band and their women is between keyboard-synthist Bryan and his wife, Mo, who marry early and then things begin to go awry as they bring forth children. Prior to having kids, the relationship is as good as it could be; having children become the linchpin for what develops into a rocky relationship, as I will describe below in three snippets.